Annie On My Mind

by

Nancy Garden

Publisher: Farrar Straus & Giroux (Juv); ISBN: 0-374404143; Reissue

edition (September 1992)

It's raining, Annie.

Liza--Eliza Winthrop stared in surprise at the words she'd just written;

it was as if they had appeared without her bidding on the page before

her. "Frank Lloyd Wright's house at Bear Run, Pennsylvania," she had

meant to write, "is one of the earliest and finest examples of an

architect's use of natural materials and surroundings to ..." But the

gray November rain splashed insistently against the window of her small

dormitory room, its huge drops shattering against the glass as the wind

blew. Liza turned to a fresh page in her notebook and wrote: Dear Annie,

It's raining, raining the way it did when I met you last November, drops

so big they run together in ribbons, remember? Annie, are you all right?

Are you happy, did you find what you wanted to find in California? Are

you singing? You must be, but you haven't said so in your letters. Do

other people get goose-bumps when you sing, the way I used to? Annie,

the other day I saw a woman who reminded me of your grandmother, and I

thought of you, and your room, and the cats, and your father telling

stories in his cab when we went for that drive on Thanksgiving. Then

your last letter came, saying you're not going to write any more till

you hear from me. It's true I haven't written since the second week you

were in music camp this summer. The trouble is that I kept thinking

about what happened--thinking around it, really--and I couldn't write you.

I'm sorry. I know it's not fair. It's especially not fair because your

letters have been wonderful, and I know I'm going to miss them. But I

don't blame you for not writing any more, really I don't. Annie, I still

can't write, I guess, for I already know I'm not going to mail this.

Liza closed her eyes, absently running her hand through her short,

already touseled brownish hair. Her shoulders were hunched tensely in a

way that made her look, even when she stood up, shorter than the 5'3"

she really was. She moved her shoulders forward, then back, in an

unconscious attempt to ease the ache that had come from sitting too long

at her drawing board and afterwards at her desk. The girl who lived

across the hall teased her for being a perfectionist, but since many of

the other freshman architecture students had arrived at

MIT--Massachusetts Institute of Technology--fresh from summer internships

with large firms, Liza had spent her first weeks trying doggedly to

catch up. Even so, there was still an unfinished floor plan on her

drawing board, and the unfinished Frank Lloyd Wright paper on her desk.

Liza put down her pen, but in a few moments picked it up again. What I

have to do, I think, before I can mail you a letter, is sort out what

happened. I have to work through it all again--everything--the bad parts,

but the good ones too---us and the house and Ms. Stevenson and Ms.

Widmer, and Sally and Walt, and Ms. Baxter and Mrs. Poindexter and the

trustees, and my parents and poor bewildered Chad. Annie--there are

things I'm going to have to work hard at remembering. But I do want to

remember, Liza thought, going to her window. I do want to, now. The rain

hid the Charles River and most of the campus; she could barely see the

building opposite hers. She looked across at it nonetheless, willing it

to blur into--what? Her street in Brooklyn Heights, New York, where she'd

lived all her life till now? Her old school, Foster Academy, a few

blocks away from her parents' apartment? Annie's street in Manhattan;

Annie's school? Annie herself, as she'd looked that first November day...

Mrs. Widmer, who taught English at Foster Academy, always said that the

best way to begin a story is to start with the first important or

exciting incident and then fill in the background. So I'm going to start

with the rainy Sunday last November when I met Annie Kenyon. I've wanted

to be an architect since long before I could spell the word, so I've

always spent a lot of time at museums. That day, to help focus my ideas

for the solar house I was designing for my senior project, I went to the

Metropolitan Museum of Art, to visit the Temple of Dendur and the

American Wing. The museum was so full of people I decided to start with

the American Wing, because it's sometimes less crowded, especially up on

the third floor where I wanted to go. And at first it seemed as if that

was going to be true. When I got to the top of the stairs, everything

was so quiet that I thought there might even be no one there at all--but

as I started walking toward the colonial rooms, I heard someone singing.

I remember I stood and listened for a minute and then went toward the

sound, mostly out of curiosity, but also because whoever it was had a

wonderful voice. There was a girl about my age--seventeen--sitting at a

window in one of the oldest colonial rooms, singing and gazing outside.

Even though I knew that the only thing outside that window was a painted

backdrop, there was something about the girl, the gray cape she was

wearing, and the song she was singing, that made it easy to imagine

"Plimoth" Plantation or Massachusetts Bay Colony outside instead. The

girl looked as if she could have been a young colonial woman, and her

song seemed sad, at least the feeling behind it did; I didn't pay much

attention to the words. After a moment or two, the girl stopped singing,

although she still kept looking out the window. "Don't stop," I heard

myself saying. "Please." The girl jumped as if my voice had frightened

her, and she turned around. She had very long black hair, and a round

face with a small little-kid's nose and a sad-looking mouth but it was

her eyes I noticed most. They were as black as her hair and they looked

as if there was more behind them than another person could possibly ever

know. "Oh," she said, putting her hand to her throat--it was a

surprisingly long, slender hand, in contrast to the roundness of her

face. "You startled me! I didn't know anyone was there." She pulled her

cape more closely around her. "It was beautiful, the singing," I said

quickly, before I could feel self-conscious. I smiled at her; she smiled

back, tentatively, as if she were still getting over being startled.

"I don't know what that song was, but it sounded just like something

someone would have sung in this room." The girl's smile deepened and her

eyes sparkled for just a second. "Oh, do you really think so?" she said.

"It wasn't a real song--I was just making it up as I went along. I was

pretending that I was a colonial girl who missed England--you know, her

best friend, things like that. And her dog--she'd been allowed to take

her cat but not her dog." She laughed. "I think the dog's name was

something terribly original like Spot." I laughed, too, and then I

couldn't think of anything more to say. The girl walked to the door as

if she were going to leave, so I quickly said, "Do you come here often?"

Immediately I felt myself cringe at how dumb it sounded. She didn't seem

to think it was dumb. She shook her head as if it were a serious

question and said, "No. I have to spend a lot of time practicing, only

that gets dull sometimes." She tossed her hair back over the shoulder of

her cape. The cape fell open a little and I could see that under it she

was wearing a very uncolonial pair of green corduroy jeans and a brown

sweater. "Practicing?" I asked. "Singing, you mean?" She nodded and said

in an offhand way, "I'm in this special group at school. We keep having

to give recitals. Do you come here often?" She was standing fairly close

to me now, leaning against the door frame, her head tipped a little to

one side. I told her I did and explained about wanting to be an

architect and about the solar house. When I said I was going to the

Temple of Dendur, she said she'd never seen it except from outside the

museum, and asked, "Mind if I come?" I was surprised to find that I

didn't; I usually like to be by myself in museums, especially when I'm

working on something. "No," I said. "Okay--I mean, no, I don't mind." We

walked all the way downstairs, me feeling kind of awkward, before I had

the sense to say, "What's your name".

"Annie Kenyon, she said. "What ... what's that?" I said

"Liza Winthrop" before I realized that wasn't what she'd asked. We'd

just gotten to the medieval art section, which is a big open room with a

magnificent choir screen--an enormous gold-painted wrought-iron

grating--running across the whole back section. Annie stood in front of

it, her eyes very bright. "It's from a Spanish cathedral" I said,

showing off. "668 ..." "It's beautiful," Annie interrupted. She stood

there silently, as if in awe of the screen, and then bowed her head. Two

or three people coming in glanced at her curiously and I tried to tell

myself it was ridiculous for me to feel uneasy. You could walk away, I

remember thinking; you don't know this person at all. Maybe she's crazy.

Maybe she's some kind of religious fanatic. But I didn't walk away, and

in a couple of seconds she turned, smiling. "I'm sorry," she said as we

left the room, "if I embarrassed you."

"That's okay," I said. Even so, I led Annie fairly quickly to the Hall

of Arms and Armor, which I usually go through on my way to the temple.

The Hall is one of my favorite parts of the museum--one is greeted at its

door by a life-sized procession of knights in full armor, on horseback.

The first knight has his lance at the ready, pointed straight ahead,

which means right at whoever walks in. Annie seemed to love it. I think

that's one of the first things that made me decide I really did like

her, even though she seemed a little strange.

"Oh--look!" she exclaimed, walking around the procession. "Oh--they're

wonderful!"

She walked faster, flourishing an imaginary lance, and then began

prancing as if she were on horseback herself. Part of me wanted to join

in; as I said, I've always loved those knights myself, and besides, I'd

been a King Arthur nut when I was little. But the other part of me was

stiff with embarrassment. "Annie," I began, in the warning voice my

mother used to use when my brother and I got too exuberant as children.

But by then Annie had pretended to fall off her horse, dropping her

lance. She drew an imaginary sword so convincingly I knew I was admiring

her skill in spite of myself, and then when she cried, "En garde!

Stand and fight or I'll run you through!" I knew I wasn't going to be

able to keep from smiling much longer. "If you do not fight me, knight,"

she said, "you will rue the day that ever you unhorsed me here in this

green wood!" I had to laugh then, her mood was so catching. Besides, by

then I'd noticed that the only other people around were a couple of

little boys at the opposite end of the Hall. In the next minute I

completely stopped resisting. I imagined a horse and leapt down from it,

crying in my best King Arthur style, "I will not fight an unhorsed

knight and me mounted. But now that I am on the ground, you will not

live to tell the tale of this day's battle!" I pretended to throw aside

my lance and draw a sword, too.

"Nor you!" cried Annie with a lack of logic that we laughed about

later. "Have at you, then!" she shouted, swiping at me with her sword.

In another minute we were both hopping in and out of the procession of

knights, laying about with our imaginary swords and shouting chivalrous

insults at each other. After about the third insult, the little boys

left the other end of the Hall and came over to watch us. "I'm for the

one in the cape!" one of them shouted. "Go, Cape!"

"I'm not," said his friend. "Go, Raincoat!" Annie and I caught each

other's eyes and I realized that we were making a silent agreement to

fight on till the death for the benefit of our audience. The only

trouble was, I wasn't sure how we were going to signal each other which

one of us was going to die and when. "Here--what's going on here? Stop

that, you two, this instant--old enough to know better, aren't you?" I

felt a strong hand close around my shoulder and I turned and saw the

uniform of a museum guard topped by a very red, very angry face. "We're

terribly sorry, sir," Annie said, with a look of such innocence I didn't

see how anyone could possibly be angry at her. "The knights are so--so

splendid! I've never seen them before--I got carried away."

"Harrumph!" the guard said, loosening his hold on my shoulder and saying

again, "Old enough to know better, both of you." He glared at the two

little boys, who by now were huddled together, mouths wide open. "Don't

let this give you any ideas," he roared after them as they scurried off

like a pair of frightened field mice. When they were gone, the guard

scowled at us again--he scowled, that is, but his eyes didn't look

angry. "Darn good fight," he grunted. "Ought to do Shakespeare in the

Park, you two. But no more, he said, shaking his finger. "Not

here--understand?"

"Oh, yes, sir," Annie said contritely, and I nodded, and we stood there

practically holding our breaths as he lumbered away. The second he was

gone, we both burst out laughing. "Oh, Liza," Annie said, "I don't know

when I've had so much fun."

"Neither do I," I said truthfully. "And, hey, guess what? I wasn't even

embarrassed, except right at the beginning." Then a funny thing

happened. We looked at each other, really looked, I mean, for the first

time, and for a moment or two I don't think I could have told anyone my

name, let alone where I was. Nothing like that had ever happened to me

before, and I think--I know--it scared me. It was a bit longer before I

could speak, and even then all I could say was, "Come on--the temple's

this way." We went silently through the Egyptian section, and I watched

Annie's face as we walked into the Sackler Wing and she saw the Temple

of Dendur, with the pool and open space in front of it. It's a sight

that stuns most people, and it still stuns me, even though I've been

there many times. It's the absence of shadows, I think, and the

brightness-- stark and pure, even on a day as rainy as that one was.

Light streams in through glass panels that are as open as the sky and

reflects from the pool, making the temple's present setting seem as vast

and changeable as its original

one on the river Nile must have been thousands of years ago. Annie

gasped as soon as we walked in. "It's outdoors!" she said. "Like it, I

mean. But--but exactly like it." She threw out her arms as if embracing

all of it, and let out her breath in an exasperated sigh, as if she were

frustrated at not being able to find the right words. "I know," I said;

I'd never felt I'd found the right words, either--and Annie smiled. Then,

her back very straight, she walked slowly around the pool and up to the

temple as if she were the goddess Isis herself, inspecting it for the

first time and approving. When she came back, she stood so close to me

our hands would have touched if we'd moved them. "Thank you," she said

softly, "for showing me this. The choir screen, too." She stepped back a

little. "This room seems like you." She smiled. "Bright and clear. Not

somber like me and the choir screen."

"But you're ..." I stopped, realizing I was about to say

beautiful--surprised at thinking it, and confused again. Annie's smile

deepened as if she'd heard my thought, but then she turned away. "I

should go," she said. "It's getting late."

"Where do you live?" The words slipped out before I could think much

about them. But there didn't seem any reason not to ask. "Way uptown,"

Annie said, after hesitating a moment. "Here ..." She pushed her cape

back and groped in a pocket, pulling out a pencil stub and a little

notebook. She scribbled her address and phone number, tore the page off,

and handed it to me. "Now you have to give me yours." I did, and then

we just sort of chatted as we walked back through the Egyptian section

and outside into the rain. I don't remember what we said; but I do

remember feeling that something important had happened, and that words

didn't matter much. In a few more minutes, Annie was on a cross town bus,

and I was heading in the opposite direction to get the IRT subway home

to Brooklyn. I was halfway home before I realized I hadn't done any

thinking about my solar-house project at all.

2

The next day, Monday, was warm, more like October than November, and I

was surprised to see that there were still leaves left on the trees

after the rain the day before. The leaves on the street were almost dry,

at least the top layer of them, and my brother Chad and I shuffled

through them as we walked to school. Chad's two years younger than I,

and he's supposed to look like me: square, and blue-eyed, with what

Mom calls a "heart-shaped face." About three years after Mom and Dad

were married, they moved from Cambridge, Massachusetts, where MIT is, to

Brooklyn Heights, just across from lower Manhattan. The Heights isn't at

all like Manhattan, the part of New York that most people visit--in many

ways it's more like a town than a city. It has more trees and flowers

and bushes than Manhattan, and it doesn't have lots of big fancy stores,

or vast office buildings, or the same bustling atmosphere.

Most of the buildings in the Heights are residential--four- or

five-story brownstones with little back and front gardens. I've always

liked living there, although it does have a tendency to be a bit dull in

that nearly everyone is white, and most people's parents have jobs as

doctors, lawyers, professors--or VIP's in brokerage firms, publishing

houses, or the advertising business. Anyway, as Chad and I shuffled

through the leaves to school that Monday morning, Chad was muttering the

Powers of Congress and I was thinking about Annie. I wondered if I'd

hear from her and if I'd have the nerve to call her if I didn't. I had

put the scrap of paper with her address on it in the corner of my mirror

where I would see it whenever I had to brush my hair, so I thought I

probably would call her if she didn't call me first. Chad tugged my arm

he looked annoyed--no, exasperated. "Huh?" I said. "Where are you, Liza?

I just went through the whole list of the Powers of Congress and then

asked you if it was right and you didn't even say anything."

"Good grief, Chad, I don't remember the whole list."

"I don't see why not, you always get A's in everything. What's the point

of learning something sophomore year if you're only going to forget it

by the time you're a senior?" He shoved his hair back in the way that

usually makes Dad say he needs a haircut, and picked up a double handful

of leaves, cascading them over my head and grinning--Chad's never been

able to stay mad at anyone very long. "You must be in love or something,

Lize," he said, using the one-syllable nickname he has for me. Then he

went back to my real name and chanted, "Liza's in love, Liza's in love

..." Funny, that he said that. By then we were almost at school, but I

slung my book bag over my shoulder and pelted him with leaves the rest

of the way to the door. Foster Academy looks like an old wooden

Victorian mansion, which is exactly what it was before it was made into an

independent--private--school running from kindergarten through twelfth

grade. Some of the turrets and gingerbready decorations on its dingy

white main building had begun to crumble away since I'd been in Upper

School (high school), and each year more kids had left to go to public

school. Since most of Foster's money came from tuition and there were

only about thirty kids per class, losing more than a couple of students

a year was a major disaster. So that fall the Board of Trustees had

consulted a professional fund raiser who had helped "launch" a "major

campaign," as Mrs. Poindexter, the headmistress, was fond of saying. By

November, the parents' publicity committee had put posters all over the

Heights asking people to give money to help the school survive, and

there were regular newspaper ads, and plans for a student recruitment

drive in the spring. As a matter of fact, when I threw my last handful

of leaves at Chad that morning, I almost hit the publicity chairman for

the fund drive instead--Mr. Piccolo, father of one of the freshmen. I

said, "Good morning, Mr. Piccolo," quickly, to cover what I'd done. He

nodded and gave us both a kind of ostrichy smile. Like his daughter

Jennifer, he was tall and thin, and I could see Chad pretending to play

a tune as he went down the hall. It was a school joke that both Mr.

Piccolo and Jennifer looked like the musical instrument they were named

for. I grinned, making piccolo-playing motions back to Chad, and then

threaded my way down to my locker through knots of kids talking about

their weekends. But even though I said hi to a couple of people, I

must still have been pretty preoccupied because I found out later I'd

walked right past a large red-lettered sign on the basement bulletin

board, next to the latest fund-raising poster--walked right past it

without seeing it at all: SALLY JARRELL'S EAR PIERCING CLINIC NOON TO

ONE, MONDAY, NOVEMBER 15 BASEMENT GIRLS' ROOM $1.50 per hole per ear

Sally Jarrell was at that point just about my favorite person at school.

We were as different from each other as two people can be--I think the

main thing we had in common was that neither of us quite fit in at

Foster. I don't want to say that Foster is snobby, because that's what

people always think about private schools, but I guess it's true that a

lot of kids thought they were pretty special. And there were a lot of

cliques, only Sally and I weren't in any of them. The thing I liked best

about her, until everything changed, was that she always went her own

way. In a world of people who seemed to have come out of duplicating

machines, Sally Jarrell was no one's copy, not that fall anyway. I swear

I didn't notice the sign even when I walked past it a second time--and

that time Sally was right in front of it, peering at my left ear as if

there were a bug on it, and murmuring something that sounded like

"posts." All I noticed was that Sally's thin and rather wan face looked

a little thinner and wanner than usual, probably because she hadn't had

time to wash her hair--it was

hanging around her shoulders in lank strings. "Definitely posts," she

said. That time I heard her clearly, but before I could ask her what she

was talking about, the first bell rang and the hall suddenly filled with

sharp elbows and the din of banging lockers. I went to chemistry, and

Sally flounced mysteriously off to gym. And I forgot the whole thing

till lunchtime, when I went back down to my locker for my physics book--I

was taking a heavy science load that year because of wanting to go to

MIT. The basement hall was three deep with girls, looking as if they

were lined up for something. There were a few boys, too, standing near

Sally's boyfriend, Walt, who was next to a table with a white cloth on

it. Neatly arranged on the cloth were a bottle of alcohol, a bowl of

ice, a spool of white thread, a package of needles, and two halves of a

raw potato, peeled. "Hey, Walt," I asked, mystified, "what's going on?"

Walt, who was kind of flashy--"two-faced," Chad called him, but I liked

him--grinned and pointed with a flourish to the poster. "One-fifty per

hole per ear," he read cheerfully. "One or two, Madame President? Three

or four?" The reason he called me Madame President was the same reason I

was standing there staring at the poster, wishing I were home sick in

bed with the flu. I've never quite figured out why, but at election

time, one of the kids in my class had nominated me for student-council

president, and I'd won. Student council, representing the student body,

was supposed to run the school, instead of the faculty or the

administration running it. As far as I was concerned, my main

responsibility as council president was to preside at meetings every

other week. But Mrs. Poindexter, the headmistress, had other ideas. Back

in September, she'd given me an embarrassing lecture about setting an

example and being her "good right hand" and making sure everyone

followed "both the spirit and the letter" of the school rules, some of

which were a little screwy. "Step right up," Walt was shouting. "If the

gracious president of student council--of our entire august student body,

I might add will set the trend"--he bowed to me--"business will be sure to

boom. Do step this way, Madame ..."

"Oh, shut up, Walt," I said, trying to run through the school rules in

my mind and hoping I wouldn't come up with one that Mrs. Poindexter

might think applied specifically to ear piercing. Walt shrugged, putting

his hand under my elbow and ushering me to the head of the line. "At

least, Madame President," he said, "let me invite you to observe." I

thought about saying no, but decided it would probably make sense for me

to get an idea of what was going on, so I nodded. Walt shot the cuffs of

his blue shirt--he was a very snappy dresser, and that day he was wearing

a tan three-piece suit--and bowed.

"One moment, ladies and gentlemen," he said, "while I escort the

president on a tour of the---er---establishment. I shall return." He

steered me toward the door and then turned, winking at the few boys who

were clustered around the table. "Ms. Jarrell told me she would take

care of you gentlemen after she has---er--accommodated a few of the

ladies." He poked Chuck Belasco, who was captain of the football team,

in the ribs as we went by and murmured, "She also said to tell you guys

she's looking forward to it."

That, of course, led to a lot of gruff laughter from the boys. I went

into the girls' room just in time to hear Jennifer Piccolo squeal

"Ouch!" and to see tears filling her big brown eyes. I closed the door

quicky--Chuck was trying to peer in--and worked my way through the five

or six girls standing around the table Sally had set up in front of the

row of sinks. It had the same stuff on it that the one in the hall did.

"Hi, Liza," Sally said cheerfully. "Glad you dropped in." Sally had on a

white lab coat and was holding half a potato in one hand and a bloody

needle in the other. "What happened?" I asked, nodding toward Jennifer,

who was sniffing loudly as she delicately fingered the pinkish thread

that dangled from her right ear. Sally shrugged. "Low pain threshold, I

guess. Ready for the next one, Jen?" Jennifer nodded bravely and closed

her eyes while Sally threaded the bloody needle and wiped it off with

alcohol, saying, "See, Liza, perfectly sanitary." The somewhat

apprehensive group of girls leaned sympathetically toward Jennifer as

Sally approached her right ear again. "Sally ..." I began, but Jennifer

interrupted. "Maybe," she said timidly, just as Sally positioned the

half potato behind her ear--to keep the needle from going through to her

head if it slipped, I realized, shuddering--"I'd rather just have one

hole in each ear, okay?" She opened her eyes and looked hopefully at

Sally. "You said two holes in two ears," Sally said firmly. "Four holes

in all."

"Yes, but-I just remembered my mother said something the other day about

two earrings in one ear looking dumb, and I--well, I just wonder if maybe

she's right, that's all." Sally sighed and moved around to Jennifer's

other ear. "Ice, please," she said. Four kids reached for the ice while

Jennifer closed her eyes again, looking more or less like my idea of

what Joan of Arc must have looked like on her way to the stake. I'm not

going to describe the whole process, mostly because it was a bit gory,

but even though Jennifer gave a sort of squeak when the needle went in,

and even though she reeled dizzily out of the girls' room (scattering

most of the boys, Walt said afterwards), she insisted it hadn't hurt

much. I stayed long enough to see that Sally was trying to be careful,

given the limits of her equipment. The potato really did prevent the

needle from going too far, and the ice, which was for numbing the ear,

did seem to reduce both the pain and the bleeding. Sally even sterilized

the ear as well as the needle and thread. The whole thing looked pretty

safe, and so I decided that all I had to do in my official capacity was

remind Sally to use the alcohol each time. But that afternoon there were

a great many bloody Kleenexes being held to earlobes in various classes,

and right after the last bell, when I was standing in the hall

talking to Ms. Stevenson, who taught art and was also faculty adviser to

student council, a breathless freshman came running up and said, "Oh,

good, Liza, you're still here. Mrs. Poindexter wants to see you."

"Oh?"

I said, trying to sound casual. "What about?" Ms. Stevenson raised her

eyebrows. Ms. Stevenson was very tall and pale, with blond hair that

she usually wore in a not-terribly-neat pageboy. My father always called

her the

"Renaissance woman," because besides teaching art she coached the debate

team, sang in a community chorus, and tutored kids in just about any

subject if they were sick for a long time. She also had a fierce temper,

but along with that went a reputation for being fair, so no one minded

very much, at least not among the kids. I tried to ignore Ms.

Stevenson's raised eyebrows and concentrate on the freshman. "I don't

really know what she wants," the freshman was saying, "but I think it

has something to do with Jennifer Piccolo because I saw Mr. Piccolo and

Jennifer come out of the nurse's office and then go into Mrs.

Poindexter's, and Jennifer was crying and her ears were all bloody." The

freshman giggled. When she left, Ms. Stevenson turned to me and said

dryly, "Your ears, I'm glad to see, look the same as ever." I glanced

pointedly at Ms. Stevenson's small silver post earrings. "Oh, those,"

she said. "Yes, my doctor pierced my ears when I was in college. My

doctor, Liza." I started to walk away. "Liza, it was foolish, Sally's

project. I wish I'd known about it in time to stop it." My feet were

heavy as I went down the hall to Mrs. Poindexter's office. I knew that

Ms. Stevenson, even though she never made herself obnoxious about it,

was usually right. And by the time the whole thing was over with, I

wished she'd known about the ear piercing in time to stop it, too.

3

Mrs. Poindexter didn't look up when I went into her office. She was a

stubby gray-haired woman who wore rimless glasses on a chain and always

looked as if she had a pain somewhere. Maybe she always did, because

often when she was thinking up one of her sardonically icy things to say

she'd flip her glasses down onto her bumpy bosom and pinch her nose as

if her sinuses hurt her. But I always had the feeling that what she was

trying to convey was that the student she was disciplining was what

really gave her the pain. She could have saved herself a lot of trouble

by following the school charter: "The Administration of Foster Academy

shall guide the students, but the students shall govern themselves." But

I guess she was what Mr. Jorrocks, our American history teacher, would

call a "loose constructionist," because she interpreted the charter

differently from most people. "Sit down, Eliza," Mrs. Poindexter said,

still not looking up. Her voice sounded tired and muffled--as if her

mouth were full of gravel. I sat down. It was always hard not to be

depressed in Mrs. Poindexter's office, even if you were there to be

congratulated for winning a scholarship or making straight A's. Mrs.

Poindexter's love for Foster, which was considerable, didn't

inspire her to do much redecorating. Her office was in shades of what

seemed to be its original brown, without anything for contrast, not even

plants, and she kept her thick brown drapes partway closed, so it was

unusually dark. Finally Mrs. Poindexter raised her head from the folder

she was thumbing through, flipped her glasses onto her chest, pinched

her nose, and looked at me as if she thought I had the personal moral

code of a sea slug. "Eliza Winthrop," she said, regret sifting through

the gravel in her mouth, "I do not know how to tell you how deeply

shocked I am at your failure to do your duty, not only as head of

student council and therefore my right hand, but also simply as a member

of the student body. Words fail me," she said--but, like most people who

say that, she somehow managed to continue. "The reporting rule,

Eliza--can it be that you have forgotten the reporting rule?" I felt as

if I'd swallowed a box of the little metal sinkers my father uses when

he goes fishing in the country. "No," I said, only it came out more like

a bleat than a word. "No, what?"

"No, Mrs. Poindexter."

"Kindly recite the rule to me," she said, closing her eyes and pinching

her nose. I cleared my throat, telling myself she couldn't possibly

expect me to remember it word for word as it appeared in the little blue

book called Welcome to Foster Academy. "The reporting rule," I began.

"One: If a student breaks a rule he or she is supposed to report himself

or herself by writing his or her name and what rule he or she has broken

on a piece of paper and putting it into the box next to Ms. Baxter's

desk in the offace." Ms. Baxter was a chirpy little birdlike woman with

dyed red hair who taught The Bible as Literature to juniors and told

Bible stories to the Lower School once a week. Her other job was to be

Mrs. Poindexter's administrative assistant, which meant Mrs. Poindexter

confided in her and gave her special jobs, anything from pouring tea at

Mothers Club meetings to doing confidential typing and guarding the

reporting box. Ms. Baxter and Mrs. Poindexter drank tea together every

afternoon out of fancy Dresden china cups, but they never seemed quite

like equals, the way real friends are. They were more like an eagle and

a sparrow, or a whale and its pilot fish, because Ms. Baxter was always

scurrying around running errands for Mrs. Poin-dexter or protecting her

from visitors she didn't want to see. "Go on," said Mrs. Poindexter.

"Two," I said. "If a student sees another student breaking a rule, that

student is supposed to ask the one who broke the rule to report himself.

Or herself. Three: If the student won't do that, the one who saw him or

her break the rule is supposed to report them, the one breaking the

rule, I mean." Mrs. Poindexter nodded. "Can you tell me," she said,

without opening her eyes, "since you seem to know the rule so well, and

since you are well aware that the spirit behind all Foster's rules

encompasses the idea of not doing harm to others, why you did not ask

Sally Jarrell to report herself when you saw what she was planning to

do? Or when you saw what she was actually doing?" Before I could

answer, Mrs. Poindexter whirled around in her chair and opened her eyes,

flashing them at me. "Eliza, you should be more aware than most

students, given your position, that this school is in desperate need of

money and therefore in desperate need of Mr. Piccolo's services as

publicity chairman of our campaign. And yet Jennifer Piccolo had to go

home early this afternoon because of the terrible pain in her earlobes."

"I'm really sorry, Mrs. Poindexter," I said, and then tried to explain

that I hadn't even noticed Sally's sign till she was already piercing

Jennifer's ears. She shook her head as if she couldn't quite grasp that.

"Eliza," she said tiredly, "you know that I thought it unwise last

spring when you said in your campaign speech that you were against the

reporting rule ..."

"Everyone's against it," I said, which was true--even the faculty agreed

that it didn't work. "Not quite everyone," said Mrs. Poindexter.

"Popular or not, that rule is the backbone of this school's honor

system and has been for many, many years--ever since Letitia Foster

founded the school, in fact. Not," she added, "that the reporting rule

or any other rule will make any difference at all if Foster has to

close." I studied her face, trying to figure out if she was

exaggerating. The idea of Foster's having to close had never occurred to

me, although of course I knew about the financial troubles.

But having to close? Both Chad and I had gone to Foster since

kindergarten; it was almost another parent to us. "I--I didn't realize

things were that bad," I sputtered. Mrs. Poindexter nodded. "If the

campaign is unsuccessful,"

she said, "Foster may well have to close. And if Mr. Piccolo,

without whose publicity there can be no campaign, leaves us as a result

of this--this foolish, thoughtless incident, I seriously doubt we will

find anyone to replace him. If he leaves, goodness knows: whether the

fund raiser who has agreed to act as consultant will stay on--it was hard

enough getting both of them in the first place ..." Mrs. Poindexter

closed her eyes again, and for the first time since I'd walked into her

office that afternoon I realized she really was upset; she wasn't just

acting that way for effect, the way she usually seemed to be. "How do

you think Mr. Piccolo will feel about asking people for money now?" she

said. "How do you think he will feel about publicizing a school--asking

parents to enroll their sons and daughters in a school--where discipline

is so lax it cannot prevent its students from doing physical harm to one

another?"

"I don't know, Mrs. Poindexter," I said, trying not to squirm.

"Pretty bad, I guess." Mrs. Poindexter sighed. "I would like you to

think about all of this, Eliza," she said. "And about the extent of your

responsibility to Foster, between now and this Friday's student council

meeting. We will hold a disciplinary hearing for you and for Sally

Jarrell at that time. Naturally, I cannot allow you to preside, since

you are under a disciplinary cloud yourself. I will ask Angela Cariatid,

as vice president, to take the gavel. Now you may go." The leaves that

had seemed so crisp that morning looked tired and limp as I walked

slowly home without Chad, who had soccer practice, and the sky was

lowering again, as if we were going to get more rain. I was glad Chad

wasn't with me and I wasn't sure, when I unlocked the door to the

brownstone we live in and went up to our third-floor apartment, if I

even wanted to see Mom before I'd had time to think. My mother's a very

good person to talk to; most of the time she can help us sort out

problems, even when we're wrong, without making us feel like worms. But

as it turned out, I didn't have to worry about whether I was going to be

able to think things through before I talked to her this time, because

she wasn't home. She'd left a note for us on the kitchen table: L and

C--At neighborhood association meeting. New cookies in jar. Help

yourselves. Love, Mom Mom always-- well, usually--baked cookies for us when

she knew she wasn't going to be home. Chad says she still does; it's as

if she feels guilty for not being a 100 percent housewife, which of course

no one but she herself expects her to be. After I'd skimmed a few

cookies off the top of the pile in the jar, and was sitting there at the

table eating them and wishing the baseball season lasted into November

so there'd be a game on to take my mind off school, I saw the second

note under the first one:

Liza-- Someone named Annie something--Cannon? Kaynon?--called. She said

would you please call her, 8779384. Have another cookie. Love, Mom I

didn't know why, but as soon as I saw that note, I felt my heart

starting to beat faster. I also realized I was thoroughly glad Mom

wasn't home, because I didn't want anyone around when I called Annie,

though again I didn't know why. My mouth felt dry, so I got a drink of

water and I almost dropped the glass because my hands were suddenly

sweaty. Then I went to the phone and started dialing, but I stopped in

the middle because I didn't know what I was going to say. I couldn't

start dialing again till I told myself a few times that since Annie had

called me thinking of what to say was up to her. Someone else answered

the phone--her mother, I found out later--and I found myself feeling

jealous of whoever it was for being with Annie while I was all the way

down in Brooklyn Heights, not even on the same island she was. Finally

Annie came to the phone and said, "Hello?"

"Annie." I think I managed to sound casual, at least I know I tried to.

"Hi. It's Liza."

"Yes," she said, sounding really happy. "I recognized

your voice. Hi." There was a little pause, and I could feel my heart

thumping. "Hey," Annie said, "you called back!" It struck me then that

she didn't know what to say any more than I did, and for a few seconds

we both just fumbled. But after about the third very long pause she

said, low and hesitant, "um--I was wondering if you'd like to go to

the Cloisters with me Sattrday--Don't if you don't want to. I thought

maybe you'd like it since you go to the Metropolitan so much, but---oh,

well, maybe you wouldn't."

"Sure I would," I said quickly. "You would?" She sounded surprised.

"Sure. I love it up there. The park, everything."

"Well--well, maybe if it's a nice day I'll bring a picnic, and we could

eat it in the park. We wouldn't even have to go into the museum. I like

the museum just as much as the park." I felt myself smiling. "Just

promise me you won't rearrange the statues or pose in front of a triptych

or anything when someone's looking." Annie laughed then! I think that

was the first time I heard her laugh in her special way. It was full of

delight--I don't mean delightful, although it was that, too. She laughed

as if what I'd just said was so clever that it had somehow made her

bubble over with joy. That phone call was the best thing that had

happened all day, and for a while after I'd hung up, the situation at

school didn't seem nearly so bad any more.

4

Ms. Widmer was a couple of minutes late to English on Friday, which

was my last class for the day. She gave us a quick nod, picked up the

poetry book we'd been studying, and read: "Out of the night that covers

me, Black as the Pit from pole to pole, I thank whatever gods may be For

my unconquerable soul."

As carefully as I could, I folded up the architecture review Dad had

clipped for me from his New York Times--I'd been reading it to keep my

mind off the student council hearing, which was that afternoon--and

listened. Mom once said that Ms. Widmer's voice was a cross between

Julie Harris's and Helen Hayes's. I've never heard either of them that I

know of, so all I can say is that Ms. Widmer had the kind of voice,

especially when she read poetry, that made people listen. "In the fell

clutch of circumstance I have not winced nor cried aloud."

Ms. Widmer looked up, pushing her gray bangs out of her eyes. She

wasn't old, but she was prematurely gray. Sometimes she joked about it,

in the special way she had of finding humor in things most people didn't

find funny. "What does 'fell' mean? Anyone?"

"Tripped," said Walt, with great solemnity. "He fell as he got into the

bus--he had a fell--a fell fall. A fell clutch would be when he grabbed

for the handle as he fell."

Ms. Widmer laughed good-naturedly along with the boos and groans and

then called on Jody Crane, who was senior representative to student

council. "In Tolkien," Jody said---he was very solemn and

analytical--"it's used to describe people like Sauron and the Orcs and

guys like that, so I guess it means evil."

"Close, Jody, close," Ms. Widmer said. She opened the leather-bound

dictionary she kept on her desk and used at least three times every

class period. She'd had it rebound, she told us once, because it

contained almost the entire English language and that was well worth

doing something special for.

"Fell," she read. "Adjective, Middle English, Anglo-Saxon, and Old

French. Also Late Latin. Fierce, cruel. Poetic--" She looked up and an

involuntary shudder went through the class as she lowered her voice and

said the single word: "deadly." Then she turned back to the book. "In

the fell clutch of circumstance I have not winced nor cried aloud. Under

the bludgeonings of chance My head is bloody, but unbowed.

"Beyond this place of wrath and tears Looms but the horror of the shade,

And yet the menace of the years Finds, and shall find me, unafraid. "It

matters not how strait the gate, How charged with punishments the

scroll, I am the master of my fate: ..."

Ms. Widmer paused and glanced my way for a fraction of a second before

she read the last line: "I am the captain of my soul."

"By William Ernest Henley," she said, closing the book. "1849 to 1903.

British. He lost one foot to tuberculosis--TB is not always a lung

disease--and nearly lost the other as well. He spent an entire year of

his life in a hospital, and that led to this poem, which is called 'In Hospital,'

as well as to others. For homework, please discover the meaning of the

word he chose for his title, and also please find and bring to class one

other poem, not by Henley, but with the same theme. Due Monday." There

was a resigned groan, although no one really minded. By that time, Ms.

Widmer's love of poetry had spread to most of us as if it were some kind

of benign disease. It was rumored that before graduation every year she

gave each senior a poem that she thought would be personally appropriate

for his or her future. For most of the rest of the period, we discussed

why being in a hospital might lead to writing poems, and what kinds of

poems it might lead to, and Ms. Widmer read us some other hospital

poems, some of them funny, some of them sad. When the bell rang,

she'd just finished a funny one. "Good timing," she said, smiling at us

as the laughter died away. Then she said, "Have a good weekend," and

left. "Coming?" asked Jody, passing my desk on his way out. "You go

ahead, Jody," I said, still thinking of

"Invictus" and half wondering if Ms. Widmer had really read it for me,

the way it had seemed. "I think I'll see if I can find Sally." I smiled,

trying to make light of it.

"Criminals should stick together." Jody smiled back and put his hand on

my arm for a second. "Good luck, Liza."

"Thanks," I said. "I guess I'm going to need it." I met Sally standing

outside the Parlor, the room where council meetings were held, talking

with Ms. Stevenson. Ms. Stevenson looked a little paler than usual, and

her eyes already had the determined look they often had when she was

doing her job as faculty adviser to student council. But otherwise she

acted as if she were trying to be reassuring. "Hi," she said cheerfully

when I came up to them. "Nervous?"

"Oh, no," I said. "My stomach always feels as if there's a dog chasing

its tail in it." Ms. Stevenson chuckled. "You'll be okay," she said.

"Just think before you speak, both of you. Take all the time you need

before you answer questions."

"Oh, God," Sally moaned.

"I think I'm going to be sick."

"No, you're not," Ms. Stevenson said firmly. "Go get a drink of water.

Take a deep breath. You'll be fine."

She stepped aside to let Georgie Connel--Conn--the junior

representative, go in. Conn winked at me from behind his thick glasses

as he opened the door. He was short, with a homely face covered with

pimples, but he was one of the nicest kids in the school. He had what

teachers called a creative mind, and he was also very fair, maybe the

fairest person on council, except of course Ms. Stevenson. "Well," said

Ms. Stevenson briskly when Sally came back from the water fountain, "I

guess it's time." She smiled at both of us as if she were wishing us

luck but didn't think it would be quite proper to do it out loud. And

then we all went in, Ms. Stevenson first, with Sally and me following

slowly. The Parlor, like Mrs. Poindexter's office, was so dark it was

funereal. It used to be a real living room--a huge one--back when the

school was a mansion, but now it was more of a semipublic lounge,

reserved mostly for high-level occasions--Nike trustees' meetings and

mothers' teas, but also for council meetings. The Parlor had three long

sofas along the walls, and big wing chairs, and a fireplace that took up

most of the wall that didn't have a sofa against it. Over the mantle

hung a picture of Letitia Foster, the school's founder. I can't imagine

why Letitia Foster ever founded a school: she always looked to me as if

she hated kids. She looked that way that afternoon especially, as Sally

and I sidled in under her frozen hostile stare like a couple of derelict

crabs. Mrs. Poindexter was already enthroned in her special dark-maroon

wing chair by the fireplace, thumbing through notes on a yellow pad and

looking severe behind her rimless spectacles. Everyone else was sitting

around a long, highly polished table. The vice president, Angela

Cariatid, who was tall and usually reminded me in more than name of

those graceful, self-possessed Greek statues that hold up buildings,

didn't look at all that way as we walked in. She was sitting tensely at

the end of the table nearest Mrs. Poindexter's chair, clutching the gavel

as if she were drowning and it was the only other thing afloat.

She'd already told me she felt rotten about having to preside, which I

thought was pretty nice of her. "It's like court on TV," Sally whispered

nervously as we sat down at the other end of the table. I remember

noticing how the sun came slanting through the dusty windows onto Mrs.

Poindextcr's gray hair--just the top of it, because of the height of the

wing chair. While I was concentrating on the incongruous halo it made,

Mrs. Poindexter flipped her glasses down and nodded to Angela, who

rapped so hard with the gavel that it popped out of her hand and

skittered across the table. Sally giggled. Mrs. Poindexter cleared her

throat and Angela blushed. Conn got up and retrieved the gavel, handing

it to Angela with a grave nod. "Madame Chairperson," he murmured. I felt

myself start to laugh, especially when Sally smirked at me.

"Order!" poor Angela squeaked, and Mrs. Poindexter glared at Conn. Angela

coughed and then said, pleading, "The meeting will please come to order.

This--er--this is a disciplinary hearing instead of a regular meeting.

Regular council business is--um--deferred till next time. Sally jarrell and

Liza Winthrop have both broken the reporting rule, and Sally Jarrell has

..."

"Are accused of breaking," Ms. Stevenson interrupted quietly. Mrs.

Poindexter pinched her nose, scowling. "Are accused of breaking the

reporting rule," Angela corrected herself, "and Sally Jarrell has--er--is

accused of acting in a--in a--" She looked helplessly at Mrs. Poindexter.

"In an irresponsible way, endangering the health of her fellow

students," said Mrs. Poindexter. pushing herself out of the depths of

her maroon chair. "Thank you, Angela. Before we begin," she said, "I

would like to remind all of you that Foster is in the midst of a

financial crisis of major proportions, and that any adverse

publicity--any at all--could be extremely damaging to the fund-raising

and student-recruitment campaigns that are our only hope of survival."

She positioned herself in front of the fireplace, profile to us, looking

dramatically up at Letitia. "Foster Academy was our dear founder's

entire life, and it has come close to that for many of us on the faculty

as well. But more important even than that is the indisputable fact that

Foster has educated several generations of young men and women to the

highest standards of decency and morality as well as to academic

excellence. And now,"--she whirled around and faced Sally--"and now one

Foster student has willfully harmed several others through a ridiculous

and frivolous scheme to pierce their ears, and another student"--she

faced me now--"in whom the entire student body has placed their trust,

has done nothing to stop it. Sally Jarrell," Mrs. Poindexter finished

sonorously, pointing at her with her glasses, "have you anything to say

in your defense?"

Sally, who I could see was just about wiped out by

then, shook her head. "No," she muttered, "no, except I'm sorry and I--I

didn't think it could do any harm."

"You didn't think!" Mrs. Poindexter boomed. "You didn't think! This

girl," she said, turning to the others at the table, "has been at Foster

all her life, and she says she didn't think! Mary Lou, kindly ask

Jennifer Piccolo if she will step in for a moment." Mary Lou Dibbins,

council's plump and very honest secretary-treasurer, pushed her chair

back quickly and went out into the hall. Mary Lou was a math brain, but

she'd told me that Mrs. Poindexter took care of council's financial

records herself, and kept the little money council had locked up in her

office safe. She wouldn't even let Mary Lou see the books, let alone

work on them. "Mrs. Poindexter," said Ms. Stevenson, "I really wonder if

... Angela, is Jennifer's name on the agenda? I don't remember seeing

it."

"N-no," stammered Angela. "Jennifer volunteered at the last minute,"

Mrs. Poindexter said dryly. "After the agenda was typed." Then Mary Lou

came back with Jennifer, who had a bandage on one ear and looked

absolutely terrified--not as if she'd volunteered at all. "Jennifer,"

said Mrs. Poindexter, "please tell the council what your father said

when he found out the doctor had to lance the infection on your ear."

"He--he said I shouldn't tell anyone outside school what had happened or

it would ruin the campaign. And--and before that he said he was going to

resign from being pub-pub-publicity chairman, but then my mother talked

him into staying, unless--unless no one's punished, he--he said he'd

always thought Foster was a--a school that produced young ladies and

gentlemen, not ..." Jennifer looked from Sally to me, apologizing with

her frightened, tear-filled eyes, "not hoodlums."

"Thank you, Jennifer," Mrs. Poindexter said, looking pleased under her

indignant surface. "You may go."

"Just a minute," said Ms. Stevenson, her voice tight, as if she were

trying to hold on to her temper. "Angela, may I ask Jennifer a

question?" Angela looked at Mrs. Poindexter, who shrugged as if she

thought whatever it was couldn't possibly be important. "Angela?" said

Ms. Stevenson pointedly. "I--I guess so," said Angela. "Jenny," Ms.

Stevenson asked, gently now, "did Sally ask you to have your ears

pierced?"

"No--no."

"Then why did you decide to have her pierce them?"

"Well," said Jennifer, "I saw the sign and I'd been thinking about going

to Tuscan's, you know, that department store downtown, to have it done,

but they charge eight dollars for only two holes, and I didn't have that

much and the sign said Sally would do four holes for only six

dollars--you know, one-fifty a hole--and I had that much. So I decided to

go to her."

"But Sally never came to you and suggested it?"

"n-no."

"Thank you, Jenny," said Ms. Stevenson. "I hope the infection heals

soon." There was absolute silence as Jennifer walked out. Angela

looked at the piece of paper--the agenda, I suppose--in front of her and

said, "Well ..." But Sally jumped to her feet. "Mrs. Poindexter," she

said. "I-I'm sorry, I'll--I'll pay Jennifer's doctor bills. I'll pay

everyone's if I can afford it. And--and I'll donate the money I made to

the campaign. But I really did try to be careft;l. My sister had her

ears done that way and she was fine, honest ..."

"Sally," said Ms. Stevenson, again very gently, "you took risks. You know

your way couldn't have been as safe as the sterile punches they use down

at Tuscan's."

"I--I know. I'm sorry." Sally was almost in tears. "Well," began Ms.

Stevenson, "I think ..."

"That will be all, then, Sally," said Mrs. Poindexter, interrupting. "We

will take note of your apology. You may wait outside if you like."

"Mrs. Poindexter," Jody said, as if it had taken him all this time to

work up to it, "is this really the way a disciplinary hearing's supposed

to go? I mean, isn't Angela--I mean, isn't she supposed to be doing

Liza's job, sort of, and running the hearing?"

"Of course," said Mrs. Poindexter, smooth as an oil slick, shrugging as

if asking what she could do if Angela wouldn't cooperate.

Then she turned to me. "Eliza," she said, "now that you have had a

chance to think over our talk, have you anything to say? An explanation,

perhaps, of why you didn't see to it that Sally was reported

immediately?" She put her glasses on and looked down at her notes. I

didn't know what to say, and I wasn't sure anyway how I was going to

make my tongue move in a mouth that suddenly felt as dryly sticky as the inside of a box of old raisins. "I

don't see what rule Sally broke," I said at last, slowly. "If I'd really

thought she was breaking a rule, I'd have asked her to report herself,

but ..."

"The point," said Mrs. Poindexter, not even bothering to flip her

glasses down, but peering at me over their tops, "as I told you in my

office, has to do with the spirit of the rules--the spirit, Eliza, not a

specific rule. I am sure you are aware that harming others is not the

Foster way--yet you did not report Sally or ask her to report herself.

And furthermore, I suspect that you did not do so because, despite being

student council president, you do not believe in some of the rules of

this school."

"Out of the night that covers me," suddenly echoed in my mind from

English class. "Black as the Pit ..." I licked my dry lips.

"That's right," I said. "I--I don't believe in the reporting rule because

I think that by the time people are in Upper School they're--old enough

to take responsibility for their own actions." I could see Ms. Stevenson

smiling faintly as if she approved, but she also looked worried. She

raised her hand, and Angela, after glancing at Mrs. Poindexter, nodded

at her. "Liza," asked Ms. Stevenson, "suppose you saw a parent beating a

child. Would you do anything?"

"Sure," I said. It suddenly became very clear, as if Ms. Stevenson had

taken one of the big spotlights from up on the stage and turned it onto

a place in my mind I hadn't seen clearly before. "Of course I would. I'd

tell the parent to stop and if that didn't work, I'd go to the police or

something like that. I don't think what Sally did is on the same

scale."

"Even though," said Mrs. Poindexter, her voice sounding as if it

were coming through gravel again, "Sally caused a number of infections

and in particular infected the daughter of our publicity man?" I got

angry then. "It doesn't make any difference who got infected," I

shouted. "Jennifer's no better than anyone else just because we need Mr.

Piccolo." I tried to lower my voice. "The infections were bad, sure. But

Sally didn't set out to cause them. In fact, she did everything she

could to prevent them. And she didn't force anyone to have their ears

pierced. Sure, it was a dumb thing to do in the first place. But it

wasn't--oh, I don't know, some kind of--of criminal thing, for God's

sake!" Ms. Stevenson nodded, but Mrs. Poindexter's mouth pulled into a

tense straight line and she said, "Anything else, Eliza?" Yes, I wanted

to say to her, let Angela run the meeting; let me run meetings when I'm

holding the gavel--for she'd done nearly the same thing to me, many

times--student council's for the students, not for you ... old ... But I

managed to keep my anger back, and all I said was

"No," and walked out, wanting suddenly to call Annie, even though I

didn't know her very well yet and I was going to see her the next day

at the Cloisters anyway. Sally was sitting on the old-fashioned wooden

settle in the hall outside the Parlor, hunched over and crying on Ms.

Baxter's skinny chest. Ms. Baxter was dabbing at Sally's eyes with one

of the lace handkerchiefs she always carried in her sleeve, and

chirping, "There, there, Sally,

the Lord will forgive you, you know. Why, my dear child, He must see

already that you are truly sorry."

"But it's so terrible, Ms. Baxter," Sally moaned. "Jennifer's ears--oh,

Jennifer's poor, poor ears!" I had never seen Sally like this. "Hey,

Sal," I said as cheerfully as I could, sitting down on the other side of

her and touching her arm. "It's not terminal, she's going to get better.

You did try to be careful, after all. Come on, it'll be okay.

Jennifcr'll be fine." But Sally just burrowed deeper into Ms. Baxter's

front. Ms. Stevenson came out of the Parlor and beckoned to us to follow

her back in. She looked kind of grim, as if she were having trouble with

her temper again. I'd heard on television that when a jury takes a long

time it's a good sign for the person on trial, but when they make up

their minds quickly it's usually bad, and my mouth got raisiny again.

Mrs. Poindexter nodded to Angela when we came in, after looking at Ms.

Stevenson as if trying to tell her that she was letting Angela run the

meeting after all. Ms. Stevenson, if she noticed, didn't react. "Um,"

said Angela, looking down at her paper again. "Um--Sally--Liza--the council

has decided to suspend you both for one week."

"That's only three days," Mary Lou put in, "because of Thanksgiving."

"I did not," said Mrs. Poindexter, "see you raise your hand, Mary Lou.

Continue, Angela."

"Um--the suspensions will be removed from your records at the end of the

year if--if you don't do anything else. So colleges won't know about

it unless you break another rule."

"And?" prompted Mrs. Poindexter severely. "Oh," said Angela. "Do I--do

I say that, too, with Sally here and everything?"

"Sally," said Mrs. Poindexter, "is still a member of the student body."

"Well," said Angela, looking at me in a way that made my heart speed up

as if I were at the dentist's. "Liza, Mrs. Poindexter said that because

you're council president and--and ..."

"And because no council president in the history of this school has ever

broken the honor code--go on, Angela," Mrs. Poindexter said.

"There's--going to be a vote of confidence on the Monday after

Thanksgiving to see if the kids still want you to--to be council

president. But," she added hastily, "the fact that there was a vote of

confidence won't go on your record unless you don't get reelected."

"Meeting adjourned," said Mrs. Poindexter, picking up her papers and

leading the others out. Sally gave me a weak smile as she passed my

chair. Conn hung back for a minute. "The key," he said to me in a low

voice, bending down to where I was still sitting, "was when Angie said,

'Mrs. Poindexter said'--note 'said'--about the vote of confidence.

I hope you caught that, Liza, because it was her idea and she's the only

one for it. Ms. Stevenson got her to say the part about things not going

on records. We all thought you should stay in office, and I bet the rest

of the kids will, too. Heck, none of

us would've turned Sally in either, not for that. A couple of kids said

they might have tried harder to stop her, that was all, but I bet they

wouldn't even have done that. Liza, Poindexter's so worried about the

stupid fund-raising campaign, she can't even think straight." Conn

reached down and squeezed my shoulder. "Liza--I'm sure you'll win."

"Thanks, Conn," I managed to say. My voice was too shaky for me to say

anything else. But all I could think was, what if I don't win and it

does go on my record? For the first time in my life I began wondering if

I really was going to get into MIT after all. And what it would do to my

father, who's an engineer and had taught there, if I didn't. And what it

would do to me.

5

I told my parents about the suspension Friday

night while they were in the living room having a drink before dinner,

which is always a good time to tell them difficult things. My father was

furious. "You're an intelligent person," he thundered. "You should have

shown better judgment." My mother was sympathetic, which was worse.

"She's also an adolescent," she told my father angrily. "She can't be

expected to be perfect. And the school's coming down a lot harder on her

than on Sally. That's not fair." My mother's a quiet person, except

when she thinks something's unjust, or when she's defending me or Chad.

Or Dad, for that matter. Dad's terrific, and I love him a lot, but he

does expect people to be perfect, especially us, and especially me, his

fellow "intelligent person."

"It's fair, all right," Dad said into his martini. "Liza was in a

position of responsibility, just as Mrs. Poindexter said. She should

have known better. I wouldn't expect that little twit Sally Jarrell to

know how to think, let alone how to behave, but Liza ..." That's when I

got up and left the room. Chad thought the whole thing was funny. He

came out to the kitchen, where I'd gone, on the pretext of getting a

Coke, and found me leaning against the refrigerator, fuming. "Pretty

cool, Lize," he said, flapping one of his earlobes and wearing his

isn't-life-ridiculous look.

"Oh, shove it."

"Think she'd do my ears? One gold hoop; like a pirate?"

"She'll do your nose if you don't shut up," I snapped.

"Hey, come off

it." He pushed me aside and reached into the refrigerator for his Coke.

"I'd give anything to be suspended." He popped the ring into the can and

took a long swallow. "What are you going to do next week, anyway?

Three free days and then Thanksgiving vacation--wow!" He shook his head

and then brushed the hair out of his eyes. "They going to make you

study?" I hadn't thought of that and realized I'd better call school on

Monday to find out. "I'll probably run away to sea," I told Chad. Then,

thinking of the Cloisters and Annie, I added, "Or at least go to a lot

of museums." School seemed very far away the next day at the Cloisters

with Annie, even though at first we were the way we'd been on the phone--

not exactly tongue-tied, but not knowing what to say, either. The

Cloisters, which is a museum of medieval art and architecture, is in

Fort Tryon Park, so far uptown it's almost out of the city. It overlooks

the Hudson River like a medieval fortress, even though it's supposed to

look like a monastery and does, once you get inside. I was early so I

decided to walk from the subway instead of taking the bus that goes

partway into the park, but even so, Annie was there before me. As I

walked up, I saw her near the entrance, leaning against the building's

reddish-brown granite and looking off in the opposite direction. She

had on a long cotton skirt and a heavy red sweater; I remember thinking

the sweater made the skirt look out of place, as did the small backpack

strapped to her shoulders. Her hair tumbled freely down over the pack. I

stopped for a few seconds and just stood there watching her, but she

didn't notice me. So I went up to her and said, "Hi." She gave a little

jump, as if she'd been miles or years away in her thoughts. Then a

wonderful slow smile spread across her face and into her eyes, and I

knew she was back again. "Hi," she said. "You came."

"Of course I came," I said indignantly. "Why wouldn't I have?"

Annie shrugged. "I don't know. I wondered if I would. We're probably not

going to be able to think of a thing to say to each other." A bus pulled

up and hordes of students with sketchbooks, plus mothers and fathers

with reluctant children, had to go around us to get to the door. "All

week," Annie said, watching them, "I kept, um, remembering that guard

and the two little boys, didn't you?" I had to say that I hadn't, so I

told her about the ear-piercing incident to explain why. "Because of ear

piercing?" she said incredulously when I'd finished telling her the

story. "All that fuss?" I nodded, moving aside to let some more people

through. "I guess maybe it is a little harsh," I said, trying to explain

about the fund-raising campaign, "but ..."

"A little harsh!"

Annie almost shouted. "A little!" She shook her head and I guess she

realized we were both getting loud, because she looked around and

laughed, so I laughed, too, and then we both had to step back to let a

huge family pass. The last kid was a stuck-up-looking boy of about nine

with a fancy camera that had hundreds of dials and numbers. He looked

more like a small robot than a kid, even when he whirled around and

pointed his camera at Annie. Annie held out her big skirt like a

medieval damsel and dipped into a graceful curtsy; the kid snapped her

picture without even smiling. Then, when Annie straightened up into a

religious-looking pose that I've seen in a hundred medieval paintings,

he became a real kid for a second--he stuck his tongue out at her and ran

inside. "You're welcome," Annie called after him, sticking out her

tongue, too. "The public," she sighed dramatically, "is so ungrateful. I

do wish Father wouldn't insist that I pose for their silly portraits."

She stamped her foot delicately, the way the medieval damsel she was

obviously playing might have. "Oh, I'm so angry I could--I could spear a

Saracen!" Once again I found myself catching her mood, but more quickly

this time. I bowed as sweepingly as I could and said, "Madame, I shall

spear you a hundred Saracens if you bid me, and if you give me leave to

wear your favor." Annie smiled, out of character for a second, as if

thanking me for responding. Then she went back into her role and said,

"Shall we walk in the garden, sir knight, among the herbs and away from

these rude throngs, till my duties force me to return?" I bowed again.

It was funny, I wasn't nearly so self-conscious this time, even though

there were crowds of people around. Still being the knight, I offered

Annie my arm and we strolled inside, which is the only way to get to the

museum's lower level and leads to the herb garden. We paid our

"donation" and went downstairs and outside again, where we sat on a

stone bench in the garden and looked out over the Hudson River. "It just

seems ridiculous, Liza," Annie said after a few minutes, "to make such a

fuss about anything so silly." I knew immediately she meant the

ear-piercing business again. "In my school," she went on, sliding her

backpack off and turning to me, "kids get busted all the time for

assault and possession and things like that.

There are so many security people around, you have to remind yourself

it's school you're in, not jail. But at your school they get upset about

a couple of infected ears! I can't decide if it's wonderful that they

don't have anything more serious to worry about--or terrible." Annie

grinned and flipped back some of her hair, showing me a tiny pearl

earring in each ear. "I did mine myself," she said. "Two years ago. No

infection."

"Maybe you were lucky," I said, a little annoyed. "I wouldn't let Sally

pierce mine."

"That's just you, though. I can't imagine you with pierced ears,

anyway." She buried her face in a lavender bush that was growing in a

big stone pot next to the bench. "If you ever want it done," she said

into the bush, "I'll do it for you. Free."

I had an absurd desire to say, "Sure, any time," but that was

ridiculous. I knew I didn't have the slightest wish to have my ears

pierced. In fact, I'd always thought the whole custom barbaric.

Annie broke off a sprig of lavender and I could see from the way she

pushed her small shoulders back and sat up straighter that she was the

medieval damsel again. "My favor, sir knight," she said gravely, handing

me the lavender. "And will you wear it into battle?"

"Madame," I said, getting up quickly so I could bow again. "I will wear

it even unto death." Then my self-consciousness returned and I felt my

face getting red, so I held the lavender up to my nose and sniffed it.

"Good sir," said Annie, "surely so gallant and skilled a knight as you

would never fall in battle." I'm not this clever, I wanted to say,

panicking; I can't keep up with you--please stop. But Annie was looking

at me expectantly, so I went on--quickly, because the huge family with

the obnoxious shutterbug was about to come through the door that led out

to the garden. "Madame," I said, trying to remember my King Arthur but

sounding more like Shakespeare than like Malory, "when I carry your

favor, I carry your memory. Your memory brings your image to my mind,

and your image will ever come between me and my opponent, allowing him

to unhorse me with one thrust." Annie extended her hand, palm up, for

the lavender. "Hold it!" ordered the robot kid, peering at us through

his viewfinder. "Then return my favor quickly, sir knight," said Annie,

not moving, "for I would not have you fall." I handed the lavender back

to her, and the kid's professional-sounding shutter clicked and

whirred. It was as if the sound of the camera snapped us back into the

real world, because even though the kid and his family were obviously

not going to stay in the garden long, Annie picked up her pack and said

matter-of-factly, "Are you hungry for lunch? Or should we go in and look

around? The sad virgin," she said, looking dolefully down at the ground,

imitating one of my favorite statues; "the angry lion?" She made a

twirling motion above her mouth and I knew right away she was

impersonating the wonderful lion fresco in the Romanesque Hall; he has a

human-looking mustache. "Or"--she stood up and glanced nervously around

the garden, one wrist bent into a graceful, cautious hoof--"or the

unicorns?"

"Unicorns," I said, amazed at the speed with which she could go from one

character to another and still capture the essence of each.

"Good," she said, dropping her hand. "I like them best." She smiled. I

got up, saying, "Me, too," and we stood there facing each other for a

moment, not saying anything more. Then Annie, as if she'd read my

thoughts, said softly, "I don't know if I believe any of this is

happening or not." But before I could answer she gave me a little push

and said, in a totally different voice, "Come on! To the unicorns!" The

unicorn tapestries are in a quiet room by themselves. There are seven,

all intact except one, which is only a fragment. All of them, even

though they're centuries old, are so bright it's hard to believe that

the colors must have faded over the years. Together they tell the story,

of a unicorn hunt, complete with lords, ladies, dogs, long spears, and

lots of foliage and flowers. Unfortunately, the hunters wound the

unicorn badly--in one tapestry he looks dead

--but the last one shows him alive, wearing a collar and enclosed in a

circular pen with flowers all around. Most people seem to notice the

flowers more than anything else, but the unicorn looks so disillusioned,

so lonely and caged, that I hardly see the flowers at all--but the

unicorn's expression always makes me shiver. I could tell from Annie's

face as she stood silently in front of the last tapestry, that she felt

exactly the same way, even though neither of us spoke. Then a

woman's voice shrilled, "Caroline, how often do I have to tell you

not to touch?"--and in came a big crowd of people along with a

flat-voiced tour guide: "Most of the unicorn tapestries were made as a

wedding present for Anne of Britanny." Annie and I left quickly. We went

outside and walked in silence away from the Cloisters and went into Fort

Tryon Park, which is so huge and wild it can almost make you forget

you're in the city. There'd been more rain during the week and it had

washed the last of the leaves off the trees. Now the leaves were lying

soggily underfoot, but some of them were still bright in the chilly fall

sunshine. Annie found a large flat rock, nearly dry, and we sat on it.

Her pack got stuck when she hunched her shoulders to take it off, and

when I helped her get it free, I could feel how thin her shoulders were,

even under the heavy sweater. "Egg salad," she said in an ordinary

voice, unwrapping foil packages. "Cheese and ketchup. Bananas, spice

cake." She smiled. "I can't vouch for the cake because it's the first

one I've ever made, and my grandmother had to keep giving me directions.

There's coffee, too. You'd probably rather have wine, but I didn't

have enough money, and they don't always believe I'm eighteen."

"Are you?" Annie shook her head. "Seventeen," she said, and I said,

"Coffee's fine, anyway." Oddly enough, it had never occurred to me to

have wine at a picnic, but as soon as Annie mentioned it, it sounded

terrific. Annie carefully unwrapped two big pieces of cake and put them

on neat squares of foil. Then, with no transition at all, she said,

"Actually, sir knight, this plate is from my father's castle. I had my

maid take it this morning for this very use. The sliced boar," she said,

handing me an egg salad sandwich, "is, I'm afraid, indifferent, but the

peacocks' tongues"--this was a banana--"are rather nice this year."

"Best boar I've ever had," I said gallantly, taking a bite of my

sandwich. It wasn't bad as egg salad, either. Annie spread her skirt

neatly around her and ate a cheese-and-ketchup sandwich while I finished

my egg one; we were quiet again. "The mead," I said, to make

conversation after I'd taken a sip of coffee, "is excellent." Annie held

up a couple of packs of sugar and a small plastic bag of Cremora. "Do

you really take your mead black? I brought this in case."

"Always," I said solemnly. "I have always taken my mead black." Annie

smiled and picked up her cake. "You must think I'm an awful child," she

said with her mouth full. "I forget most people don't like pretending

that way after they're much bider than seven."

"Did I look," I asked her, "as if I didn't like it?" She smiled, shaking

her head, and I told her about how I'd acted out King Arthur stories up

until I was fourteen, and how I still sometimes thought about them. That

led to both of us talking about our childhoods and our families. She

told me she had a married sister in Texas she hadn't seen for years, and

then she told me about her father, who was born in Italy and is a cab

driver, and her grandmother, who lives with them and who was born in

Italy, too. Annie's last name hadn't started out as Kenyon at all, but

something very long and complicated in Italian which her father had

Anglicized. "What about your mother?" I asked. "She was born here,"

Annie said, finishing her cake while I ate my banana. "She's a

bookkeeper--supposedly part-time, but she stays late a lot. The other day

she said she's thinking of working full-time next year, when I'm in

college. Assuming Nana--my grandmother--is still mostly well, and assuming

I get into college in the first place." She laughed. "If I don't, maybe

I'll be a bookkeeper, too."

"Do you think you won't get in?" I asked.

Annie shrugged. "I probably will. My marks are okay, especially in

music. And my SAT scores were good." Then we talked about SAT's and

marks for a while. Most of that afternoon was--how can I put it? It felt

a little as if we'd found a script that had been written just for us,

and we were reading through the beginning quickly--the imaginative,

exploratory part back in the museum, and now the factual exposition:

"What's your family like? What's your favorite subject?"--hurrying so we

could get to the part that mattered, whatever that was to be. Annie put

out her hand for my banana skin. "My first choice," she was saying--the

factual part of the script still--"is Berkeley."

"Berkeley?" I said, startled. "In California?" She nodded. "I was born

there--well, in San Jose, which isn't that far from Berkeley. Then we

moved to San Francisco.

I love California. New York's--unfriendly." She stuffed the empty skin

into her pack. "Except for you. You're the first really friendly person

I've met since high school--the whole time we've lived here."

"Oh, come on," I said, flattered. "That can't be true." She smiled,

stretching.

"No? Come to my school next week while you're suspended. You'll see."

She sat there quietly, still smiling at me, then shook her head and

looked down at the rock, poking at a bit of lichen. "Weird," she said

softly.

"What is?"

She laughed, not a full-of-delight laugh this time,

but a short, troubled one. "I almost said something--oh, something crazy,

that's all. I guess I don't understand. Not quite, anyway." She

shouldered her pack and stood up before I could ask her to explain.

"It's getting late," she said. "I've got to go. Are you walking to the

subway? Or taking the bus?"

The next day--Sunday--started out horribly. It

was drizzling out, so we all sat stiffly around the apartment with the

Times, trying not to talk about suspension or earrings or anything

related. But that didn't last long. "Look, George," Mom said from her

corner of the sofa as soon as she opened the paper. "The cutest pair of

gold earrings--

do you think Annalise would like them?" Annalise is her sister and had a

birthday coming up. Dad glared at me and said, "Ask Liza. She knows more

about earrings than anyone else in the family." Then Dad found an

article about discipline problems in high schools, which he insisted on

reading aloud, and Chad, who was sprawled out on the floor at the foot

of Dad's big yellow chair, found a court case involving a kid who'd

broken into his school's office safe in revenge for being expelled. When

I couldn't stand it any more I got up from my end of the sofa and went

out for a walk on the Promenade, which is also called the Esplanade.

It's a wide, elevated walkway that runs along one side of Brooklyn

Heights, above New York Harbor and the beginning of the East River. It's

nice; you can see the Manhattan skyline, and the Statue of Liberty, and

the Staten Island ferry chugging back and forth, and of course the

Brooklyn Bridge, which links Brooklyn to Manhattan and is just a few

blocks away. Only that day the weather was so dismal I couldn't see much

of anything except my own bad mood. I was leaning against the cold wet

railing, staring out at a docked freighter, but really going back and

forth with myself over whether I should have tried harder to stop Sally,

when a voice at my elbow said, "Don't jump"--and there was Annie. She

was wearing jeans again, and some kind of scarf, and her cape. "But," I

stammered, "but--but how ..." She pulled out the notebook from when we'd

exchanged addresses and waved it at me. "I wanted to see where you

live," she said, "and then there I was at your building so I rang the

belt, and then your mother--she's pretty--said you'd gone for a walk, and

then this kid--your brother, Chad, I guess--came out after me and said he

thought this was where you'd probably be and told me how to get here.

He seems nice."

"He--he is." It wasn't much to say, but I was still so bewildered and so

happy at the same time that I couldn't think of anything else. "Nice

view," said Annie, leaning against the railing next to me. Then in a

very quiet, serious voice she said, "What's the matter, Liza? The

suspension?" It was as if the script that had been written for us had

suddenly jumped way ahead.

"Yes," I said.

"Walk with me," Annie said,

stuffing her hands into her jeans pockets under her cape. "My Nana

says," Annie told me, "that walking helps the mind work.

She used to hike out into the countryside from her village in Sicily

when she was a girl. She used to climb mountains, too." Annie stopped

and looked at me. "She told me once, back when we were in California,

that the thing about mountains is that you have to keep on climbing

them, and that it's always hard, but that there's a view from the top,

every time, when you finally get there."

"I don't see how that ..." I began.

"I know. You're student council

president, but you're really just a person. Probably a pretty good one,

but still just a person. Because you're student council president,

everyone expects you to be perfect, and that's hard. Trying to live up

to everyone's expectations and being yourself, too--

maybe that's a mountain you have to go on climbing. Nana would

say"--Annie turned, making me stop--"that it'll be worth it when you get

to the top. And I'd say go on climbing, but don't expect to reach the top

tomorrow. Don't expect yourself to be perfect for other people."

"For a unicorn," I think I said, "you're pretty smart." Annie shook her

head.

We talked about it a little more, and then we went on walking along the

dreary, wet Promenade, talking about responsibility and authority and

even about God--no pretending this time, no medieval improvisations, just

us. By the time we were through, I realized I was talking to Annie as if

I'd known her all my life, not just a few days. Annie? I'm not sure how

she felt. She still hadn't said much about herself, personal things, I

mean, and I had. By about four o'clock we were so cold and wet that we

went up to Montague Street, which is the main shopping street for the

Heights, and had a cup of coffee. We started getting silly again--reading

the backs of sugar packages aloud and imitating other customers and

laughing. When Annie blew a straw paper at me, the waitress glared at

us, so we left. "Well," said Annie, on the sidewalk outside the coffee

shop. "Their mead," I said, reluctant for her to leave, "wasn't half as

good as yours."

"No," said Annie. "Liza ...?"

"What?" Then we both spoke at once. "You first," I said.

"Well, I was

just going to say that if you don't have to go yet, you could come back

to my apartment and see my room or something. But it's almost six ..."

"And I was going to say that if you don't have to eat supper right away,

maybe I could come back to your apartment and see your room."

"Supper," I said, looking up to see what color the traffic light was,

and then crossing the street with Annie, "is sometimes pretty informal

on Sundays. Maybe Mom will even invite you ..." Mom did, and Annie phoned

her mother, who said she could stay. We had baked ham and scalloped

potatoes, so it wasn't one of our informal and easily expandable Sunday

suppers, which usually was eggs in some form, cooked by Dad. But there

was plenty of food, and everyone seemed to like Annie. In fact, as soon

as Mom found out Annie was a singer, they began talking about Bach and

Brahms and Schubert so much that I felt left out and revived a friendly

running argument I had with Dad about the Mets versus the Yankees. Mom

got the point in a few minutes and changed the subject. Toward dessert,

I started panicking about my room, which was a mess--so much so, I

suddenly remembered, that I almost didn't want to show it to Annie after

all. It's a fairly large room, with a lot of pictures of buildings

fastened to the walls with drawing tape, and as soon as we went inside I

saw how shabby some of the drawings had gotten and how dirty the tape

was. But Annie didn't seem to mind. She went right to my drawing

table--that was actually

the best thing about my room anyway--on which was a pretty good

preliminary sketch for my solar-house project. Right away she asked,

"What's this?" so I started explaining, and showed her some of the other

sketches I'd done. Although most people get bored after about five

minutes of someone's explaining architectural drawings, Annie sat down

on the stool by the drawing table and kept asking questions till nearly

ten o'clock, when Mom came in to say she thought it was time for Dad to

take Annie home. At that point I realized that Annie really seemed

interested in architecture, and I felt embarrassed for starting that

show-off argument at dinner instead of listening to her talk. Dad and

Chad and I all ended up taking Annie home on the subway, which turned

out to be a longer trip than we'd expected. On the way I tried asking

one or two questions about music, but it was too noisy for conversation.

Just before we got to her stop, Annie gave my hand a quick squeeze and

said, "You don't have to do that, Liza."

"Do what?"

"Talk about music with me. It's okay. I know you don't like it all that

much."

"Liza," Chad called, "I can't hold this door all night. Girls!" he said

disgustedly to Dad when we were finally out of the train. "I like music

fine," I said to Annie, falling behind my father and Chad as we all went

up the stairs to the street. "Really. Why, I ..." Then I stopped,

because Annie was laughing, seeing through me. "Okay, okay," I said. "I

don't know anything about music. But I--am--willing to,,,"

"Fine," said

Annie. "You can come to my next recital. There's one before Christmas."

By this time we were up on the street, and for the few blocks to Annie's

building I tried again to ask her questions, nontechnical ones, about

the recital and what kinds of songs she liked to sing and things like

that. She seemed to be answering carefully, as if she were trying to

make me feel I understood more than I did.

"Well," said Dad when we got

to Annie's building--a big ugly yellow brick oblong in the middle of

almost a whole block of abandoned brownstones--"why don't we see you up

to your apartment, Annie?"

"Oh, no, Mr. Winthrop," she said quickly--and I realized that she was

embarrassed. "I'll be fine."

"No, no," Dad said firmly, "we'll take you up."

"Dad ..." I said under my breath--but he ignored me, and we all rode

silently up to the fifth floor in a rickety elevator that seemed to take

long enough to get to the top of the Empire State Building. Annie's

front door was near the elevator, a little to the left down a dark

shabby hall, and I had to admit that Dad was probably right to have us

all go up there with her. But I could see she was still embarrassed, so

I said, "Well, good night," as loudly and as cheerfully as possible, and

practically pushed Dad and Chad back into the elevator. Annie waved to

me from her door, and her lips formed the words

"Thank you" silently as the elevator door closed. When we got back out

onto the street, I felt as if I were about to burst with I didn't quite

know what, so I started whistling.

"Liza," said Dad--he can be a little

stiff sometimes--

"don't do that. This isn't a terrific neighborhood.. Don't call

attention to yourself."

"It is so a terrific neighborhood," I said, ignoring a drunk in a

doorway and a skinny collarless dog who was sniffing around an

overflowing litter basket. "It's a gorgeous neighborhood, beautiful,

stupendous, magnificent!" Chad tapped his head with his forefinger and

said, "Crazy," to Dad. "Maybe a stop at Bellevue?" Bellevue is a huge

hospital with a very active psycho ward. I made a growling sort of

werewolf noise and lunged at Chad just as a bum reeled up to Dad and

asked him for seventy-five cents for the subway. So I growled at the

bum, too, and he reeled away, staring at me over his shoulder. Dad shot

me a look that was supposed to be angry, but he couldn't keep it from

turning into a guffaw, and then he put one arm around me and the other

around Chad and marshaled us firmly over to the next block where he

hailed a cab. "I can't risk being seen with you two," he grinned, giving

the driver our address. "Can't you just see the Times? 'Engineer Seen

At Large With Two Maniacs. Sanity Questioned. One Maniac A Suspended

High-School Student. Ear-Piercing Ring Rumored.'" I sneaked a surprised

look at Dad and he reached over and mussed my hair in a way he hadn't

done since I was little. "It's okay, Liza," he said. "We all make

mistakes. That was a big one, that's all.

But I know you won't do anything like it again." But, oh, God, neither

of us had any way of knowing that I would do something much, much

worse--at least in the eyes of the school and my parents, and probably a

whole lot of other people, too, if they'd known about it.

Liza took

Annie's picture out of the drawer she'd been keeping it in, put it on

her bureau, and went to bed. But she couldn't sleep. She tried to read

and the words blurred; she tried to draw and couldn't concentrate.

Finally, she went to her desk and read through Annie's letters. "I miss

you," all but the last one said at the end. Liza took some cassettes

from her bookcase--Brahms, Bach, Schubert; she put on the Schubert and

went back to bed, listening. Maybe I should stop, she thought more than

once; I should probably stop thinking about this. But although the next

day she took two long walks, went to the library, and put in three

unnecessary lab hours to avoid it, she was back at her desk after

dinner, looking at Annie's picture and remembering...

6

Monday morning, just before first period, I called school and asked

for Ms. Stevenson. But Ms. Baxter, who answered the phone, said she was

home sick. I thought for a minute and then, because I didn't want to

talk to Mrs. Poindexter, I asked for Ms. Stevenson's home number. "This

is Liza Winthrop," I said uncomfortably. "I guess you know I was

suspended Friday. I, um, don't know if I'm supposed to do homework or

how I'm supposed to keep up with classes or anything."

There was a pause, during which I imagined Ms. Baxter taking out one of

her lace handkerchiefs and dabbing mournfully at her eyes.

"Six-two-five," she said, as if she were praying, "eight-seven-one-four."

"Thank you." I clicked the receiver button and began dialing again. Ms.

Stevenson's phone rang five times, with no answer. I was just about to

hang up and call Sally to see if by some chance she knew what we were

supposed to do, when a voice, not Ms. Stevenson's, answered. "Um," I

said eloquently, "this--um--is Liza Winthrop, one of Ms. Stevenson's

students at Foster? Well, I'm sorry to bother her if she's not feeling

well, but the thing is ..."

"Oh, Liza," the voice said. "This is Ms. Widmer. Isabelle--

I mean Ms. Stevenson--has a terrible cold and I was just about to

leave for school--late, as you can see. Is there anything I can do?" I

remembered then that someone had once said they thought that Ms.

Stevenson and Ms. Widmer lived together. "Or," Ms. Widmer was

suggesting, "would you rather talk to her directly? It's just that she

feels very rotten."

"No, it's okay," i said quickly, and explained. Ms. Widmer left for a

couple of minutes and then came back and said yes, I did have to keep up

and she'd send my homework to me via Chad if that was okay and wasn't it

nice it was a short week because of Thanksgiving.

She suggested I get in touch with Sally to tell her it would be a good

idea for her to make some kind of arrangement, too. So I called

Sally--she still sounded upset about everything--and then I spent the next

twenty minutes deciding what to wear to Annie's school. I must have put

on four different pairs of jeans before I found one that wasn't dirty or

torn or too shabby or not shabby enough, and then I darned a hole in the

elbow of my favorite gray sweater, which I'd been putting off doing

since spring. By the time I left, it was after ten o'clock. It took me

more than an hour to get to Annie's school, what with changing subways

and all. She'd drawn me a rough floor plan of the building and copied

down her schedule for me, but she'd also warned me I wouldn't be able to

just walk in, as someone pretty much could at my school--and she couldn't

have been more right about that! As soon as I saw the building, I

remembered her comparing it to a prison. I've seen big ugly schools

all over New York, but this was the worst one of all. It was about as

imaginative in design as a military bunker. I went up the huge concrete

steps outside, through big double doors that had wire mesh over their

windows, as did the regular windows, and into a dark cavernous hall with

metal stairwells off it. The first thing that hit me was the smell: a

combination of disinfectant, grass, and the subway on a hot day, with

the last one of those the strongest. The second thing that hit me was

how the prison atmosphere continued inside. Even the interior glass

windows, on doors and looking into offices, were reinforced with wire

mesh. And right in the middle of the hall, opposite the doors, was an

enormous table with three security guards standing around it. The

biggest of them strode up to me the minute I walked in. "What do you

want?" he demanded belligerently. I told him my name, as Annie had

warned me I'd have to, and said I was a friend of Annie's and had come

to see the school. "How come you're not in school yourself?" he asked. I

didn't know what to say to that. I thought of saying I was a dropout or

that my school had all week off for Thanksgiving or that I'd graduated

early--anything but that I'd been suspended. But then I figured I was in

enough trouble already, and besides, I've always been a terrible liar,

so I told the truth. He asked why I'd been suspended, so I told him

that, too.

And that did it. He and another guard herded me into a little office

off the hall. Then he asked how I'd like it if they called Foster to

verify my story, and the other guard asked if I'd mind emptying my

pockets, and I said, "What for" he looked at his cohort and said, "Is

this kid for real?" Needless to say, I never did get any farther inside

Annie's school that day. So I left, and spent the next few hours at the

Museum of the American Indian. When I got back, at about two-thirty, the

guards and a couple of cops were outside and what seemed like thousands

of kids were pouring out the doors--and just as I was thinking there was

no way Annie was going to find me except by luck, I spotted her and

yelled, waving my arms. One of the guards started edging toward me, but

I managed to duck out of his way and get lost in the crowd; Annie

watched from the next-to-top step till I crossed the street, and then

she came toward me, smiling. "Let's get away from here," she said, and

led me around the corner to a quiet little park where there were mothers

and baby carriages and dogs--a different world.

"I tried to get in," I said, and explained.

"Oh, Liza, I'm sorry!" she

said when I was through. "I should have warned you more--I'm sorry."

"Hey, it's okay!"

"Those security guards are jerks," she said, still

sounding upset. "They probably thought you were selling." She gave an

odd little half laugh and sat down on a bench. "We could use fewer of

them here at school and more where I live."

"I didn't think it was

so bad," I said, remembering her embarrassment when we took her home.

"Where you live, I mean." I sat down next to her.

"Oh, come on!" said

Annie, exploding the way she had at the Cloisters over the ear piercing.

"You know what goes on in those buildings, the ones no one lives in?

Kids shoot up, drunks finish off their bottles and then throw up all

over the sidewalk, muggers jump out at you--sure, it's a wonderful

neighborhood!"

"I'm sorry," I said humbly. "I guess I don't know much about it."

"That's okay," Annie said after a minute. But it didn't seem okay to me,

because there we were sitting moodily on a cold bench saying

"I'm sorry," to each other for things we couldn't help. Instead of being

happy to see Annie, which I'd been at first, now I felt rotten, as if

I'd said something so dumb the whole friendship was going to be over

with when it had only just started. Finis--end of script. Annie poked her

foot at a bunch of dry cracked leaves near one end of the bench; we were

sitting pretty far away from each other. "Somewhere out there," she said

softly, "there's someplace right, there's got to be." She turned to me,

smiling and less upset, as if she'd forgiven me or maybe never even been

as angry as she'd seemed. "Where we lived when I was little, after we'd

moved to San Francisco, you could see out over the Bay--little white

specks of houses nestled in the hills like--like little white birds.

Getting back there and finding out if it's as beautiful as I

remember--that's one of my mountains." She flapped her arms in her

coat--it was thicker than her cape, but I

could see that it was old, even threadbare in spots. "Sometimes then

I used to pretend I was a bird, too, like the ones I pretended were

across the Bay, and that I could fly over to where they were."

"And now," I said carefully, "you're going to fly across the whole

country to get to them."

"Oh, Liza," she said. "Yes. Yes--except ..." But instead of finishing

she shook her head, and when I asked her

"What?" she jumped up and said, "I know what let's do! Let's walk over

to the IRT and go downtown and take the ferry back and forth to Staten

Island till it gets dark so we can see the lights--have you ever done

that? It's neat. You can pretend you're on a real ship--let's see. Where

do you want to go? France? Spain? England?"

"California," I said, without thinking. "I'd like to help you find your

white birds." Annie put her head to one side, for a moment reminding me

of the way she'd pretended to be a unicorn at the Cloisters. "Maybe

there are white birds in Staten Island," she said softly.

"Then," I said, "I guess we should go on a quest for white birds there.

California's very far away."

"That's what I was thinking before," Annie said--we were walking now,

toward the subway. "But next year's far away, too." I wondered if it

really was. On the subway, Annie's mood changed, and mine did too. After

we sat down, Annie whispered, "Have you ever stared at people's noses on

the subway till they don't make sense any more?" I said I hadn't,

and then of course we both stared all the way to South Ferry, till

people began scowling at us and moving uncomfortably away. We rode back

and forth on the Staten Island ferry for the rest of the afternoon,

sometimes pretending we were going through the Panama Canal to

California after all, and sometimes pretending we were going to Greece,

where I was going to show Annie the Parthenon and give her architecture

lessons. "Only if I can give you history ones," she said. "Even if they

hardly teach it at all at my stupid school."

"How come you know so much then?" I said, thinking of our

improvisations.

"I read a lot," she said, and we both laughed. After

about four trips back and forth, the ferry crew caught on that we'd only

paid once, so the next time we pulled into St. George, Staten Island, we

got off and hiked up one of the hilly streets that lead away from the

ferry slips, till we got to some houses with little yards in front of

them. Annie said, serious again, "I'd like to live in a house with a

yard someday, wouldn't you?" and I said, "Yes," and for a while we

played a quiet--shy, too--game of which of the houses there we'd live in if

we could. Then we sat down on a stone wall at the corner of someone's

yard--it was beginning to get dark by then--and were silent for a while.

"We're in Richmond," Annie said suddenly, startling me. "We're early

settlers and ..." Then she stopped and I could feel, rather than see,

that she was shaking her head. "No," she said softly. "No, I don't want

to do that with you so much any more."

"Do what?"

"You know. Unicorns. Maidens and knights. Staring at noses, even. I

don't want to pretend any more. You make me--want to be real." I was

looking for some way to answer that when a woman came out of a house

across the street, carrying a mesh shopping bag and leading a little dog

on a leash. When she reached the corner, she put the shopping bag into

the dog's mouth and said, "Good Pixie, good girl, carry the bag for

Mommy," and we both burst into helpless laughter. When we stopped

laughing, I said, awkwardly, "I'm glad you want to be real, but--well,

please don't be too real. I mean ..."

Annie gave me a funny look and said, "Annie Kenyon's dull, huh?"

"No!" I protested. "No, not dull at all. Annie Kenyon's ..."

"What? Annie

Kenyon's what?" I wanted to say fascinating, because that's really what

I was thinking, but I was too embarrassed. Instead, I said

"Interesting," but then that sounded flat, and I knew Annie couldn't see

my face clearly in the twilight anyway, so I added "Fascinating" after

all. I thought magical, too, but I didn't say that, even though just

sitting there in the growing darkness with Annie was so special and so

unlike anything that had ever happened to me before that magical seemed

like a good word for it and for her.

"Oh, Liza," Annie said, in a way I

was beginning to expect and hope for. Then she said, "So are you," and I

said stupidly, "So am I what?" Instead of answering, Annie pointed

down the street to where Pixie and Mommy were coming back. Then, when I

was looking at them--the streetlights were on now--Annie said very softly,

"Fascinating." Pixie was still carrying the shopping bag, but now it had

a head of lettuce in it. Pixie was so low to the ground that the bag was

humping along the sidewalk. "I hope," Annie said, "that Mommy's planning

to wash that lettuce." We sat huddled together on the wall in the shadow

of some big trees, watching until Pixie and Mommy were back inside their

house, and then we walked back down to the ferry slip, shoulders

touching. I think one reason why we didn't move away from each other was

because if we had, that would have been an acknowledgment that we were

touching in the first place. We each called home to say we'd be late,

and on the way back in the ferry we stood as far up in the bow as

possible so we could watch the lights in Manhattan twinkling closer and

closer as we approached. We were the only people on deck; it was

getting very cold. "Look," said Annie. She closed her hand on mine and

pointed up with her other hand. "The stars match the lights, Liza.

Look." It was true. There were two golden Lacework patterns now, one in

the sky and one on shore, complementing each other. "There's your

world," Annie said softly, pointing to the Manhattan skyline, gold

filigree in the distance.

"Real, but sometimes beautiful," I said, aware that I was liking Annie's

hand touching mine, but not thinking beyond that. "And that's like my

world." Annie pointed up to the stars again. "Inaccessible."

"Not," I said to her softly, "to unicorns. Nothing's inaccessible to

unicorns.

Not even--not even white birds."

Annie smiled, as if more to herself than

to me, and looked toward Manhattan again, the wind from the ferry's

motion blowing her hair around her face. "And here we are," she said.

"Liza and Annie, suspended in between." We stood there in the bow for

the whole rest of the trip, watching the stars and the shore lights, and

it was only when the ferry began to dock in Manhattan that we moved

apart and dropped each other's hands.

7

Two days later, on Wednesday,

Annie managed to get out of her school long enough at lunchtime to

smuggle me into the cafeteria--a huge but shabby room as crowded as Penn

Station or Grand Central at Christmas. While we were sitting there

trying to hear what we were saying to each other, a tall gangling kid

unfolded himself from his chair, took at least a foot of heavy chain out

of his pocket, and started whirling it around his head, yelling

something nobody paid any attention to. In fact, no one paid any

attention to the boy himself either, except for a few people who moved

out of range of the swinging chain. I couldn't believe it--I couldn't

believe anyone would do that in the first place, and I also couldn't

believe that if someone did, everyone would just ignore him. I guess I

must have been staring, because Annie stopped in the middle of what she

was saying and said, "You're wondering why that guy is swinging that

chain, right?"

"Right," I said, trying to be as casual about it as she was.

"Nobody

knows why he does it, but in a few minutes one of the carpentry teachers

will come along and take him away--there, see?" A large man in what I

guess was a shop apron came in, ducked under the flying chain, and

grabbed the kid around

the waist. Right away, the kid froze, and the chain went clattering to

the floor. The man picked it up, stuffed it into his pocket, and led the

kid out of the cafeteria. "Annie," I said wildly, "you mean he does that

often? Why don't they take the chain away from him--I mean permanently?

Why don't they ... I don't know, you did mean he does it all the time,

didn't you?" Annie gave me a partly amused, partly sympathetic look and

put down her chocolate milk carton. "He does do it all the time, once a

week or so. They do take the chain away from him, but I guess he has an

endless supply. I don't know why they don't do anything else about him

or for him, but they don't seem to." She smiled. "You see why sometimes

I prefer white birds."

"And unicorns and knights," I answered. "Good Lord!"

"When I first came here," Annie said, "I used to go home and cry, at

night. But after about two months of being terrified and miserable, I

found out that if you keep away from everyone, they keep away from you.

The only reason I never tried to transfer is because when my mother

works late I go home at lunch to check on Nana. I couldn't do that if I

went to another school."

"There must be some okay kids here," I said, looking around.

"There

are. But since I spent my whole freshman year staying away from

everyone, by the time I was a sophomore, everyone else already had

friends." She smiled wryly, criticizing herself. "It isn't just that

people in New York are unfriendly. It's also that I've been unfriendly

to people in New York. Till now."

I smiled at her. "Till now," I repeated.

After lunch, since I was going to meet Annie at her apartment

late that afternoon, I went to the Guggenheim Museum and tried not to

think too hard about what might be happening at her school while I was

safely looking at paintings. But I kept thinking about it anyway, and

about how depressing a lot of Annie's life seemed to be, and about how I

wished there was something I could do to make it more cheerful.

The day before, after Annie got out of school, we'd gone to the New York

Botanical Garden, where I'd been a couple of times with my parents, and

Annie went wild walking up and down greenhouse aisles, smelling the

flowers, touching them, almost talking to them. I'd never seen her so

excited. "Oh, Liza," she'd said, "I never even knew this place was

here--look, that's an orchid, those are impatiens, that's a

brome]iad--it's like a place we used to go to in California--it's so

beautiful! Oh, why can't there be more flowers in New York, more green

things?" As soon as I remembered that, standing halfway up the spiral

ramp that runs through the middle of the Guggen-helm, I knew what I'd

do: I'd buy Annie a plant and take it to her apartment as a sort of

thank-you present--thank you for what, I didn't really know, but that

didn't seem to matter much as I rushed back outside to find a florist. I

found one that had some flowering plants in the window. "Do they have

these in California?" I asked the man. "Sure, sure," he said. "They have

them all over." That didn't tell me much, but I was too nervous to ask

any more questions--even to ask what kind of plant the one I wanted

was--it had thick furry leaves and was covered with light blue flowers.

By then I knew that blue was Annie's favorite color, so I decided it

probably wouldn't

matter what kind of plant it was. The pot had hideous pink tinfoil

wrapped around it, but I took that off in the slow elevator in Annie's

building, and stuffed it into my pocket. I remembered to knock at

Annie's door--she'd told me the buzzer didn't work and in a few minutes a

quavery voice said, "Who is it?"

"Liza Winthrop," I said, and then said it again, louder, because I heard

something rattling under where the peephole was. When the door opened, I

had to look down suddenly because I'd been ready to say hello to someone

at eye level. But the person who opened the door was a tiny,

fragile-looking woman in a wheelchair. She had wonderful bright blue

eyes and a little puckered mouth that somehow managed to look like

Annie's, probably because of the smile. "You must be Annie's frien'."

The woman beamed at me, and as soon as I heard her accent I remembered

that Annie's grandmother had been born in Italy. Sure enough, the woman

said, "I'm her Nana--her gran'ma--come in, come in." Deftly, she

maneuvered the wheelchair out of the doorway so I could step inside.

"Annie, she help her mamma make the turk'," Annie's grandmother said. It

was a second or two before I realized that "turk" was "turkey," but the

wonderful smell that struck me as soon as I was inside told me my guess

was right. "We make him the day-before"--it was one word, beautiful:

"day-before"; when she said it, it sounded like a song. "So on

Thanksgiving we can have a good time.

Come in, come in. Annie! Your frien', she's here. What a pretty

flower--African violet?"

"I--I don't know," I said, bending a little closer

so Annie's Nana could see the plant's flowers. "I don't know a thing

about plants, but I just found out Annie likes them, so I brought her

one." I'd never have dared admit to most people--most kids, anyway--that

I'd brought Annie a present, but this lovely old lady didn't seem to

think there was anything odd about it. She clasped her gnarled hands

together--and it was then that I knew where Annie had gotten her laugh as

well as her smile, because her grandmother laughed in exactly the same

way. "Annie, she be very happy," Nana said, her bright eyes twinkling

into mine, "very happy--you wait till you see her room, she loves

flowers! Annie, look," she said, turning her head toward Annie, who had

just come out of the kitchen, her hair braided and wrapped around her

head, a dish towel around her middle, and her face red from the heat of

the oven. "Look, your frien', she brought you a frien'." Nana and I

chuckled at her joke as Annie looked at the violet and then at me. "I

don't believe this," Annie said, her eyes meeting mine above her

grandmother's softly gleaming white hair. "You brought me an African

violet?" I nodded. "Happy Thanksgiving."

"Oh, God, Liza, I suppose you're going to tell me this is part of your

real world, too, right?"

"Well," I said, feigning modesty, "it's real, all right."

"Real world, what you talk?" said Nana. "Annie, you push me in the

kitchen so I can help your mamma. Then you go with your frien' and

talk." Annie winked at me as she took the back of her grandmother's

chair, and Nana reached out and squeezed my

hand as Annie started to wheel her past me. "I like you, Lize," she

said, pronouncing my name the way Chad often did. "You make my Annie

happy. She's so sad sometimes." Nana made the corners of her mouth droop

down like a tragedy mask. "Ugh! Young girls, they should laugh. Life's

bad enough when you're grown, you might as well laugh when you're young.

You teach my Annie that, Lize, okay?"

"Okay," I said, looking at Annie.

I think I held up my hand when I said it. "You promise, good! Annie,

she's laugh' more this week, since she met you." Annie wheeled her

grandmother into the kitchen and I stood awkwardly in the hall, looking

down its dingy walls into the living room. I could see part of a very

worn carpet that must once have been bright red, and a lopsided sofa

with some stuffing working its way out around the edges of a couple of

patches, and a faded photo of the Roman Coliseum hanging on the wall

next to a cross with a dry palm leaf tucked behind it. "Nana's," said

Annie, coming back and pointing to the cross. "The rest of us aren't

very religious. My mother's Protestant, and I don't know what I am."

She'd taken the towel from her waist, but her face was still red and a

little shiny from the heat. A wisp of her hair had begun to come loose.

I wanted to push it back for her. "Nana adores you," she said.

"I adore

her." I answered, as Annie led me through the living room and down a

shorter but dingier hall to her room. "Listen, I take it as a solemn

pledge," I said, as Annie stepped aside in the doorway so I could go

into the small room, "to make you laugh, like she said. Okayy?"

Annie smiled, but a little distantly, sat down on the edge of her narrow

bed, and motioned to the only chair, which was at a table that was piled

high with books and music scores and seemed to be working as a desk. "Okay,"

she said.

"I like your room," I told her, looking around and trying to keep away the

awkwardness I was beginning to feel again. The room was tiny, but full

of things that obviously meant a lot to Annie, mostly the books and

music scores, but also several stuffed animals--and, as Nana had said,

plants, what seemed like hundreds of them. Because of them, you didn't

even notice right away that the desk-table was scarred and a bit

rickety, that the bed was probably an old studio couch, and that one

window had a piece of cloth stuffed in part of it, I assumed to keep

out drafts. There was a big feathery fern hanging in the window and a

pebble-lined tray with lots of little plants on the sill. On the floor

at the foot of the bed was a plant so huge it looked like a young tree.

"Oh. come on," Annie said, "it's nothing like your room. Your room

looks--shiny and, I don't know--new." Her eyes followed mine to the huge

plant near the bed. "That's just a rubber tree from Woolworth's. I got

it when it was little--only ninety-five cents' worth of little."

"Well, it must be a hundred dollars' worth of big now. Hey, I mean

it. I like your room. I like your grandmother, I like you ..." For a

minute, neither of us said anything. Annie looked at the floor and then

went over to the rubber tree and flicked something invisible off one of

its leaves. "I like you, too, Liza," she said carefully. She had put the

African violet on the desk-table, but now she picked it up and took it over to the

windowsill, where she made room for it on top of the pebbles.

"Humidity," she said. "They like that, and the pebbles help. I mean, the

water you put in the tray for it helps--oh, damn." She turned away from

me suddenly, but something in her voice made me grab her hand and pull her

around to face me again. To my astonishment, I saw that she was nearly

in tears. "What's the matter?" I asked, standing up, a little scared.

"What's the matter? Did I do something?" She shook her head, and then

she rested it for a second on my shoulder. But when my hand was still on

its way up to comfort her, she moved away and went to her bedside table,

where she fished a Kleenex out of a box and blew her nose. "Yes, you did

something, you jerk," she said, sitting on the edge of the bed again.

"You brought me a present, and I'm such a sentimental fool, it's making

me cry, and I'm upset because I don't have any money to get you a

present, but I wish I did."

"Oh, for God's sake," I said, and I went over and sat next to her and

put my arm around her for a second. "Look, I don't want you to give me a

present. That's not what this is about, is it?"

"I--I don't know," Annie said. "I never really had a friend before--that's

what I was sort of trying to tell you today in the cafeteria. Well, I

did in California, but I was a lot younger then, even if I did think I

was going to die when she moved away--we were both in sixth grade then."

"You're the jerk," I said. "Presents aren't part of it, okay? I just

knew you liked flowers, that's all, and that was exciting to me because

I never knew anyone who did and I can't make anything grow to save my

life. Maybe it's a thank-you present for showing me Staten Island

and--and everything." Annie sniffed loudly and finally smiled. "Okay--but

that's not what this is about, either, is it?

Thank-you presents--that's no good."

"Right." I got up and went back to the chair. "Tell me about your friend

in California. If you want."

"Yes," said Annie. "I think I do." For the next hour or so, I sat there

in Annie's room while she showed me pictures of a pasty-faced,

dull-looking little girl named Beverly and told me about how they used

to go for walks on the beach and pretend they were running away, and how

they used to sleep over at each other's houses, usually in the same bed,

and how they giggled and talked all night and sometimes kissed each

other--"the way little girls sometimes do," Annie said, reddening--I knew

Annie had been pretty young then, so I didn't think anything of it. And

then I asked her about her grandmother, who turned out to have made all

Annie's clothes till her fingers got too stiff from arthritis. Annie

said she sometimes listened to Nana breathe at night for fear she was

going to die suddenly. After a while, Annie and I went into the kitchen,

where there were several cats milling around in that sideways way cats

have.

We sat at a round table with orange plastic place mats on it and sniffed

the roasting turkey and talked to Annie's mother, who was mousy and

tired-looking but nice, and to Nana, who didn't seem to me to be

anywhere near dying. We drank grape juice and ate a whole plate of some

wonderful Italian cookies filled with figs and dates

and raisins. When I left, Nana made me take a bagful of cookies home to

Chad.

The next day, in the afternoon, the doorbell rang just as I'd finished

my second piece of pumpkin pie, while Dad was telling the same story he

told every year, about when he and his brother swiped a Thanksgiving

turkey and tried to cook it over an open fire in the weeds in Maine,

where he grew up. I pushed the buzzer and ran down to see who it was and

it was Annie with a short, stocky man with a black mustache, who turned

out to be her father. There was a yellow cab double-parked in the

street. Annie looked as if she'd rather be on another planet. Mr. Kenyon

took off his little squashed cap and said, "We don't mean to interrupt,

but Annie, she say she come down to see you this afternoon, and I say

Thanksgiving is a family day and maybe you don't want company, and she

say maybe I don't want her to go, so I bring her down. You gave her

such a nice present I thought maybe you and your mamma and poppa and your

brother might like to come for a ride with us in the cab. That way all

the families stay together and can get to know each other, too." I

looked dubiously out at the double-parked cab and then I saw Nana's

cheerful face in the window, behind a fluttery wave. "We always take my

mamma for a ride in the cab on holidays," explained Mr. Kenyon. I could

tell from Annie's face that she was absolutely perishing with

embarrassment, and I wanted to signal her that it was okay, because it was.

I could understand how she felt, but I thought her family was terrific.

"Let me go ask," I said, and ran upstairs. Annie came after me and

grabbed me on the first landing. "Liza, I'm sorry," she said.

"He--he doesn't understand this country--I don't know, he's been here

since he was twenty, but he still thinks he's back in some Sicilian ..."

"I like him!" I shouted, shaking her. "I told you--I like your

grandmother and the cats in your kitchen, and your mother, even though I

don't know her very well, and I like your plants and your room and you,

except when you're a jerk to be so worried that I'm not going to

like--whatever!"

Annie smiled sheepishly and leaned against the wall. "I think it's

jerky, too, she said. "I mean of me. It's just that well, I'm always

worried that people are going to laugh at them."

"Well, I'm not going to laugh at them," I said. "And if you are, I'll go

live with them and you can come here and live in stuffy old Brooklyn

Heights and go to Foster Academy and almost get expelled for piercing

ears and--Annie?" I said, as soon as it struck me. "Are you jealous? Is

that what this is really about? Do you envy me?"

"No," said Annie softly.

Then she laughed a little.

"No, I don't, not at all. You're right that I don't like the school I go

to or the neighborhood I live in--but no, I wouldn't want to--to swap with

you or anything." She smiled. "I guess you made me realize that just

now, didn't you?"

"Well, good," I said, still angry, "because if you do want to swap--if

that's all I mean to you, forget it." I surprised myself, I was so mad.

"Oh, Liza, no," Annie said. "No. That's not what you mean to me. It's

not like that at all, not at all." She edged away from the wall and then

faced me, dropping a quick curtsy. "Will the Princess Eliza please to

come for a ride i in the magic wagon of the humble peasant? We will show

her wonders--gypsies--seagulls--shining caves--the Triborough Bridge ..."

"Oh, you nut!" I said, reaching for her hand. "You--unicorn." For a

minute we stood there looking at each other, knowing with relief that it

was all right again between us.

Dad and Mom and Chad decided to stay

home, though they came downstairs at my insistence to meet Mr. and Mrs.

Kenyon and Nana. I think I was trying to prove to Annie that they

wouldn't laugh at her family, either. Good old Chad--when he and Mom and

Dad were going back in and Annie and I were standing by the door, he

turned to Annie and said, "Your dad's neat, Annie--what a neat cab!" I

could have kissed him. We drove all through Brooklyn and up into Queens

that afternoon, and then back down through Central Park, and the whole

time Mr. Kenyon and his mother told stories about Italy, and Mrs. Kenyon

laughed and prompted them. Mr. Kenyon's father, who had died in

California, had been a butcher in his village in Sicily, and cats used

to follow him all over because he fed them scraps. That was why the

Kenyons still had cats; Mr. Kenyon said life just didn't seem right

without a cat or two around. Chad was right that he was neat.

I can't really remember what Annie and I did during the next couple of days

of vacation. Walked a lot--the Village, Chinatown, places like that. It's

Sunday that's important to remember. It's Sunday that I've been thinking

around the edges of ... Have you ever felt really close to someone?

So close that you can't understand why you and the other person have two

separate bodies, two separate skins? I think it was Sunday when that

feeling began. We'd been riding around on the subway, talking when it

wasn't too noisy, and had ended up at Coney Island. It was so late in

the season that it was deserted, and very cold. We looked at all the

closed-for-winter rides, and at a few straggling booth owners who were

putting battered pastel-painted boards up over their popcorn or

dime-toss or win-a-doll stands, and we bought hot dogs at Nathan's.

There were only a couple of grubby old men eating there, I guess because

most people don't have room even for Nathan's the weekend after

Thanksgiving. Then we walked on the empty beach and joked about hiking

all around the edge of Brooklyn up into Queens. We did manage to get

pretty far, actually, at least well away from the deserted booths, and

we found an old pier sort of thing with a lot of rotting brown pilings

holding back some rocks--I guess it was more or less a breakwater--and we

sat down, close together because it was so cold. I remember that for a

while there was a seagull wheeling around above our heads, squawking, but then it flew off toward

Sheepshead Bay. I'm not sure why we were so quiet, except that we knew

school would start again for both of us the next day, and we wouldn't be

able to meet so often or so easily. I had my senior project, and student

council if I was reelected, and Annie had to rehearse for her recital.

But we'd already worked out which days during the week we'd be able to

see each other, and of course there would still be weekends, so maybe

that wasn't why we were so quiet after all ... Mostly it was the

closeness. It made my throat ache, wanting to speak of it. I remember we

were both watching the sun slowly go down over one end of the beach,

making the sky to the west pink and yellow. I remember the water lapping

gently against the pilings and the shore, and a candy wrapper--Three

Musketeers, I think--blowing along the beach. Annie shivered. Without

thinking, I put my arm across her shoulders to warm her, and then before

either of us knew what was happening, our arms were around each other

and Annie's soft and gentle mouth was kissing mine. When we did realize

what was happening, we pulled away from each other, and Annie looked out

over the water and I looked at the candy wrapper. It had gotten beyond

the pilings by then, and was caught against a rock. For something to do,

I walked over and stuffed it into my pocket, and then I stayed there,

looking out over the water too, trying to keep my mind blank. I remember

wishing the wind would literally blow through me, cold and pure and

biting. "Liza," Annie called in a quiet voice. "Liza, please come back."

Part of me didn't want to. But part of me did, and that part won. Annie

was digging a little hole in one crumbling piling with her fingernail.

"You'll break your nail," I said, and she looked up at me and smiled.

Her eyes were soft and troubled and a little scared, but her mouth went

on smiling, and then the wind blew her hair in wisps across my face and

I had to move away. She put her hand on mine, barely touching it. "It's

all right with me," she whispered, "if it is with you."

"I--I don't know," I said. It was like a war inside me; I couldn't even

recognize all the sides. There was one that said, "No, this is wrong;

you know it's wrong and bad and sinful," and there was another that

said, "Nothing has ever felt so right and natural and true and good,"

and another that said it was happening too fast, and another that just

wanted to stop thinking altogether and fling my arms around Annie and

hold her forever. There were other sides, too, but I couldn't sort them

out. "Liza," Annie was saying, "Liza, I--I've wondered. I mean, I

wondered if this might be happening. Didn't you?" I shook my head. But

somewhere inside I knew I had at least been confused.

Annie pulled her collar up around her throat and I wanted to touch her

skin where the collar met it. It was as if I'd always wanted to touch

her there but hadn't known it. "It's my fault," Annie said softly.

"I--I've thought sometimes, even before I met you, I mean, that I might

be gay." She said the word "gay" easily, as if it were familiar to her,

used that way.

"No," I managed to say, "no--it's not anyone's fault." I

know that underneath my numbness I felt it made sense about me, too, but

I couldn't think about it, or concentrate on it, not then. Annie turned

around and looked at me and the sadness in her eyes made me want to put

my arms around her. "I'll go, Liza," she said, standing up. "I--I don't

want to hurt you. I don't think you want this, so I have hurt you and,

oh, God, Liza," she said, touching my face, "I don't want to, I--like you

so much. I told you, you make me feel--real, more real than I've ever

thought I could feel, more alive, you--you're better than a hundred

Californias, but it's not only that, it's ..."

"Better than all those white birds?" I said around the ache that was in

my throat again.

"Because you're better than anything or anyone for me, too, Annie,

better than--oh, I don't know-- better than what--better than

everything--but that's not what I want to be saying--you--you're--Annie, I

think I love you." I heard myself say it as if I were someone else, but

the moment the words were out, I knew more than I'd ever known anything

that they were true.

Dear Annie, I've just been remembering Thanksgiving

vacation, and the beach near Coney Island. Annie, it makes me ache for

you, it ...

Liza crumpled the letter, then smoothed it out again, tore

it to shreds, and went outside. She walked beside the Charles River in

the cold. The air was brittle with the coming winter; one sailboat

struggled against the biting wind. The guy in that boat's crazy, she

thought absently; his sail will freeze, his hands stick to the

mainsheet and they'll have to pry him loose... Annie, she thought, the

name driving everything else away, Annie, Annie ...

8

School seemed strange the Monday after Thanksgiving. In a way it was

nice to be back because it was familiar but it also seemed irrelevant,

as if I'd grown up and school was now part of my childhood. I was almost

surprised to see the ballot box in the main hall, and kids dropping

folded pieces of paper in it. It wasn't that I'd really forgotten the

election; it was just that it was part of my old world, too, and it had

lost a lot of its importance. So I was quite calm when after lunch we

were all told to report to the Lower School gym, which doubled as an

auditorium, for "a few announcements." Ms. Baxter gave me a big cheerful

smile, I suppose to be forgiving and encouraging, but Mrs. Poindexter,

in a purple dress I'd never seen before, her glasses dangling, looked

grim. "I must've won," I quipped to Sally. "Look at her--she looks as if

she's swallowed a cactus." But Sally didn't laugh. In fact, I soon

realized she must be nervous about something, because she kept licking

her lips and she was clutching a couple of index cards, shuffling them

around, picking at the corners.

"Ladies and gentlemen," said Mrs.

Poindexter--her usual way of addressing large groups of us--"I have two

announcements. The first and briefer one is that Eliza Winthrop will

continue as head of student council." There was quite a bit of applause,

and school began mattering more to me again. "And the second," Mrs.

Poindexter said, holding up her hand for silence, "is that Walter

Shander and Sally Jarrell have very kindly agreed to be student

chairpeople for our fund-raising drive. Sally has a few words to say. Sally!"

Sally got up, still fidgeting nervously with her index cards.

"Well, I just want to say," she piped, "that I realized over

Thanksgiving what a terrible thing I--I did with the ear piercing and

all, and Walt and I talked over what I could do to make it up to the

school, and then this morning Ms. Baxter said Mrs. Poindexter wanted

students to get involved in the campaign. And so then I thought I could

do that, and Walt said he'd help. I--I really want to make up to everyone

for what I did, and this way, if anyone on the outside finds out about

it, the ear infections, I mean, it'll be easier for Mrs. Poindexter and

everyone to say that I'm really sorry ..." I swallowed against the sick

feeling that was creeping up my throat from my stomach. It wasn't that I

didn't think it was a nice thing for Sally to do--I did--it was that she

seemed to be doing it for the wrong reasons. "If the campaign's a

success," she was saying, "that means that Foster can go on giving

people a good education. Later, Walt and I will tell you about some

dances and rallies and things we're planning, but right now I wanted

first of all to apologize, and secondly--well, to ask for your support

in the campaign." She blushed and ran back to her seat. There was

applause again, but this time it was uncertain, as if the other kids

were as surprised and as uncomfortable as I was about Sally's making so

much of the ear piercing--she made it sound as if she thought she'd

murdered someone.

But Mrs. Poindexter and Ms. Baxter looked like a couple of Cheshire

cats, one large and one small. "How was I?" Sally asked. "Great, baby,

terrific," Walt said, hugging her. "Wasn't she great, Liza?"

"Sure," i said, not wanting to hurt anyone's feelings.

After school I

went to the art studio to do some work on my senior project. Sally and

Walt were there, bent over a huge piece of poster board, painting, and I

had to admit that Sally looked happier and more relaxed than I'd seen

her for some time. Maybe, I thought, doing this won't be so bad for her

after all.

"Hi, Liza," Walt called cheerfully, as I rummaged in the

supply cabinet. "What shall we put you down for? We're making a list--how

much do you think you can pledge?"

"Pledge?" I asked, not understanding.

"That's the word Mr. Piccolo says fund raisers use," Sally said proudly.

"It means, how much do you promise to give to the Foster Fund Drive.

Doesn't that sound good, Liza--Foster Fund Drive? So--um--metaphoric."

"Alliterative," I grumbled, sitting down.

"Welcome back, Liza," Ms.

Stevenson said, peering out

from behind her easel, where she was working, as usual, on what we all

jokingly called her masterpiece; it was a large abstract painting none

of us understood. "Thanks," I said, poking a pair of dividers down so

hard I made a hole in my paper.

"Ms. Stevenson's pledged twenty-five

dollars," Sally said sweetly, waving a small notebook.

"I don't know what I can give yet, Sally, okay?" I told her.

"Okay, okay," she

snapped. "You don't have to be that way about it." Then her angry

expression vanished as if it had been erased, and she got up and put her

hand on my shoulder. "Oh, Liza, I'm sorry," she moaned. "It's me who

shouldn't have been that way. I'm sorry I snapped at you for being

uncertain." She patted my shoulder. Ms. Baxter, I thought; she's been

talking to Ms. Baxter--that's what it is. But of course I couldn't say

that.

"It's okay," I muttered, glancing at Walt, who shrugged. Ms.

Stevenson dropped a large tube of zinc white, and Sally and Walt nearly

crashed into each other trying to be first to pick it up for her. I

pushed away from the drawing table, muttered something about homework,

and ran out of the art studio. Before I even thought about it

consciously, I was in the phone booth in the basement, dialing Annie's

number. As I waited for someone to answer, I reluctantly noticed the

paint peeling off the steam pipes that ran along the walls, and a big

crack that ran from the ceiling almost to the floor. All right, all

right, I said silently. I'll do something for the silly campaign!

"Hello?" came Nana's gentle voice. "Hi," I said--I never knew whether to

call her Nana to her face or not. "This is Liza--is Annie there?"

"Hello, Lize. Yes, Annie's here. How you been? When you come see us?"

"I'm fine," I said, suddenly nervous. I'll come soon."

"Okay. You not forget.

Just a minute, I call Annie." I could hear her calling in the

background, and was relieved to hear Annie answer, and I closed my eyes,

trying to visualize her in her apartment, only it was the beach that

came back to me, and I could feel myself starting to sweat. But it still

made sense to me; every time that scene came back to me, it made sense.

"Hi, Liza," came Annie's voice, sounding glad.

"Hi." I laughed for no

reason I could think of. "I don't know why I'm calling you," I said,

"except this has been a weird day and you're the only part of my life

that seems sane."

"Did you get it?"

"Get what?"

"Oh, Liza! Did you get reelected?"

"Oh--that." It seemed about as far away as Mars, and about as important.

"Yes, I got it."

"I'm so glad!" She paused, then said, "Liza, I ..." and stopped.

"What?"

"I was going to say that I missed you all day. And I kept wondering

about the election, and ..."

"I missed you, too," I heard myself saying.

"Liza?" I felt my heart

speed up again, and my hands were

damp; I rubbed them on my jeans and tried to concentrate on the crack in

the wall. "Liza--are you--are you sorry? You know, about--you know."

"About Sunday?" I realized I was twisting the phone cord and tried to

straighten it out again. I also noticed a bunch of juniors coming down

the hall toward the phone booth, laughing and jostling each other. I

closed my eyes to make them go away, to stay alone with Annie. "No," I

said. "I'm not sorry. Confused, maybe. I--I keep trying not to think much

about it. But ..."

"I wrote you a dumb letter," Annie said softly. "But I didn't mail it."

"Do I get to see it?"

She hesitated, then said, "Sure. Come on up--can you?"

I didn't even look at my watch before I said, "Yes."

It was cold and very damp outside, as if it were going to snow,

but it was warm in Annie's room. She had some quiet music on her rickety

old-fashioned phonograph, and her hair was in two braids, which by now I

knew usually meant she hadn't had time to wash it or that she'd been

doing something active or messy, like helping her mother clean. We just

looked at each other for a minute there in the doorway of her room, as

if neither of us knew what to say or how to act with each other. But I

felt myself leave Sally and school and the fund-raising drive behind me,

the way a cicada leaves its shell when it turns from an immature grub

into its almost grown-up self. Annie took my hand shyly, pulled me

into her room, and shut the door. "Hi," she said. I felt myself smiling,

wanting to laugh with pleasure at seeing her, but also needing to laugh

out of nervousness, I guess. "Hi." Then we both did laugh, like a couple

of idiots, standing there awkwardly looking at each other. And we both

moved at the same time into each other's arms, hugging. It was just a

friendly hug at first, an I'm-so-glad-to-see-you hug. But then I began to

be very aware of Annie's body pressed against mine and of feeling her

heart beat against my breast, so I moved away. "Sorry," she said,

turning away also. I touched her shoulder; it was rigid.

"No--no, don't

be."

"You moved away so fast."

"I--Annie, please."

"Please what?"

"Please--I don't know. Can't we just be ..."

"Friends?" she said, whirling around. "Just friends--wonderful stock

phrase, isn't it? Only what you said on the beach was--was ..." She

turned away again, covering her face with her hands. "Annie," I said

miserably, "Annie, Annie. I--I do love you, Annie." There, I thought.

That's the second time I've said it.

Annie groped on her desk-table and

handed me an envelope. "I'm sorry," she said. "I didn't get any sleep

last night and--well, I couldn't tell you a single thing anyone said in

school today, even at rehearsal. I'm going to wash my face."

I nodded, trying to smile at her as if everything was all right--there's

no reason, I remember thinking, why it shouldn't be--and I sat down on

the edge of Annie's bed and opened the letter.

Dear Liza,

It's three-thirty in the morning and this is the fifth time I've tried to

write this to you. Someone said something about three o'clock in the

morning being the dark night of the soul--something like that. That's

true, at least for this three o'clock and this soul. Look, I have to be

honest--I want to try to be, anyhow. I told you about Beverly because I

knew at that point that I loved you. I was trying to warn you, I guess.

As I said, I've wondered for a long time if I was gay. I even tried to

prove I wasn't, last summer with a boy, but it was ridiculous. I know

you said on the beach that you think you love me, and I've been trying

to hold on to that, but I'm still scared that if I told you everything

about how I feel, you might not be ready for it. Maybe you've already

felt pressured into thinking you have to feel the same way, out of

politeness, sort of, because you like me and don't want to hurt my

feelings. The thing is, since you haven't thought about it--about being

gay--I'm trying to tell myself very firmly that it wouldn't be fair of me

to--I don't know, influence you, try to push you into something you don't

want, or don't want yet, or something. Liza, I think what I'm saying is

that, really, if you don't want us to see each other any more, it's

okay.

Love

Annie

I stood there holding the letter and looking at the

word

"Love" at the end of it, knowing that I was jealous of the boy Annie'd

mentioned, and that my not seeing Annie any more would be as ridiculous

for me as she said her experiment with the boy had been for her. Could I

even begin an experiment like that, I wondered, startled; would I? It

was true I'd never consciously thought about being gay. But it also

seemed true that if I were, that might pull together not only what had

been happening between me and Annie all along and how I felt about her,

but also a lot of things in my life before I'd known her--things I'd

never let myself think about much. Even when I was little, I'd often

felt as if I didn't quite fit in with most of the people around me; I'd

felt isolated in some way that I never understood.

And as I got older--well, in the last two or three years, I'd wondered

why I'd rather go to the movies with Sally or some other girl than with

a boy, and why, when I imagined living with someone someday, permanently

I mean, that person was always female. I read Annie's letter again, and

again felt how ridiculous not seeing her any more would be--how much I'd

miss her, too. When Annie came back from the bathroom, she stood across

the room watching me for a few minutes. I could tell she was trying very

hard to pretend her letter didn't matter, but her eyes were so bright

that I was pretty sure they were wet.

"I'd tear this up," I said

finally, "if it weren't for the fact that it's the first letter you've

ever written me, and so I want to keep it."

"Oh, Liza!" she said softly, not moving. "Are you sure?" I felt my face

getting hot and my heart speeding up again. Annie's eyes were so intent

on mine, it was as if we were standing with no distance between us but

there was the whole room. I think I nodded, and I know I held out my

hand. I felt about three years old. She took my hand, and then she

touched my face. "I still don't want to rush you," she said softly.

"I--it scares me, too, Liza. I--I just recognize it more, maybe."

"Right now I just want to feel you close to me," I said, or something

like it, and in a few minutes we were lying down on Annie's bed, holding

each other and sometimes kissing, but not really touching. Mostly just

being happy. Still scared, though, too.

9

That winter, all Annie had

to do was walk into a room or appear at a bus stop or a corner where we

were meeting and I didn't even have to think about smiling; I could feel

my face smiling all on its own. We saw each other every afternoon that we

could, and on weekends, and called each other just about every night,

and even that didn't seem enough; sometimes we even arranged to call

each other from pay phones at lunchtime. It was a good thing I'd never

had much trouble with schoolwork, because I floated through classes,

writing letters to Annie or daydreaming. The fund-raising campaign went

on around me without my paying much attention to it. I did pledge some

money; I listened to Sally and Walt make speeches; I even helped them

collect pledges from some of the other kids--but I was never really

there, because Annie filled my mind. Songs I heard on the radio suddenly

seemed to fit Annie and me; poems I read seemed written especially for

we began sending each other poems that we liked. I would have gone broke

buying Annie plants if I hadn't known how much it bothered her that I

often had money and she usually didn't. We kept finding new things about

New York to show

each other; it was as if we were both seeing the city for the first

time. One afternoon I suddenly noticed, and then showed Annie, how the

sunlight dripped over the ugly face of her building, softening it and

making it glow almost as if there were a mysterious light source hidden

inside its drab walls. And Annie showed me how ailanthus trees grow

under subway and sewer gratings, stretching toward the sun, making

shelter in the summer, she said, laughing, for the small dragons that

live under the streets. Much of that winter was--magical is the only

word again--and a big part of that magic was that no matter how much of

ourselves we found to give each other, there was always more we wanted

to give.

One Saturday in early December we got our parents to

agree to let us go out to dinner together.

"Why shouldn't we?" Annie had

said to me--it was her idea. "People go out for dinner on dates and

stuff, don't they?" She grinned. and said formally, "Liza Winthrop, I'd

like to make a date with you for dinner. I know this great Italian

restaurant ..."

It was a great Italian restaurant. It was in the West

lage, and tiny, with no more than ten or twelve tables, and the ones

along the wall, where we sat, were separated iron scrollwork partitions,

so we had the illusion of privacy if not privacy itself. It was dark,

too; our main light came from a candle in a Chianti bottle. Annie's

face looked golden and soft, like the face of a woman in a Renaissance

painting.

"What's this?" I asked, pointing to a long name on the menu

and trying to resist the urge to touch Annie's lovely face. "Scapeloni

al Marsala?"

Annie's laugh was as warm as the candlelight. "No, no,"

she corrected. "Scaloppine. Scaloppine alla Marsala."

"Scaloppine alla Marsala," I repeated. "What is it?"

"It's veal," she said. "Vitello.

Sort of like thin veal cutlets, in a wonderful sauce."

"Is it good?" I asked--but I was still thinking of the way she'd said

vitello, with a musical pause between the l's. Annie laughed again and

kissed the closed fingers of her right hand. Then she popped her fingers

open and tossed her hand up in a cliche but airy gesture that came

straight out of a movie about Venice we'd seen the week before. "Is it

good!" she said.

"Nana makes it." So we both had scaloppine alla Marsala, after an

antipasto and along with a very illegal half bottle of wine, and then

Annie convinced me to try a wonderful pastry called cannoli, and after

that we had espresso. And still we sat there, with no one asking us to

leave. We stayed so late that both my parents and Annie's were furious

when we got home.

"You never call any more, Liza," my father said,

muttering something about wishing I'd see other people besides Annie. "I

don't want to set a curfew," he said, "but two girls wandering around

New York at night--it just isn't safe." Dad was right, but time with

Annie was real time stopped, and more and more often, we both forgot to

call. Chad kept kidding me that I was in love, and asking with whom, and

then Sally and Walt did, too, and after a while I didn't even mind,

because even if they had the wrong idea about it, they were right.

Soon it wasn't hard any more to say it--to myself, I mean, as well as

over and over again to Annie--and to accept her saying it to me.

We touched each other more easily--just kissed or held hands or

hugged each other, though--nothing more than that. We didn't really

talk much about being gay; most the time we just talked about ourselves.

We were what seemed important then, not some label. The day the first

snow fell was a Saturday and Annie and I called each other up at exactly

the same moment, over and over again, tying our phones with busy

signals for ten minutes. I don't remember which of us got through

first, but around an hour later we were both running through Central

Park like a couple of maniacs, making snow angels and pelting each

other with snowballs. We even built a fort with the help of three little

boys and their big brother, who was our age, and after that we all

bought chestnuts and pretzels and sat on a bench eating them till the

boys had to go home. Some of the chestnuts were rotten. I remember

that because Annie said, throwing one away, "It's the first sign of a

dying city--rotten chestnuts." I could even laugh at that, along with

the boys, because I knew that the ugly things about New York weren't

bothering her so much any more. Annie and I went ice skating a few

times, and we tried to get our parents to let us go to Vermont to ski,

but they wouldn't. Mr. Kenyon took us and Nana and Annie's mother out to

Westchester in his cab just before Christmas to look at the lights on

people's houses, and they all wished me

"Buon Natale" when they dropped me off at home. On Christmas afternoon,

I gave Annie a ring.

"Oh, Liza," she said, groping in the pocket of her

coat-- we were on the Promenade, and it had just begun to snow. "Look!"

Out of her pocket she took a little box the same size as the little box

I'd just handed her. I looked around for people and then kissed the end

of her nose; it was almost dark, and besides, I didn't really care if

anyone saw us. "Is the silly grin on my face," I asked her, "as silly as

the silly grin on your face?"

"Jerk," she said. "Open your present."

"You first."

"I can't-- my hands are shaking. You know what happens to my gloves if I

take them off."

"What happens to your gloves if you take them off is you lose them. But

you don't lose them if you give them to me." I held out my hand. "I'll

hold your gloves, Unicorn, okay?"

"Okay, okay," she said, and stripped them off and fumbled with the

metallic ribbon on the box with a wonderful clumsiness that I have never

seen anyone else as graceful as Annie have.

"Oh, for God's sake," I said. "I'll bite it off if it's stuck!"

"You will not! It's my first Christmas present from you and I'm going to

keep every scrap of it forever, ribbon and all--oh, Liza!" By then she

had the box open and was staring down at the little gold ring with the

pale blue stone that I'd found in an antique shop on Atlantic Avenue, at

the edge of Brooklyn Heights. "Liza, Liza," she said, looking at me--no,

staring--with wonder. "I don't believe this." She nodded toward the box I

was holding. "Open yours."

I gave Annie back her gloves and stuffed my

own into my pockets, and I opened the box she had handed me and

found a gold ring with a pale green stone--no, not identical to the ring

I'd given her, but almost. "I don't believe it either," I said. "But I

also do."

"It's some kind of sign."

"Come On."

"It is, Liza; you know it is."

"The occult sciences," I said, intentionally pompous, "are the only ones

that would even attempt to explain this kind of coincidence, and the

occult sciences are not ..."

Annie flung her arms around my neck and

kissed me, even though there were four kids galloping down the snowy

path from Clark Street to the Promenade, showering each other with

snowballs. "If you don't put that ring on this minute, I'm going

to take it back," Annie whispered in my ear. "sciences, indeed!"

She leaned back, looking at me, her hands still on my shoulders, her

eyes shining softly at me and snow falling, melting, on her nose. "Buon

Natale," she whispered, "amore mio."

"Merry Christmas, my love," I answered.

My parents and Chad and I went

up to Annie's school to hear her recital, which had been postponed till

right after Christmas because of snow. Annie had said many times that

the only decent teacher in the whole school was her music teacher and

the only department, even counting phys. ed., that tried to do anything

with extracurricular activities was the music department. As soon as I

heard Annie sing that night, I could see why a music department would

give recitals as long as Annie was around to be in them. Hearing Annie

sing in the recital was nothing like hearing her sing in the museum that

first day, or hearing her hum around her apartment or mine or on the

street the way I had a few times since then. I knew she had a lovely

voice, and I knew from the time in the museum that she could put a lot

of feeling behind what she sang--but this was more than all those things

combined. The other kids in the recital were good--maybe the way I'd

expected Annie to be--but right before Annie sang, she looked out at the

audience as if to say, "Listen, there's this really beautiful song I'd like

you to hear"--as if she wanted to make the audience a present of it. The

audience seemed to know something unusual was coming, for when Annie

looked at them, they settled back, calm and happy and expectant, and

when she started singing, you couldn't even hear anyone breathe. I

glanced at Dad and Mom and Chad to see if maybe it was my loving Annie

that made me think she was so good, but I could see from their faces,

and from the faces of the other people--not just her family, who looked

about ready to burst with pride--that everyone else thought she was as

good as I did, I'm not sure how to describe Annie's voice, or if anyone

really could, except maybe a music critic. It's a low

soprano--mezzo-soprano is its technical name--and it's a little husky--not

gravelly husky, but rich--and, according to my mother, it's one hundred

percent on pitch all the time. It's also almost perfectly in control;

when Annie wants to fill a room with her voice, she can, but she can

also make it as soft as a whisper, a whisper you can always hear. But

none of that was what made the audience sit there not moving every time

Annie sang. It was the feeling again, the same thing that first drew me

to Annie in the museum, only much, much more so.

Annie's singing was so spontaneous, and she gave so much of herself,

that it sounded as if she'd actually written each song, or was making

each one up as she went along, the way she'd done in the museum. When

she sang something sad, I wanted to cry; when she sang something happy,

I felt myself smiling. Dad said he felt the same, and Mom had a long

serious talk with Annie the next afternoon about becoming a

professional--but Annie said she wasn't sure yet if she wanted to,

although she knew she wanted to major in music and continue singing no

matter what else she did. Chad, even though he was shy with girls, gave

her a big hug after the performance and said, "There's nothing to say,

Annie, you were so good." I couldn't think of anything to say, either.

Mostly I just wanted to put my arms around her, but at the same time I

felt in awe of her--this was a whole new Annie, an Annie I hardly knew. I

don't remember what I did or said--squeezed her hand, I think, and said

something lame. But she said later that she didn't care what anyone

thought except me.

I had the flu that winter, badly, some time late in

January, I think it was. The night before, I was fine, but the next

morning I woke up with my throat on fire and my head feeling as if a

team of Clydesdales were galloping through it. Mom made me go back to

bed and came every couple of hours with something for me to drink. I think

the only reason I remember the doctor's making of his rare house calls

is because I nearly choked on the pills that Mom gave me to take after

he'd left. Some time that first afternoon, though, I heard voices

outside my door. Mom had let Chad wave to me from the threshold earlier,

and it was too early for Dad to be home, so I knew it couldn't be either

of them. And then Annie was beside me, with Mom protesting from the

door. "It's okay, Mrs. Winthrop," she was saying. "I had the flu this

year already."

"Liar," I whispered, when Mom finally left.

"Last year, this year," said Annie, turning the cloth on my head to its

cooler side.

"It's all the same." She put her hand on my cheek. "You must feel

rotten."

"Not so much rotten," I said, "as not here. As if I were floating, very

far away. I don't want to be far away from you," I said, reaching for

her hand, "but I am." I really must have been pretty sick, because I

could barely concentrate, even on Annie.

Annie held my hand, stroking it

softly. "Don't talk," she said. "I won't let you float away.

You can't go far with me holding on to you. I'll keep you here, love,

shh." She began to sing very softy and sweetly, and although I was still

floating, I was riding on clouds now, with Annie's voice and her hand

gently anchoring me to Earth. We didn't always use words when we were

together; we didn't need to. That was uncanny, but maybe the best thing

of all, although I don't think we thought about it much; it just

happened. There's a Greek legend-- no, it's in something Plato

wrote---about how true lovers are really two halves of the same person.

It says that people wander

around searching for their other half, and when they find him or her,

they are finally Whole and perfect. The thing that gets me is that the

story says that originally all people were really pairs of people,

joined back to back, and that some of the pairs were man and man, some

woman and woman, and others man and woman. What happened was that all of

these double people went to war with the gods, and the gods, to punish

them, split them all in two. That's why some lovers are heterosexual and

some are homosexual, female and female, or male and male. I loved that

story when I first heard it--in junior year, I think it was--because it

seemed fair, and right, and sensible. But that winter I really began to

believe it was true, because the more Annie and I learned about each

other, the more I felt she was the other half of me. The oddest thing,

perhaps, was that even as the winter went on, we still didn't touch each

other much more than we had at the beginning, after around Christmas, I

mean. But we did realize more and more that winter that we wanted to--I

especially realized it, I guess, since it was so new to me. And the more

we realized it, the more we tried to avoid it. No. The more I did, at

least at first ...

We were in Annie's room; her parents were out and

Nana was asleep; we were listening to an opera on the radio, and we were

sitting on the floor. My head was in Annie's lap, and her hand was on my

hair, moving softly to my throat, then to my breast--and I sat up and

reached for the radio, fiddling with the dial, saying something dumb

like, "The volume's fading," which it wasn't ...

We were in my kitchen;

my parents and Chad were in the living room watching TV; Annie had

stayed for dinner and we were doing the dishes. I put my arms around her

from behind and held her body so close to mine that I wasn't sure whose

pulse I felt throbbing. But when she turned to me, I reached quickly for

the dish towel and a plate ...

Then it began happening the other way

around, too: Annie began moving away from me. I remember one time in the

subway; it was pretty late, and for a minute there was no one in the car

with us. So I leaned over and kissed Annie, and she stiffened, holding

herself away from me, rigid ...

The worst thing was that we were too

shy to talk about it. And we got so tangled up that we began

misunderstanding each other more and more often, just in general, and

the wordless communication we prized so much weakened, and we began to

fight about dumb things, like what time we were going to meet and what

we were going to do, or whether Annie was coming to my apartment or I

was going to hers, or if we should take the subway or the bus. The worst

fight was in March. We'd gone to the museum, the Metropolitan, and Annie

seemed to want to stay in front of the medieval

choir screen forever, and I wanted to go to the Temple of Dendur.

"There's nothing to look at," I said nastily--she was just staring, at

least that's what it looked like to me. "You must have memorized every

curlicue by now. Really, how many of those post things are there?" I

pointed to one of the hundreds of vertical shafts of which the screen is

made. Annie turned to me, blazing; I'd never seen her so angry.

"Look,

why don't you just go to your silly temple if you want to so much? Some

people can pray better in the dark, that's all. But you probably don't

pray at all, you're so pure and sure of everything." A guard glanced in

our direction, as if he were trying to decide whether to tell us to be

quiet. We weren't talking loud yet, but we were getting there. I was mad

enough to ignore most of what Annie'd said till later. I just turned and

walked away, past the guard, to the temple. I must have stayed there for

a good half hour, until it hit me that I'd said the first rotten thing.

But when I walked back to the choir screen, ready to apologize, Annie

was gone.

"Did Annie call?" I asked casually when I got home around six-thirty.

"No," Mom said, giving me an odd look. I don't think I said

a word during dinner, and all evening I jumped every time the phone

rang.

"Liza had a fight," Chad sang gleefully the third time I ran for

the phone and had to turn it over to someone else--usually him. "H'm,

Lize? Bet'cha you and Annie fought over some boy, huh? Or ..."

"That will do, Chad," Mom said, looking at me. "Haven't you got

homework?"

"If he hasn't, I have," I said, and fled to my room, slamming the door.

At about ten o'clock, when Chad was in the shower, I called Annie, but

Nana said she'd gone to bed. "Could you--could you see if she's still

awake?"

I asked humbly.

There was a pause and then Nana said, "Lize, you have a

fight with Annie, no?"

"Yes," I admitted. I could almost hear her head nodding

"I guess that when I see her come in. She look all fussed. Maybe you

call tomorrow, eh? It's none of my business, but sometimes people just

need a little time."

I knew she was right, but I couldn't let it go. I

didn't want to go to sleep thinking Annie was mad at me, or that I'd

hurt her in some unforgivable way. "Could you--could you just tell her

I'm sorry?" I said.

"Sure." Nana sounded relieved. "I tell her. But you

hang up now. Call tomorrow, okay?"

"Okay," I said, hanging up. Mom's hand was on my shoulder the moment I

put down the receiver.

"Liza," she began, "Liza, shouldn't we talk about

this? You seem so upset, honey, what ..." But I wrenched away and ran

back to my room, where I read until dawn, mostly Shakespeare's sonnets,

and cried over the ones I had once copied out and sent to Annie. The

next afternoon I ran most of the way home from school, so I'd get there

before Chad; I knew Mom had a

meeting, and I wanted to be sure I was alone when I called Annie. But

Annie was waiting outside my building, sitting on the steps in a heavy

red-and-black lumber jacket I'd never seen before. I was so surprised to

see her I just stopped and stood there, but she got up right away and

came toward me, her arms woodenly at her sides. The lumber jacket was so

big it looked as though it belonged to someone else.

"Want to go for a

walk?" she asked. She looked haggard, as if she hadn't slept any more

than I had. I nodded and we walked silently toward the Promenade. I kept

twisting Annie's ring with the thumb and little finger of the hand it

was on, wondering if she was going to want it back. Annie leaned

against the railing, and seemed to be trying to follow the progress of

the Staten Island ferry through the fog.

"Annie," I began finally, "Annie, I ..."

She turned, leaning her back against the railing. "Nana

told me you'd called and that you were sorry," she said. "Accepted.

But ..."

"But?" I said, my heart racing. She hadn't smiled yet, and I knew I

hadn't either. "But--" said Annie, turning back to face the harbor, soft

hair blowing around her face. "Liza, we're like the temple and the choir

screen, as I thought the day I met you, only then I was just guessing.

You--you really are like the temple--light--you go happily on without

really noticing, and I'm dark, like the choir screen, like the room it's

in. I feel too much and want too much, I guess, I--  and ..."

She turned to face me again; her eyes were desolate. "I want to be

in the real world with you, Liza, for you, but--but we're still running

away. Or you are, or--Liza, I don't want to be afraid of this, of--of the

physical part of loving you. But you're making me afraid, and guilty,

because you seem to think it's wrong, or dirty, or something--maybe you

did all along, I don't know ..."

"No!" I interrupted loudly, unable to keep still any longer. "No--not

dirty, Annie, not ... I don't want to make you afraid," I finished

lamely. For a minute Annie seemed to be waiting for me to say something

else, but I couldn't just then.

"I really was praying there in the

museum," she said softly, "when you got so mad. I was praying that I

could ignore it if you wanted me to--not the love, but the physical

part of it. But having to do that--I think that makes me more afraid than

facing it would."

It came crashing through my foggy mind that in spite

of everything Annie had just said I wanted desperately to touch her, to

hold her, and then I was able to speak again. "It's not true," I said

carefully, "that I want to ignore it. And I'm not going on happily not

noticing." I stopped, feeling Annie take my hand, and realized my fists

were clenched. "It scares me, too, Annie," I managed to say, "but not

because I think it's wrong or anything--at least I don't think it's that.

It's--it's mostly because it's so strong, the love and the friendship and

every part of it." I think that was when I finally realized that--as I

said it.

"But you always move away," she said.

"You do, too."

"I--I know."

Then we both looked out at the harbor again, as if we'd just

met and were shy with each other again. But at least after that we were

able to begin talking about it. "It's timing, partly, it's as if we

never want the same thing at the same time," I said. We were sitting on

the sofa in my parents' living room. My parents and Chad were out, but

we didn't know for how long.

"I don't think so," said Annie. "It's the

one thing we don't know about each other, the one thing we aren't

letting each other know--as if we're blocking the channels,

because--because we're so scared of it, Liza. The real question still is

why." She reached for my hand. "I wish we could just sort of--let what

happens-- happen," she said. "Without thinking so much about it." Her

thumb was moving gently on my hand; her eyes had a special soft look in

them I've never seen in anyone's but Annie's, and only in Annie's when

she looked at me. "I'll promise to try not to move away next time," she

said.

"I--I'll promise, too," I said, my mouth so dry the words scraped.

"Right now I don't think I could stop anything from happening that

started." But a few minutes later my father's key turned in the lock and

we both jumped guiltily away from each other. And that was when there

began to be that problem, too--that there was really no place where we

could be alone. Of course there were times when no one was home at

Annie's apartment or mine, but we were always afraid that someone would

walk in. And it wasn't long before we began using that fear to mask our

deeper one; we were still restrained and hesitant with each other. But

maybe--and I think this is true--maybe we also just needed more time.

10

Finally the dreary cold winter warmed up and leaves started bursting

out on the trees. Daffodils and tulips and those blue flowers that grow

in clusters on stiff stems began to pop up all over the Heights, and

Annie and I spent much more time outdoors, which helped a little. Annie

discovered more dooryard gardens--even on my own street--than I ever

thought existed. We managed to go for a lot of walks that spring, even

though Annie was very busy with rehearsals for a new recital and I was

trying to finish my senior project and was helping Sally and Walt with

the fund drive--things really did look pretty bad for Foster.

Late one afternoon a week and a half before spring vacation, Mrs. Poindexter

called me into her office. "Eliza," she said, settling back into her

brown chair and actually almost smiling. "Eliza, I have been most

pleased with your conduct these last months. You have shown none of the

immaturity that steered you so wrongly last fall; your grades have, as

usual, been excellent, and Ms. Baxter reports to me that you have at

last begun to show an interest in the fund drive. Needless to say, your

record is now clear."

"Mrs. Poindexter," I asked after I recovered from the relief I felt, "is

it true that Foster might have to close?"

Mrs. Poindexter gave me a

long look. Then she sighed and said--gently--"I'm afraid it is, dear." Mrs.

Poindexter had never called anyone "dear" as far as I knew. Certainly

never me. "Eliza, you have been going to Foster since kindergarten.

That's nearly thirteen years--almost your entire lifetime. Some of our

teachers have been here much longer--I myself have been headmistress for

twenty-five years."

"It would be awful," I said, suddenly feeling sorry for her, "if Foster

had to close."

Mrs. Poindexter sniffed and fingered her glasses chain.

"We have tried to make it the best possible school. We have never had

the money to compete with schools like Brearley, but ..." She smiled

and reached out, patting my hand. "But this needn't concern you,

although I appreciate your sympathy. What I need from you--what Foster

needs from you," she said, squaring her shoulders, "is a heightened

participation in the fund drive. You as student council president have

enormous influence--a certain public influence as well, I may say. If you

could have, if you would use your position advantageously." I licked my

lips: if she was going to ask me to make speeches, I was going to have

to use every bit of self-control I had not to say no. Making just the

required campaign speeches after I was nominated for council president

had been one of the hardest things I'd ever done. Even when I had to get

up in front of English class and give an oal report, I always felt as if

I were going to my execution. "The fund drive," said Mrs. Poindexter,

picking up her desk calendar, "must be speeded up--we have so little

time now before the end of school. Mr. Piccolo and the fund

raiser tell me we are still far short of our goal, and the recruitment

campaign has not, so far, been a success. Mr. Piccolo says it is his

feeling that interest will pick up in the spring, so there is hope." She

smiled. "Eliza, I'm sure you will agree that this is the time for

student council to take an active part, to lead the other students, to

give Sally and Walt, who are working so very hard, a real boost, so to

speak."

"Well," I said, "we could talk about it at the next meeting. But there

isn't another, is there, till after vacation?"

"There is now," Mrs. Poindexter said triumphantly, pointing at the

calendar with her glasses. "I have scheduled one--assuming of course

that you and the others can go--but you will find that out for me, won't

you, like my good right hand? I've scheduled a special council meeting

for this Friday afternoon--and because Mr. Piccolo and his publicity

committee will be using the Parlor for an emergency fund-drive meeting

of their own, and because my apartment is too small and the school

dining room seems inappropriate, I have asked Ms. Stevenson as student

council adviser to volunteer her home, and she and Ms. Widmer have very

kindly agreed." She leaned back, still smiling. "Isn't that kind of

them?"

I just looked at her for a minute, not knowing which made me

madder--her calling a council meeting without saying anything to me

first, or her making Ms. Stevenson and Ms. Widmer "volunteer" to have it

where they lived. "You are free Friday afternoon, aren't you?" For a

second I was tempted to invent an unbreakable dentist appointment,

but--well, if Foster's really in trouble,

I thought, I can't very well go around throwing obstacles in its

way. Besides, I felt pretty sure Mrs. Poindexter would go ahead with the

meeting even if I weren't there. "Yes," I said, trying not to say it too

obviously through my teeth. "Sure, I'm free."

Mrs. Poindexter's smile

broadened. "Good girl," she said. "And you will notify the others--or ask

Mary Lou to do so? You shouldn't have to, actually, being the president

..."

I think it was that last remark--her making a big deal of my being

president after scheduling a meeting without even notifying me till

afterwards--that made me storm over to the art studio. Ms. Stevenson was

washing brushes.

"I've been working on the railroad," she sang softly

above the sound of running water, "all the livelong day--hello, Liza. You

been working on the railroad too?"

"If," I said, yanking out a chair and throwing myself down at one of the

tables, "that's a subtle way of making a comment about being railroaded

into a certain council meeting, yes, I sure have been. I just came from

Mrs. Poindexter's officer. Only the spikes got pounded into me instead of

into the railroad ties. Or something. I don't know."

"Well," said Ms. Stevenson, carefully stroking a brush back and forth

against her palm to see if the color was out of it yet, "I suppose I

should point out that it's all for a good cause. We need Foster; now

Foster needs us. Mrs. Poin-dexter means well, after all."

"I know," I said, sighing, more discouraged than before, "darn it--it's

the principle of the thing. She might have asked me first--or even just told me--and she might

have asked to use your place instead of making you 'volunteer' it. Volunteer,

hah!" Ms. Stevenson laughed. "It was Ms. Baxter who asked, on Mrs.

Poindexter's behalf. I don't think she enjoyed doing it, though. I don't

think she quite approves of students going to teachers' homes."

"I should think she'd love it," I grumbled. "Disciples at one's feet and

all that."

"Cheer up, Liza," Ms. Stevenson said. "Except I warn you the feet part

will probably be true. We don't have all that many chairs."

"Don't you mind at all?" I asked incredulously. "Doesn't Ms. Widmer mind?

She's not even on council. I mean, weren't you even mad that Mrs.

Poindexter just--just up and ordered the whole thing? Council's supposed

to be democratic for--for Pete's sake!"

Ms. Stevenson's face crinkled

around her eyes. "Mind?" she said, pointing to the wastebasket, which I

now saw was a quarter full of crumpled scraps of paper with

angry-looking writing all over them. "The one thing that having a temper

has taught me, Liza," she said. "is that most of the time it's better to

do one's exploding in private. But the thing is, we do have to remember

that she is the headmistress, and she has done a lot for the school for

many, many years, and--oh, blast it, Liza, not everyone can be as true to

all the principles of democracy as you and I, can they?"

Well, that made me laugh, which made me feel a little better. None of us

had ever been to Ms. Stevenson's and Ms. Widmer's house before--well,

maybe Mrs. Poindexter had, or Ms. Baxter, but none of the kids had.

Their house was in Cobble Hill, which is separated from Brooklyn Heights

by Atlantic Avenue. Cobble Hill used to be considered a "bad"

neighborhood; my mother never let me and Chad cross Atlantic when we

were little--but I don't think it was ever that bad. People have fixed up

a lot of the houses there now, and it's a nice mixture of nationalities

and ages and kinds of jobs. Unpretentious, I guess you could call

it--something the Heights tries to be but isn't. The house where Ms.

Stevenson and Ms. Widmer lived was just that--a house--which is unusual in

New York, where most people live in apartments. It's a town house,

attached to a lot of other houses, so it's technically part of a row

house. There are two long row houses, containing ten or so town houses

each, facing one another across a wonderfully tangled private garden.

Ms. Baxter, Ms. Stevenson told us that day, lived on the other side of

the garden, and about three doors down. Behind each set of houses was a

cobblestone strip with separate little garden areas, one per tenant.

Everyone's back door opened onto that strip, so people sat outside a lot

and talked. Everyone was very friendly. The special council meeting was

the afternoon of the night of Annie's spring recital, and she was

resting, so I went right down to Cobble Hill after school. I was the

first to arrive. Ms. Stevenson and Ms. Widmer showed me

around and kidded me about my "professional interest" in the house.

There were three floors. I didn't see the top one, where the bedrooms

were, but I saw both the others--basically two rooms per floor, and very

cozy. The bottom floor had the kitchen, which was huge and bright, with

gleaming white-flecked-with-black linoleum, copper-colored appliances,

and dark wood cabinets. The back door, leading out to the cobblestones

and the garden, was off that. There was a tiny bathroom off the kitchen

and a little hall at the foot of the stairs, with a bare brick wall

covered with hanging plants. The dining room was off that, with more

exposed brick and a heavy-beamed ceiling. "This is our cave," Ms. Widmer

said, showing it to me. "Especially in winter when it's dark at

dinnertime." I could see that it would be cavelike, because of the heavy

low beams and the little window. Also, the ground was higher at the

front of the house than at the back, dropping the dining room below

ground level so its window looked out on people's feet as they passed

by. Two of the walls were lined with books, which added to the cavelike

atmosphere. Upstairs on the second floor were the living room and a sort

of study or workroom. A steep flight of steps led from the front garden

area to the front door, which led directly into the study. There was an

old-fashioned mail slot in the door, and I thought how much nicer and

more private that must be than getting one's mail from a locked box in

the entryway as we did. "Here's where your fates are decided." Ms.

Widmer laughed, pointing to the pile of papers on her desk, topped with

her roll book. Ms. Stevenson had an easel set up near the window, and

art supplies neatly arranged on a shelf against the wall. The living

room was on the other side of the stairwell, comfortable and cozy like

the rest of the house. There were lots of plants around, records and

books everywhere, nice pictures on the walls--many of them, Ms. Stevenson

said, done by former students--and two enormous cats, one black and one

orange, who followed us everywhere and of course made me think of Annie

and of her grandfather, the butcher. "I don't know what we're going to

do with them this spring vacation," Ms. Widmer said when I stooped to

pat one of the cats after I'd told her and Ms. Stevenson about Annie's

grandfather. "We're going away, and the boy who usually takes care of

them is also."

I'm not as fond of cats as Annie is, but I certainly like

them, and I knew I wouldn't mind being able to spend a little more time

in that house. "I could feed the cats," I heard myself say. Ms. Stevenson

and Ms. Widmer exchanged a look, and Ms. Stevenson asked how much money

I'd want and I told her whatever they gave the boy. They said a

dollar-fifty a day, and I said fine. Then the other kids began arriving

for the meeting. It was funny, being in their house and seeing them as

people as well as teachers. For instance, Ms. Stevenson lit a cigarette

at one point, and I nearly fell off my chair. It had never occurred to

me that she smoked, because of course she couldn't at school except in

the Teachers' Room, the way seniors could in the Senior Lounge. Later

she told me she'd tried to quit once, because it had begun to make her

hoarse, which wasn't good for her singing in the chorus or for coaching

the debate team. But she'd gained so much weight and had been in such a

rotten mood all the time that she'd decided it would be kinder to other

people as well as to herself to go back to it. I'd never thought much

about Ms. Stevenson's and Ms. Widmer's living in the same house, and I

don't think many other people at school had either, but that afternoon

it seemed to me that they'd probably been living together for quite a

long time. They seemed to own everything jointly; you didn't get the

idea that the sofa belonged to one of them and the armchair to the other

or anything like that. And they seemed so comfortable with each other.

Not that they seemed uncomfortable at school, but at school they were

rarely together except at special events like plays or dances, which

they usually helped chaperone. Even then, they were usually with a whole

bunch of other teachers, and Sally had always said that at dances one or

the other of them was usually whirling around the floor with one of the

men teachers.

But in their house they were like a couple of old shoes, each with its

own special lumps and bumps and cracks, but nonetheless a pair that fit

with ease into the same shoe box. "It's so nice of you two to have us

here," said Mrs. Poindexter when we were all more or less settled in

the living room and Ms. Widmer and Ms. Stevenson were passing out Cokes

and tea and cookies. "All" not only included members of the student

council but also Sally and Walt as Student Fund Drive Chairpeople, and

Ms. Baxter as well. Ms. Baxter was taking notes, which made Mary Lou

furious. Mrs. Poindexter was wearing a black dress with little bits of

white lace at the throat and wrists that reminded me of Ms. Baxter's

handkerchiefs. Somehow it made her look as if she were about to bury

someone. "I will read," she said, "with apologies to Sally and Walt, who

have already seen it, from Mr. Piccolo's last report to me. Ms. Baxter?"

She settled her glasses onto her nose.

"Mrs. Poindexter," said Ms.

Stevenson as Ms. Baxter pulled a file folder out of the chunky,

old-fashioned briefcase she'd brought with her, "shouldn't the meeting

be called to order first?" Mrs. Poindexter flipped her glasses down.

"Oh, very well," she said crossly. "The meeting ...'" Ms. Stevenson

cleared her throat. "Eliza," said Mrs. Poindexter smoothly, "we're

waiting."

"The meeting," I said as steadily as possible, "come to order. The

chair"--I couldn't help giving that word a little extra

emphasis--"recognizes Mrs. Poindexter." Mrs. Poindexter crashed her

glasses back onto her nose and pushed away the black cat, who had

started to rub against her leg. Then he moved to Ms. Baxter, who sneezed

demurely but pointedly; Ms. Widmer scooped him up and took him

downstairs.

"The overall goal," said Mrs. Poindexter sonorously, looking

over the tops of her spectacles, "is $150,000 for rising expenses like

salaries and badly needed new equipment--in the lab, for example--and

$150,000 for renovations. We don't actually have to have the cash by

the end of the campaign, but we'd like to have pledges for that amount,

with their due dates staggered so we can collect $100,000 a year for

the next three years. And by next fall, we'd like to have thirty-five

new students--twenty in the Lower

School, ten in the freshman class, and five in the sophomore class. So

far, we have only four new Lower School prospects and one freshman, and

less than half the money has been pledged." Conn whistled. "Precisely,"

said Mrs. Poindexter, who ordinarily did not approve of whistling. She

began to read from Mr. Piccolo's report: "'The day of the independent

school is seen by many local businessmen, financiers, and area

industrialists as being over. Our fund-raising consultant tells me that,

college tuition being what it is, people are increasingly reluctant to

spend large sums of money on precollege schooling, even with the New

York public schools being what they are. I see this as influencing both

the enrollment problem and the lack of donations, and creating constant

resistance to our publicity campaign. There is also a feeling that

independent schools can no longer shelter children from the outside

world--there was mention by one or two people I spoke to recently of the

unfortunate incident two years ago involving the senior girl and the boy

she later married ...'" That, most of us knew, referred to two seniors

Mrs. Poindexter had tried to get expelled, first by council and then by

the Board of Trustees, back when I was a sophomore. As Ms. Stevenson,

who'd argued on their side, had pointed out, their main crime was that

they'd fallen in love too young. But all Mrs. Poindexter had been able

to see was the scandal when the girl got pregnant. "'... The point of

view,'" Mrs. Poindexter went on reading, "'been expressed by

prospective Foster donors or parents that although once upon a time

parents sent their offspring to independent schools to shield them from

the social problems supposedly rampant in public schools, now those

problems are equally prevalent in independent schools. This kind of

thinking is what our publicity campaign must now counteract.'"

When Mrs.

Poindexter stopped reading, I raised my hand, and then remembered I was

supposedly presiding, so I put it down. "I have a friend who goes to

public school," I said, feeling a little odd referring to Annie that way,

"and--well, I think they have more of a drug problem, for instance, than

we do, and other problems, too. So I wonder if those parents and people

are really right about the problems being equally prevalent. But one

thing, though--even though my friend's school is kind of rough, it's a

lot more interesting than Foster. What I'm saying is that I wonder if

some people might want to send their kids to public schools to sort of

broaden them. I think maybe more people think independent schools are

snobby than used to."

"We will get nowhere." Mrs. Poindexter said severely, "if our own

students do not see the value of a Foster education. Eliza, I am

surprised at you!"

"It's not not seeing the value of it," Mary Lou said angrily. "That's

not what Liza said at all! I think all she was doing was explaining what

some of the people Mr. Piccolo talked to might be thinking. And I bet

she's right. I used to go with a guy from public school, and he thought

Foster was snobby. And that we were too sheltered."

"Oh, but, Mary Lou, dear," Ms. Baxter fluttered, "neither you nor Liza

is very sheltered, though, really--are you? That is, if both of you have

been--er--associating

with people from other schools, and, as you say, you have been. And that

is fine," she added hastily. "Very good, in fact." She glanced anxiously

at Mrs. Poindexter. "We must remember," she said gently, "that it takes

all kinds. The good Lord made us all."

"I am not sure," said Mrs. Poindexter, "but what this is all entirely

beside the point. It is our job to sell Foster's advantages to

people--not to imagine disadvantages, or to dwell on the questionable

influence students from outside schools may have."

"Questionable influence!" I burst out before I could stop myself, and

Mary Lou--she had worn that public-school guy's ring for nearly a

year--got very red. Conn shook his head at her and put his hand on my arm,

whispering, "Watch it Liza." Well, the whole meeting fell apart then--we

spent a lot of time arguing instead of deciding what to do. "It's just

that in order to combat other people's attitudes we have to understand

them first," Conn said after about half an hour more.

But Mrs. Poindexter still couldn't see it as anything but unkind

criticism of her beloved Foster. Finally, though, we decided to have a

big student rally the Friday after spring vacation, and we planned to

try and urge each student either to recruit a new student or to get an

adult to pledge money. Walt muttered, "Nickels and dimes--Mr. Piccolo

says businesses and rich people and industries are the only good sources

of money." But Mrs. Poindexter was so enthusiastic about what we could

do if "the whole Foster family pulls together" that somehow she managed

to convince most of us we might be able to turn the campaign around.

Sally and Walt said they would plan the rally, and Mrs. Poindexter

said I should help them, as council president; she told us we should

consider ourselves a "committee of three." After a lot of backing and

forthing, the three of us agreed to have two meetings the next week,

before vacation began, and then a final one during vacation, right

before school started again. Then, just as Mrs. Poindexter seemed to be

ready to end the meeting and I was trying to decide whether to call for

a motion to adjourn or just wait and see if she'd go back to ignoring my

being president again, Ms. Baxter raised her hand and Mrs. Poindexter

nodded at her. "I would just like to remind us all," Ms. Baxter said,

waggling one of her handkerchiefs as she nervously pulled it out of her

sleeve, "that--and of course we are all aware of it--that it is now more

essential than ever that all Foster students, but especially council

members, conduct themselves both in private and in public in their usual

exemplary fashion. We are more in the public eye than we may

realize--why, just last week I was in Tuscan's--Tuscan's, mind you, that

enormous department store--and a saleslady asked if I taught at Foster

and said wasn't it exciting about the campaign and wasn't Foster a

wonderful school." Ms. Baxter smiled and dabbed at her nose with her

handkerchief. "How wonderful for us all to be able to assure Foster

parents and future Foster parents, by our own example, of Foster's

highly moral atmosphere. Even outsiders are beginning to see that we are

indeed special--that is one of the exciting things about the

campaign--what an inspiring opportunity it gives us all!"

"Well put, Ms. Baxter," said Mrs. Poindexter, beaming at her; Ms. Baxter

smiled modestly.

"Now we know why she had Baxter come," Mary Lou whispered to Conn and

me.

"I'm sure we would all like to show Ms. Baxter our agreement and

thank her for reminding us of our duty," said Mrs. Poindexter, looking

around the room. Ms. Stevenson seemed to be thinking about clearing away

the Coke cans. That seemed like a good idea to me, too, so I gave Mrs.

Poindexter a perfunctory nod and then started to get up, reaching for

the tray. But Ms. Stevenson glared at me and I realized that I was going

too far.

Sally said, "Thank you, Ms. Baxter," and started clapping, so

the rest of us did, too.

"Thank you," said Ms. Baxter, still with the

modest smile, "thank you--but your best thanks will be to continue to

show the world--and to help your fellow students show the world also--that

Foster students are indeed a cut above. For--we--" she sang suddenly,

launching into the most rousing but also the most ridiculous of our

school songs, "are--jolly good Fosters, for we are jolly good Fosters ..."

Of course we all sang along with her. It was a little sad, because

none of us, except Sally and, at least outwardly, Walt, was really very

enthusiastic. And there were those two old women, whale and pilot fish,

eagle and sparrow, heads back, mouths open wide, eyes shining, singing

as if they were both desperately trying to be fifteen years old again.

11

Late that afternoon when I got home from the meeting--trying to tell

myself I shouldn't call Annie, because she should rest without

interruption for her performance--Chad met me at the door, waving a long

envelope that said Massachusetts Institute of Technology in the corner,

and sure enough, it was an acceptance! It's amazing what hearing that

someone wants you to go to their college can do for your ego, but when

it's also the only college you really want to go to, and the only one

you think can teach you what you have to know in order to be the only

thing you want to be--well, it's like being handed a ticket to the rest

of your life, or to a big part of it, anyway. I couldn't hold all that

in, so I did call Annie after all, and she'd gotten into Berkeley.

We decided to go to the Brooklyn Botanic Garden the next day no matter

what, to celebrate spring and acceptances and the coming of vacation

next week--hers started the same day mine did and lasted as long,

because there were going to be special teachers' meetings at her school

after the official public-school vacation week. Then, when I got off the

phone and went to the dinner table, Dad produced a bottle of champagne,

and so it was a very merry Winthrop family who went uptown that night to

hear Annie sing.

I don't think it was the champagne I'd drunk that made Annie look so

beautiful that night, because I noticed that most people in the audience

had dreamy, faraway looks on their faces when she was singing. For me it

was as if the concert were hers alone, although three other kids sang

and someone played the piano--very well, Mom said. Annie had on a long

light blue corduroy skirt that looked like velvet and a creamy

long-sleeved blouse, and her hair was down over one shoulder, gleaming

so softly under the lights that I found myself clenching my hands at one

point because I wanted so much to touch it. Annie had said that she'd be

singing more for me than for anyone else that night, and that there was

one song in particular she wanted me to hear. When she began the only

Schubert song on the program, she raised her eyes way over the heads of

the audience and her special look came over her face, and it was as if

she poured everything she was into her voice. Listening to her brought

tears to my eyes, though the song was in German and I couldn't

understand the words; it made me want to give Annie all of myself,

forever. "Of course that was the one that was for you!" she said the

next day in the Botanic Garden when I asked her about the Schubert.

There were hills of daffodils behind us, and clouds of pink blossoms,

and the smell of flowers everywhere. Annie sang the Schubert again, in

English this time:

"Softly goes my song's entreaty

Through the night to thee.

In the silent wots I wait thee.

Come, my love, to me ..."

"It's called Standchen," she said when she'd sung it all. And

then: "I've missed you much, Liza, having to spend all that time

rehearsing." Two elderly people came toward us, a woman carrying a carrying

bag and a man carrying a small camera tripod. Their free hands were

linked, and when they'd gone by, so were Annie's and mine. We walked a

lot, hand in hand when there was no one around and once or twice even

when there was, because no one seemed to care and the chance of our

meeting anyone who would--family, people from our schoois--seemed

remote. Sometimes Annie told me the names of the flowers we passed and

sometimes I made purposely wrong guesses. "Tulip," I said once for

daffodil. Annie laughed her wonderful laugh, so I said

"Oak?" when we passed a whole bank of little white flowers, and she

laughed again, harder. We ended up in the Japanese Garden, which is just

about the prettiest part of the whole place, especially in spring when

nearly every tree is blossoming. We sat under a tree on the other side

of the lake from the entrance and talked, and caught and gave each other

the blossoms that floated down and brushed against us. We talked a

little about Sally, I remember, and how pious she'd gotten, and I told

Annie about the special council meeting and how Ms. Baxter and Mrs.

Poindexter had sung the song. And we talked about the recital and

how it was the last one Annie would ever be in at her high school. That

brought us to a subject we'd been avoiding: graduation and the summer

Annie was going to be a counselor at a music camp in California--I'd

known that for a while, but I don't think it really hit either of us

till that day that we'd be away from each other from June 24, which was

when Annie had to be at the camp, till next Christmas, assuming we both

came home from college then. Until college acceptances had come,

college had seemed so far in the future it couldn't touch us, like old

age, maybe. But now it was as if, faced with it, we wanted to go back

and think it over again--we were being swept along on decisions we'd made

before we'd even met each other, and suddenly we didn't feel as

triumphant about getting in as we had yesterday when we'd first heard.

We'd been sitting very close together, talking about that, and then we

got very silent. After a few minutes, though, we turned toward each

other and--I don't know how to explain this, really, but as soon as our

eyes met, I knew that I didn't want to be sitting outdoors in public

with Annie, having to pretend we were just friends, and I could tell she

didn't either, and we both knew that there was no problem now about our

not wanting the same thing at the same time, and not much problem about

being scared. "There's no place, is there?" Annie said--at least I think

she did. If Annie did speak, I probably answered, "No," but I'm not sure

if we actually said the words. We sat there for quite a while longer,

Annie's head on my shoulder, until some people came around to our side

of the lake. Then we just sat there, not being able to touch each other.

That night, after Annie and I had spent the rest of the day walking

because there was nothing else we could do, I was lying in bed not

able to sleep, thinking about her, and this is embarrassing, but it's

important, I think--it was as if something suddenly exploded inside me,

as if she were really right there with me. I didn't know then that a

person could feel that kind of sexual explosion from just thinking, and

it scared me. I got up and walked around my room for a while, trying to

calm myself down. I kept wondering if that kind of thing had ever

happened to anyone else, and whether it could happen to anyone or just

gay people--and then I stopped walking, the thought crashing in on me

more than I'd ever let it before: You're in love with another girl, Liza

Winthrop, and you know that means you're probably gay. But you don't

know a thing about what that means. I went downstairs to Dad's

encyclopedia and looked up homosexual, but that didn't tell me much about

any of the things I felt.

What struck me most, though, was that, in that whole long article, the

word "love" wasn't used even once. That made me mad; it was as if

whoever wrote the article didn't know that gay people actually love each

other. The encyclopedia writers ought to talk to me, I thought as I went

back to bed; I could tell them something about love.

Annie put her arms

around me and kissed me when I told her. We were in her room; I'd come

for Sunday dinner. "Encyclopedias are no good," she said, going to her

closet and pulling out a battered, obviously secondhand book. Patience

and Sarah, it said on the cover, by Isabel Miller.

"I've had it for a couple of weeks," said Annie apologetically. "I

wanted to give it to you, but--well, I guess I wasn't sure how you'd take

it."

"How I'd take it!" I said, hurt. "How'd you think I'd take it? I'm not

some kind of ogre, am I?"

"It's just that you still didn't seem sure," said Annie quietly, turning

away. "I was going to show it to you some-time--really. Oh, Liza, don't

be mad. Please. It's a lovely book.

Just read it, okay?" I did read the book, and Annie reread it, and it

helped us discuss the one part of ourselves we'd only talked around so

far. We read other books, too, in the next week, trying to pretend we

weren't there when we checked them out of the library, and we

bought--terrified--a couple of gay magazines and newspapers. I felt as if

I were meeting parts of myself in the gay people I read about.

Gradually, I began to feel calmer inside, more complete and sure of

myself, and I knew from the way Annie looked as we talked, and from what

she said, that she did also. And when on the first day of spring

vacation Annie came with me to feed Ms. Stevenson's and Ms. Widmer's

cats, we suddenly realized we did have a place to go after all.

12

It

started slowly, so slowly I don't think either of us even realized what

was happening at first. I remember Annie's face when we first went into

the house. All the delight from her special laugh went into her eyes. I

showed her all over the first two floors; it didn't occur to us to go

upstairs--somehow that seemed private. Annie loved everything: of course

the plants and the gardens outside and the cats most of all, but also

the brickwork, the books, the records, the paintings. The cats took to

her right away, rubbing against her and purring and letting her pick

them up and pat them. She took over the feeding job without our even

discussing it. That first day, I stood in the kitchen leaning against

the counter watching Annie feed the cats, and I knew I wanted to be able

to do that forever: stand in kitchens watching Annie feed cats. Our

kitchens. Our cats. There she was, with her long black hair in one braid

down her back, and her blue shirt hanging out around her jeans, and her

sneakers with the holes in them and a cat at each one, looking up and

mewing. So I went over and put my arms around her and kissed her, and it

became a different kind of kiss from any between us before.

I remember that she still had the cat-food can in her hand and that she

nearly dropped it. After a while, Annie whispered, "Liza, the cats," and

we moved away from each other and she fed them. But when she finished,

we just stood there looking at each other. My heart was pounding so loud

I was sure Annie could hear it, I think it was partly to muffle it that

I put my arms around her again. We went up to the living room ...

I remember so much about that first time with Annie that I am numb with

it, and breathless. I can feel Annie's hands touching me again, gently,

as if she were afraid I might break; I can feel her softness under my

hands--I look down at my hands now and see them slightly curved, feel

them become both strong and gentle as I felt them become for the first

time then. I can close my eyes and feel every motion of Annie's body and

my own--clumsy and hesitant and shy--but that isn't the important part.

The important part is the wonder of the closeness and the unbearable

ultimate realization that we are two people, not one--and also the wonder

of that: that even though we are two people, we can be almost like one,

and at the same time delight in each other's uniqueness. ... We can be

almost like one ...

They were wonderful, those two weeks of spring

vacation; it was as if we finally had not only a place but a whole world

all our own. We even bought instant coffee and food for breakfast and

lunch so we could stay at the house all day every day till we both had

to go home for dinner.

The weather was warm and hopeful, and every morning when I arrived I

would fling open the windows and let the sun and the soft spring air

pour in. I'd put water on for coffee and then settle down to wait for

Annie, sometimes with a newspaper; sometimes I'd just sit there. And

pretty soon I'd hear the door latch turning. We had only one key, so I

always left the door unlocked in the mornings; Annie could just come in,

as if she lived there. One morning during the first week, I sat at the

kitchen counter on one of two tall stools watching the sun give the

black cat's fur highlights like those in Annie's hair. Then I heard

Annie open the door and come down the stairs to me. I smiled, because I

could hear her singing. "Hi." She kissed me and wriggled out of her

lumber jacket, which by then I knew she had gotten secondhand from a

cousin. "I got us some more of that Danish," she said, putting a paper

bag on the counter.

"But you haven't the money!" I got up and began breaking eggs into a bowl.

"It's all right," she said, giving me a quick

hug and then spooning instant coffee into mugs. "Mmm. Coffee smells

good, even raw!" I laughed.

"Have some," I said, beating the eggs.

Annie shook her head and opened the refrigerator. "Juice first. I'm starved.

I woke up at five-thirty and the sun was so pretty I couldn't go back to

sleep. I wanted to come right down here."

"Maybe I should give you the keys," I said, thinking of how wonderful it

would be to arrive in the morning and find Annie there waiting for me.

"Wouldn't be right," Annie said. She poured herself

some juice--juice makes me feel sick on an empty stomach, and Annie

already knew that and never asked me any more if I wanted any. She drank

the juice and then scooped up the black cat. "Good morning, puss,

where's your brother?"

"Chasing his tail under Ms. Widmer's desk when last seen. Butter,

please." Annie handed me the butter with a bow, saying like an

operating-room nurse, "Butter." I caught her mid-bow and kissed her

again, and we stood there forgetting breakfast in the early-morning sun.

We finally did eat, though, and washed the dishes. I remember that

morning we were especially silly; it must have been the sun. We had the

back door open, and it streamed in through the screen, making both cats

restless. "'There was an old woman,'" Annie sang, drying a coffee mug,

"'swallowed a fly ...' Come on, Liza, you sing, too."

"I can't," I said. "I can't carry a tune."

"Everyone can carry a tune."

"I can't carry one right. I change key."

"Demonstrate." I shook my head; I've always been self-conscious about

singing. But Annie went ahead with the song anyway, ignoring me, and by

the time I was scrubbing the frying pan, I couldn't help but join in.

She pretended not to notice. After we finished the dishes, we took the

cats out and watched them chase bugs in the sun on the cobblestones. A

heavyset woman in a print housedress and a man's baggy sweater waddled

over, peering at us suspiciously. "Katherine and Isabelle," she said

with an accent, "I thought they were on vacation? You friends of

Benjy's? He usually comes to feed the kitties." We explained, and she

smiled and pulled up her garden chair and sat chatting with us for over

an hour. We kept trying to signal each other to do something that would

make her go away, but neither of us could think of anything, and she was

too nice to be rude to. Finally, though, Annie said, "Well, I'm going

in--I've got to do some homework," and the woman nodded and said, "Good

girl, never neglect your studies. I should get to the GD vacuuming,

myself. If I'd have studied more when I was your age, maybe I'd have

gotten myself a good job instead of just a husband and five kids and a

stack of dirty dishes."

"She didn't sound as if she really minded," Annie said when we were back

inside, up in the living room, Annie with her history reading list and

me with my half-finished solar-house floor plan. We worked, mostly in

silence, till lunch--and that day, because it was so warm, we risked

meeting the woman again and took our tuna-fish sandwiches out into the

back yard. She wasn't there, so Annie went back for the bottle of wine

we'd splurged on. "I'd love to work in that garden," Annie said when

we'd finished our sandwiches and were lazily sipping the end of the one

glass of wine each we'd allowed ourselves--no one else was outside,

still.

"I bet they wouldn't mind."

But Annie shook her head. "I'd mind

if I were them," she said. "A garden's special--more than a house. To a

gardener." She got up and knelt on the cobblestones, examining the few

plants that were beginning to come up

around the fading crocuses. The sun was shining on her hair, making

little blue-gold strands among the black.

"I'm so lucky," I said. She

turned and smiled at me. I hadn't even realized I'd spoken till she

turned, her head tipped inquisitively to one side, her small round face

and her deep eyes intent on me. "So lucky," I said, holding out my hand.

We went inside.

It was new every time we touched each other, looked at each other, held

each other close on the uncomfortable living-room sofa. We were still

very shy, and clumsy, and a little scared--but it was as if we had found

a whole new country, in each other and ourselves and were exploring it

slowly together. Often we had to stop and just hold each other--too much

beauty can be hard to bear. And sometimes, especially after a while,

when the shyness was less but we still didn't know each other or

ourselves or what we were doing very well--once in a while, we'd laugh.

The best thing about that vacation was that we somehow felt we had

forever and no one could disturb us. Of course that was an illusion, but

we were so happy we didn't let that thought touch us. I'm afraid I

didn't think much about the rally or the fund-raising campaign. I had

gone to both the meetings the "committee of three" had before vacation,

and had reluctantly agreed to write a speech and rehearse it at our last

meeting--the one during vacation--and give it at the rally. Nothing I said

convinced Sally and Walt that I'd be terrible at it. Walt had gotten a

newspaper reporter his older brother knew to say he'd "cover" the

rally, which didn't make me any more relaxed about my speech. "Can't you

see it?" Sally had said at our last meeting, I suppose to entice me with

dreams of glory. "'Student Council President Tells What Foster Means

to Her--Encourages New Students to Apply.'"

"With one of those smaller headlines underneatt," said Walt, "saying

'Our School, Cry Students.' Hey, that'd really get them, I bet! I wonder

if we could get some kids to chant that--spontaneously, of course."

"Don't count your speeches before they're written," I said, trying

feebly to be funny. "Or your chants, either." It's not that I meant to

avoid the speech; once it became clear I'd have to make it, I did try to

work on it. In fact, Annie and I must have spent nearly all afternoon

that first Friday trying to work out what I could say that wouldn't

sound phony. And by the time she got through going over it with me, I

actually found there were quite a few reasons why I thought Foster was a

good school. But then came the second week, and Annie and I became more

comfortable with each other, and the speech and the third meeting slowly

slipped far from my mind.

13

It was nearly the end of vacation--Thursday morning of the second

week--that I couldn't find the orange cat, so when Annie got to the

house, we hunted in all the places we knew he usually hid. Finally

Annie said maybe he'd gone upstairs, and she went up to the third floor

to look for him. It's funny, since we were practically living in the

house by then, but neither of us had yet been up there. I think we still

felt it was private; that it was okay for us to take over the rest of

the house, but not where Ms. Stevenson and Ms. Widmer slept. After Annie

had been upstairs for a few minutes, she called to me in a funny voice.

"Liza," she said, sort of low and tense. "Come here." I went up the

narrow stairs and followed her voice into the larger of the two

bedrooms. She was standing beside a double bed, the cat in her arms,

looking down at the books in a small glass-fronted bookcase. I looked at

them, too.

"Oh, my God," I said then. "They're gay! Ms. Stevenson and

Ms. Widmer. They're--they're like us ..."

"Maybe not," Annie said cautiously.

"But ..." I opened the glass doors

and read off some of the titles: Female Homosexuality, by Frank S.

Caprio. Sappho Was a Right-On Woman, by Abbott and Love. Patience and

Sarah--our old friend--by Isabel Miller. The Well of Loneliness, by

Radclyffe Hall. The cat jumped out of Annie's arms and scurried back

downstairs to his brother. "It's funny," Annie said. "I never met them,

but from everything you told me, I--well, I wondered."

"It never even crossed my mind," I said, still so astonished I could

only stare at the double bed and the books. Certainly at school Ms.

Stevenson and Ms. Widnier never gave any hint of being gay--and then it

hit me that the only "hints" I could think of were cliches that didn't

apply to them, like acting masculine, or not getting along with men, or

making teacher's pets of girls. True, once Ms. Stevenson got mad when a

kid made a crummy anti-gay remark. But I'd heard my own father do that,

just as he did when someone said something anti-black or anti-Hispanic.

Annie picked up one of the books and flipped through it. "Imagine buying

all these books," she said. "Remember how scared we were?" I nodded.

"God, some of these are old," Annie said, turning back to the books in

the case. "Ms. Stevenson and Ms. Widmer must go back quite a long time."

Then she closed the bookcase and came over to me, leaning her head on my

shoulder. "It's terrible," she said, "for us to have been so scared to

be seen with books we have every right to read." She looked up and put

her hands on my shoulders; her hands were shaking a little. "Liza, let's

not do that.

Let's not be scared to buy books, or

embarrassed, and when we buy them, let's not hide them in a secret

bookcase. It's not honest, it's not right, it's a denial of--of

everything we feel for each other. They're older, maybe they had to,

but--oh, Liza, I don't want to hide the--the best part of my life, of

myself." I pulled her to me; she was shaking all over. "Annie, Annie." I

said, smoothing her hair, trying to soothe her. "Annie, take it easy,

love; I don't want to hide either, but ..."

"The best part," Annie repeated fiercely, moving out of my arms.

"Liza--this vacation, it's been--" She went back to the bookcase, thumping

her palm against the glass doors. "We can't close ourselves in behind

doors the way these books are closed in. But that's what's going to

happen as soon as school starts--just afternoons, just weekends--we should

be together all the time, we should ..." She turned to me again, her

eyes very dark, but then she smiled, half merry, half bitter. "Liza, I

want to run away with you, to elope, dammit."

"I--I know," I said; the bitterness had quickly taken over. I reached for

her hands. "I know." Annie came into my arms again. "Liza, Liza,

nothing's sure, but--but I'm as sure as a person can be. I want to hold

on to you forever, to be with you forever, I ..."

She smiled wistfully. "I want us to be a couple of passionless old

ladies someday together, too," she said, "sitting in rocking chairs,

laughing over how we couldn't get enough of each other when we were

young, rocking peacefully on somebody's sunny porch ..."

"On our sunny porch," I said. "In Maine."

"Maine?"

"Maine. We were both calmer now, holding hands, smiling. "Okay," Annie

said. "And we'll rock and rock and rock and remember when we were kids

and were taking care of somebody else's house and they turned out to be

gay, and how tense we were because we knew we'd have to spend the next

four years away from each other at different colleges, not to mention

that very summer because I had to go to stupid camp ..."

We pulled ourselves out of that room, we really did. We went into the other

bedroom, because we had to do something and because we were curious, and

it was just as we expected; the other bedroom didn't count. All the

clothes were in the two closets in the big bedroom and in the two

bureaus there, and in the bureau in the other room there were only what

looked like extras--heavy sweaters and ski socks and things like that.

The bed in that room was a single one and the sheets on it looked as if

they'd been there for years. It was just for show. "We won't do that,"

Annie said firmly when we were back downstairs in the kitchen, heating

some mushroom soup. "We won't, we won't. If people are shocked, let them

be."

"Parents," I said, stirring the soup. "My brother."

"Well, they'll just have to know, won't they?"

"You going to go right home and tell Nana you're gay, that we're

lovers?" I asked as gently as I could.

"Oh, Liza."

"Well?"

"No, but ..." I turned down the gas; the soup was beginning to boil.

"Bowls." Annie reached into the cupboard. "Bowls."

"And if you're not going to run home and tell them now, you probably

won't later."

"They won't mind so much when I'm older. When we're older." I poured the

soup into the bowls and opened a box of crackers I had bought the day

before.

"It won't make any difference. It'll be just as hard then."

"Dammit!" Annie shouted suddenly. "Speak for yourself, can't you?"

My soup bowl wavered in my hand; I nearly dropped it. And I wanted to carry

it to the sink and dump the soup down the drain. Instead I poured it back

into the pot, reached for my jacket, and said as calmly as I could, "I'm

going out. Lock up if you leave before I get back, okay?"

"Liza, I'm sorry," Annie said, not moving. "I'm sorry. It--it's the

bed--knowing it's there when the sofa's so awful, and knowing it's going

to be so long till we can be together again, really together, I mean.

Please don't go. Have your soup--here." She took my bowl to the stove and

poured my soup back in it. "Here--please. You're probably right about my

parents."

"And you're right," I said, following her into the dining room, "about

the bed." We ate lunch mostly in silence, and afterwards we went up to

the living room and listened to music. But Annie sat in an easy chair

all afternoon and I sat on the sofa, and we didn't mention the bed

again, or go near each other.

The next day, Friday, the day before Ms. Widmer

and Ms. Stevenson were due home, we cleaned the house and made sure

everything was the way we'd found it, and then we went for a long, sad

walk. My parents and Chad were going out for dinner that night, and for

the first time in my life I was really tempted to lie to them and say I

was spending the night at Annie's and ask Annie to tell her parents she

was spending the night at our apartment, so we could both spend it in

Cobble Hill. But I didn't even mention it to Annie--although I think I

lived every possible minute of it in my imagination--until the next

morning, when it was too late to arrange for it to happen.

"Oh, Liza," Annie said when I told her. "I wish you'd said. I thought

the same thing."

"We'd have done it, wouldn't we?" I said miserably, knowing it would

have been wrong of us, but knowing it would have been wonderful, me, to

have a whole night with Annie, in a real bedroom--to fall asleep beside

her, to wake up with her. "Yes," she said. Then: "But it wouldn't have

been right. It--we shouldn't have been doing any of this. In someone

else's house, I mean." I filled the cats' water dish--we were feeding the

cats for the next-to-last time and they were wrapping themselves around

Annie's legs, expectantly.

"I know. But we did--and I'm not going to regret it. We've put everything

back. They don't have to know anything."

But I was wrong about that. It rained on Saturday, hard. We'd planned to

go for another walk after feeding the cats, or to the movies or a

museum or something. Without talking about it, we had decided to avoid

staying in the house any more. But the rain was incredible, more like a

fall rain than a spring one--biting and heavy. "Let's stay here," Annie

said, watching the rain stream darkly past the kitchen window while the

cats ate. "Let's just listen to music. Or read. We--we can be--oh, what

should I call it? Good isn't the right word. Restrained?"

"I'm not sure I trust us," I think I said. "It's not wrong, Liza," Annie

said firmly. "It's just that it's someone else's house."

"Yeah, I know."

"My Nana should see you now," she said. "You're the gloomy one." She

tugged at my arm. "I know. I saw Le Morte al'Arthur in the dining room.

Come on. I'll read you a knightly tale." I wonder why it was that so

often when Annie and I were tense about the most adult things--wanting

desperately to make love, especially in that bedroom as if it were

ours--we turned silly, like children. We could have gone out for a walk,

rain or no. We could have sat quietly and listened to music, each in our

own part of the room, like the day before. We could even have finished

leftover homework. But no. Annie read me a chapter out of the big

black-and-gold King Arthur, dramatically, with gestures, and I read her

one, and then we started acting the tales out instead of reading them.

We used saucepans for helmets and umbrellas with erasers taped to the

ends for lances, and gloves for gauntlets, and we raced around that

house all morning, jousting and rescuing maidens and fighting dragons

like a couple of eight-year-olds. Then the era changed; we abandoned our

saucepan helmets and Annie tied her lumber jacket over her shoulders

like a Three Musketeers-type cape. With the umbrellas for foils, we

swashbuckled all over the house, up and down stairs, and ended up on the

top floor without really letting ourselves be aware of where we were. I

cried

"Yield," and pretended to pop Annie a good one with my umbrella, and she

fell down on the big bed, laughing and gasping for breath.

"I yield!" she cried, pulling me down beside her. "I yield, monsieur; I cry

you mercy!"

"Mercy be damned!" I said, laughing so hard I was able to go on ignoring

where we were. We tussled for a minute, both of us still laughing, but

then Annie's hair fell softly around her face, and I couldn't help

touching it, and we both very quickly became ourselves again. I did

think about where we were then, but only fleetingly; I told myself again

that no one would ever have to know. "You've got long hair even for a

musketeer," I think I said. Annie put her hand behind my head and kissed

me, and then we just lay there for a few minutes. Again I wasn't sure

which was my pulse, my heartbeat, and which were hers.

"There's no need for us to pretend to be other people any more, ever

again, is there, Liza?" Annie said softly. My eyes stung suddenly, and

Annie touched the bottom lids with her finger, asking, "Why tears?"

I kissed her finger. "Because I'm happy," I said. "Because your saying

that right now makes me happier than almost anything else could.

No---there's no need to pretend."

"As long as we remember that," Annie said, "I think we'll be okay."

"So do I," I said. It got dark outside early that afternoon, because of

the rain, and it was already like twilight in the house. One of us got

up and pulled the shade down most of the way, and turned on a light in

the hall. It made a wonderful faraway glow and touched Annie's smooth

soft skin with gold. After the first few minutes, I think most of the

rest of our shyness with each other vanished. And then, after a very

long time, I heard a knock, and downstairs the handle of the front door

rattled insistently.

Dear Annie,

It's late as I write this. Outside,

it's beginning to snow; I can see big flakes tumbling lazily down

outside my window. The girl across the hall says December is early for

snow in Cambridge, at least snow that amounts to anything. January and

February are the big snow months, she says. "Know the truth," Ms.

Widmer used to quote--remember we used to say it to each other?--"and the

truth will make you free." Annie, it's so hard to remember the end of

our time in Ms. Stevenson's and Ms. Widmer's house; it's hard even to

think of it. I read somewhere the other day that love is good as long as

it's honest and unselfish and hurts no one. That people's biological sex

doesn't matter when it comes to love; that there have always been gay

people; that there are even some gay animals and many bisexual ones;

that other societies have accepted and do accept gays--so maybe our

society is backward. My mind believes that, Annie, and I can accept most

of it with my heart, too, except I keep stumbling on just one

statement: as long as it hurts no one.

Annie, I think that's what made me stop writing to you last June. Will I

write to you now--will I send this letter, I mean? I've started others

and thrown them away. I don't know if I'll mail this. But I think I'll

keep it for a little while ...

14

When the door handle rattled, Annie

and I both froze and clung together. I have never been able to forget

the look on Annie's face, but it is the one thing about her that I would

like to be able to forget--the fear and horror and pain, where a moment

before had been wonder and love and peace.

"It's not either of them," I

whispered to Annie, glancing at the clock on the night table. The clock

said half past six, and Ms. Stevenson and Ms. Widmer had said they'd be

home around eight.

"Maybe if we just stay quiet," Annie whispered, still

clinging to me--I could feel her shaking, and I could feel that I was

shaking, too.

"Open this door," commanded a loud female voice. "Open it

this instant, or I'll call the police." My legs were made of stone; so

were my arms. Somehow I kissed Annie, somehow moved away from her and

reached for my clothes. She sat up, holding the sheet around her. A

kitten, I thought, looks like this when it's frightened and trying to be

brave at the same time.

"Stay here," I said. "I'm the one who's supposed

to be feeding the cats--it's okay for me to be here." I was pulling on my

jeans, trying to button my shirt--there wasn't time to put on anything

else. The door handle rattled again and there was more pounding. "Just a

minute," I called as calmly as I could. "I'll be right there."

"Liza, I'm coming too," Annie insisted. "You can't go alone."

"It'll look worse, don't you see, if you're there?" I whispered

fiercely, pushing her back, her face breaking my heart. "I'm coming," I

called. Annie reached for my hand and squeezed it hard. "You're right,"

she said. "But be careful. And--Liza? You were right before, too. I

wouldn't have gone home and told my parents." I tried to smile at her,

and then I ran downstairs in my bare feet, trying to make sense out of

my hair as I went, and trying not to fall over the saucepan helmets that

were still on the floor. I switched on the light, opened the door a

crack, and said, "Yes?" I tried to make it sound casual, but my voice

was shaking so much I'm sure I sounded just as terrified as I was. There

on the steps was Ms. Baxter, and behind her, staring at my bare feet and

at my not-very-well-buttoned shirt, was Sally. For a minute I think we

all just stared. Then Ms. Baxter steadied herself by holding on to the

door frame and cried, "Oh, dear heaven, Liza, are you all right?" And

then she barged right in past me, glancing quickly around the two rooms,

and then I guess she saw the light in the upstairs hall, which of

course neither Annie nor I had been calm enough to think of turning out;

Ms. Baxter headed for the stairs. I ran in front of her without even

trying to be polite about it, but she brushed me aside. It was awful,

like some terrible farcical nightmare. As soon as Ms. Baxter reached the

stairs, I realized Annie should probably have gotten up after all, and I

prayed she'd hide in a closet or something.

"You can't go up there!" I

yelled, to warn Annie--but then Sally pointed to the head of the stairs

and said in a choked voice, "What--who is that?" I looked up and Annie,

white-faced, bare-legged and barefoot in just her lumber jacket, ran

past, trying, I realized, to hide in the second bedroom. But it was too

late.

"Stop!" Ms. Baxter shouted. "Who--who are you? Eliza ...?"

"A a friend of mine," I sputtered. "It's all right, Ms. Baxter.

We've--we've been taking care of Ms. Stevenson's and Ms. Widmer's cats

this vacation, we ..." But Ms. Baxter, her face now set like an

avenging angel's, was halfway up the stairs. "You come down!" I shouted

crazily, afraid she might hit Annie in her righteous fury; Annie,

realizing she'd been seen, was cowering uncertainly at the head of the

stairs. But Ms. Baxter just brushed past her, going into the main

bedroom. Annie came downstairs and stood next to me, slipping her hand

into mine. Sally was staring at our hands, I noticed, but I realized

that couldn't make any difference now.

We all three stood there, listening to Ms. Baxter stomping around,

snooping. "Dear Lord, dear Lord," we heard her moan as she went from one

bedroom into the other. I looked helplessly at Annie. Sally was still

staring at us. "I--I went over to your house," she said to me finally,

like someone in a dream. "I thought you might be sick or something,

since you didn't come to the meeting this morning ..."

"Oh, God," I said.

I had completely forgotten about the third committee meeting, the one at

which I was supposed to rehearse my speech.

"Chad said you were here,"

Sally was saying, "but I knocked and rang and yelled ..."

"We didn't hear you," Annie said unnecessarily.

"... and when no one came even though it looked as if there was a light

on somewhere upstairs and maybe down here too, I got scared it was

robbers or that something had happened to you, and I didn't know what to

do till I remembered Ms. Baxter lived across the way, so I looked her up

on the big directory at the gate and she was home and she said we better

check before we called the police, so we both banged on the door

and--and--Liza," she said, looking at Annie, "you and she, you

were--weren't you?"

"Oh, for Christ's sake, Sally" is what I think I said. Then Ms. Baxter

came downstairs and Sally made everything a whole lot worse by bursting

into tears and moaning, "Oh, Liza, Liza, you were my friend, and ... and

you ..."

"I was afraid for a moment I would find young men up there," Ms. Baxter

whispered, actually trembling as she put a maternal arm around Sally,

"but what I did find--oh, dear

heaven--is far, far worse--though I should have

known," she moaned, dabbing at

her forehead with her handkerchief. "I should have realized right away."

She shook her head sharply, as if ridding it of something unpleasant,

and then spoke more firmly. "I almost wish I had found young men," she

said. "Sodom and Gomorrah are all around us, Sally." She looked with

growing disgust at me. "We must face the truth. There is ugliness and

sin and self-indulgence in this house--as I have long feared. And to

think," she said, regarding me as if I were a toad, "that the president

of student council is a--a...!"

I was so upset, so hopeless at that point,

that I just looked right at her, ignoring Sally, and said, "A lesbian?

So the ..." I stopped myself just in time. "So what?" It was at that

moment that I heard Ms. Stevenson and Ms. Widmer come up the steps,

thumping their suitcases down outside the door and wondering loudly but

without any alarm yet why there were lights on. Then they realized the

door was unlatched, and while we all stood there frozen, Ms. Widmer

said, "I think we should get the police, Isabelle," and Ms. Stevenson

said, "Nonsense, Liza probably left it open by mistake--maybe she's still

here. After all, we're early." Then she called, "Liza?" and Ms. Baxter

said, "Oh, you won't want the police, Ms. Stevenson; it's Miranda

Baxter," and the two of them came in. Ms. Stevenson nearly dropped her

suitcase, and Ms. Widmer, suddenly very pale, did drop hers.

"Good evening, Ms. Baxter," said Ms. Stevenson coldly, looking around.

"Sally--Liza ..." She looked inquiringly at Annie.

Ms. Baxter sniffed and shepherded Sally toward the door. "Isabelle

Stevenson and Katherine Widmer, she said, sounding as if she were trying

to be a judge pronouncing sentence--or as if she were trying to be Mrs.

Poindexter, whale herself now. "I have feared that the

relationship between you two was--is immoral and unnatural. I will not

embarrass us all with specifics but we are neighbors and it has been

clear to me for some time that you are not as distant toward each other at

home as you are at school. But naturally I hoped I was wrong--oh, I

hoped so very much--and I tried not to notice what--what was before me-- And

I told myself that as long as what you were didn't affect the students,

I could be charitable and hold my peace, that I would not cast the first

stone ..."

Here, as I remember, Ms. Stevenson glanced wryly at Ms.

Widmer and said, "Good for you, Miranda, how very thoughtful."

"But now--I come in here and find these two--these two young women

practically--in flagrante delicto--having been given leave to feed your

cats and obviously, given your choice of reading matter--I will not call

it literature--having also been given leave to use your home as a--a

trysting place, a place in which to ..." Ms. Baxter took out her

handkerchief and dabbed at her forehead; I could see that she was

sweating and that maybe she even knew she was saying terrible things but

that she felt she had to say them anyway. "... place in which to indulge

in--in unnatural lusts ..."

"That," said Ms. Stevenson, eyes snapping, "will do, I think, Miranda--"

"Easy, Iza," I think Ms. Widmer said, putting a hand on Ms.

Stevenson's arm.

"Look," I said in a voice that immediately sounded much

too loud, "I offered to feed their cats. They didn't even ask me to.

They don't even know ..." I realized just in time that it might be a

good idea not to use Annie's name. "... my friend here. I didn't even

know ..."

"Liza," Ms. Stevenson interrupted--thank God, because I think in my

confusion I was starting to say I hadn't known Ms. Stevenson and Ms.

Widmer were gay. "Liza, the less said, I think, the better." She didn't

say it in a particularly friendly way, and I felt worse than I had when

it was just Ms. Baxter and Sally who'd walked in on us. "All right,

Miranda," Ms. Stevenson was saying, her voice taut, like a lion on a

leash, "would you mind telling us, very quickly before you leave, just

what you were doing here in the first place?" So Ms. Baxter explained

about Sally, who was still staring at me and Annie as if we had at least

five heads apiece, like end-of-the-world monsters. "And this poor

child," Ms. Baxter whined, nearly choking Sally in her protective hug,

"this good, repentant child who has given so much of her time and of

herself to Foster's cause these last months--this child who may at times

in the past have been misguided and unwise but who is, thank the good

dear Lord, normal, with a normal young girl's love for her young

man--this child had to be dragged into this--this ugliness, this--this nest

of ..."

"But," I protested angrily, "but it's not ugly, there's nothing ..."

Ms. Baxter cut me off with her look. "Oh, my dear," she said to Sally,

"you can see now why Liza was unable to be a good enough friend to

report you for that unfortunate mistake of yours last fall. Immorality

in one way, I fear, leads to immorality in others. It's a lesson we all

can learn ..."

"Oh, for God's sake," snapped Ms. Stevenson, her temper lost at last.

"Miranda, I am not going to stand here and let you ..."

Ms. Widmer quickly opened the front door. "I think it's time for you to

go, Miranda," she said quietly. "You, too, Sally."

"Oh, absolutely, Sally goes!" said Ms. Baxter, herding her in front of

her. "And if you have a shred of decency left in you, you'll send those

two home, too.

Liza and her--her friend." She smiled thinly. "They are minors, I

believe." I wanted to hit her for the way she said "friend."

"Why don't you go look it up, Miranda?" Ms. Stevenson said through her

teeth.

"They are also," said Ms. Widmer, "people--who at the very least

have a right to tell their side of the story. To someone who will try to

listen." I glanced at Annie, who was in the corner by the stairs,

hugging her lumber jacket around her. It was wool and I remember

thinking irrelevantly that it must be scratchy against her skin. But

Annie didn't look as if she noticed. She also didn't look as if she felt

any more deserving of a friendly listener than I did. The saucepan

helmets, I kept thinking, and the bed; how are we going to tell them

about the bed?

"I trust you realize," said Ms. Baxter as Ms. Widmer held the door open

for her and Sally, "that it is my duty to report this entire incident to

Mrs. Poindexter."

"Indeed we do," said Ms. Stevenson coldly.

Then they were gone, and the door was shut, and Ms. Widmer, who had been

so collected, swayed a little and leaned against it. Ms. Stevenson put a

hand on her shoulder and said, "Steady, Kah, we've lived through worse."

Then she turned to me. I wanted to touch her, to at least reach out to

her--even, for one absurd moment, to throw myself at her feet and moan,

"Forgive us--forgive me!" I wanted her to blow up, to yell unreasonably

the way she had once in the studio when someone hid an unpopular kid's

drawing and then someone else spilled black paint on it by "accident."

But she didn't do that. She just looked grimly from me to Annie and back

again and said, "Let's start with an introduction, Liza, shall we?"

"Isabelle," said Ms. Widmer, "please. Let's not ..."

"Katherine," said Ms. Stevenson, "what we have here along with a great

many other things is a rather serious betrayal of trust. It doesn't

matter how compelling the reason," she said, looking hard at me, "and I

think you know now that Ms. Widmer and I can guess exactly how

compelling it was--that's still no excuse for the way you and your friend

have used this house. No excuse."

"No, Ms. Stevenson," I said miserably. "I know it's not. I--I'm very

sorry."

"And I am, too," Annie said, stepping away from the stair-corner. "I--we

both are. It was terrible of us, wrong

--it's awful, especially--especially since you're like us--I mean ..."

She was floundering; I was desperate to help her, but I couldn't think.

"You are not," said Ms. Stevenson, picking up a saucepan, "a bit like

us. Even in our worst times, I don't think we would ever, ever have

betrayed anyone's trust, not like this--not in a way that would give a--a

person like Miranda Baxter license to--to ..." I saw when she turned

away that her fists were clenched, and then, horrified, I realized she

was struggling against tears. Ms. Widmer touched her arm.

"Come on, Isabelle," she said with amazing lightness. "At seventeen?" She

turned to us. "Why don't you go back up and get dressed--I gather you were

upstairs?" I nodded painfully, and Ms. Stevenson turned the rest of the

way away. But Ms. Widmer went on, as gently as before, "Isabelle and I

will go down to the kitchen and make some cocoa. Give us--yourselves,

too--about fifteen minutes. Then maybe we can all talk about this like

rational human beings." For a second I thought Annie was going to throw

her arms around Ms. Widmer. But instead she just took her hand and

squeezed it, hard. Ms. Widmer pushed Annie and me toward the stairs.

"Fifteen minutes," she said. "Come along, Iza. Cocoa."

"Cocoa!" I heard Ms. Stevenson exclaim as they went down to the kitchen

and we went up to the third floor. "What I need is Scotch, dammit, not

cocoa!"

"Well, then, darling, you shall have Scotch," I heard Ms. Widmer say,

and then we couldn't hear any more.

15

We had the cocoa, and Ms.

Stevenson and Ms. Widmet had drinks, but even though for a minute or

two it looked as if we'd be able to talk, that didn't last long. Ms.

Widmer was the first to realize that we never had gotten around to the

introduction Ms. Stevenson had requested; when we went down to the

kitchen, she put her hand out to Annie and said, "I'm Katherine Widmer,

as Liza's probably told you, and that's Isabelle Stevenson."

"H-hi," Annie stammered. "My name is Annie Kenyon. I--I'm a friend of

Liza's."

Ms. Widmer smiled weakly and said, "You don't say," and we all laughed.

We laughed again when Annie and I explained, a bit self-consciously,

about the saucepan helmets. But after that we all got very stiff, Annie

and me hiding behind our cups and Ms. Stevenson and Ms. Widmer hiding

behind their glasses. Ms. Widmer and Annie both tried to talk, but Ms.

Stevenson just sat there, not exactly glowering but not very friendly

either, and I couldn't say a word. Finally after about ten minutes Ms.

Widmer said, "Look, I guess we're all too upset to sort this out

tonight. Why don't you two go home for now and come back tomorrow, for

lunch, maybe."

Ms. Stevenson glared at Ms. Widmer, and she went on quickly: "Or after lunch--that would

be better. Say around two?"

Annie looked at me and

I nodded, and then Ms. Widmer walked us upstairs to the front door.

"We stripped the bed," Annie said shyly, putting on her lumber jacket again.

"We could take the sheets to the laundry for you."

"That's all right," said Ms. Widmer, although she looked a little

startled. "But thank you." She smiled, as if she were trying to convey

to us that everything would be all right, but I saw that her hand shook

as she opened the door, and I hurried Annie out ahead of me. I walked

Annie to the subway, but we were both too upset to talk. Annie gave me a

quick hug right before she went through the turnstile. "I love you," she

whispered, "Can you hold on to that?"

"I'm trying," I said. I'm not even sure I said I love you back to Annie,

although I know I was thinking it, and I know I thought it all that

night when I couldn't sleep.

Ms. Stevenson and Ms. Widmer seemed a

little calmer the next day, outwardly anyway, but Annie and I were both

very nervous. Ms. Stevenson came to the door in jeans and a

paint-spattered shirt over a turtleneck; her hair was tied back, and

there was, I was glad to see, a brush in her hand.

"Hi," she said, a

little brusquely but smiling, and seeming more relaxed and like herself,

at least the self that I knew. She put down

the brush. "Come on in. Kah!" she called up the stairs. "It's Liza and

Annie."

"Be right there," Ms. Widmer called back, and Ms. Stevenson led us

into the living room. The

orange cat, who was lying on a neat pile of Sunday papers, jumped into

Annie's lap as soon as she sat down; he curled up there, purring.

"He likes you," observed Ms. Stevenson awkwardly, taking off her painty

shirt and throwing it into the front room.

"I like him, too," said

Annie, stroking the cat. Then Ms. Widmer came downstairs, in jeans also,

and I thought again about their being two comfortable old shoes and

wondered if Annie and I would ever be like that.

"Well," said Ms.

Widmer, sitting down on the sofa. "I don't suppose any of us really

knows how to begin." She smiled. "It's funny, but the first thing that

comes into my head to say is how did you sleep last night?"

"Horribly," said Annie, smiling also. "You, too, Liza, right?" I nodded.

"Well," said Ms. Widmer again, "at least we're all starting out equally

exhausted. How about some coffee or tea or something to sustain us?"

Annie and I both said yes, and then, while Ms. Widmer went down to the

kitchen, Ms. Stevenson sat there with us for a few painfully silent

seconds, and then she went downstairs too.

"Oh, God," Annie said when

she'd gone. "This is going to be awful."

The black cat came into the room, tail waving gently, and tried to nudge

his brother off Annie's lap. I found a catnip mouse under the coffee

table and was just getting it for him when Ms. Stevenson and Ms. Widmer

came back upstairs with tea things on a tray and a big plate of cookies

that none of us ate.

"What," asked Ms.

Stevenson abruptly when we'd each taken a cup of tea, "have you said to

your parents?"

"Nothing," we both said at the same time.

"Do your parents know--er---about

you?" We looked at each other. "Not really," I said. "I mean, we haven''t

told them or anything."

"Once in a while we've gotten yelled at for

coming home late or not calling," said Annie, "and Liza's father has

said a couple of things about 'friendships' and things like that, but

that's about all."

"They're going to have to know," Ms. Widmer said gently. "At least yours

are, Liza. Mrs. Poindexter isn't going to keep quiet about this."

"It was wrong of you to use our house like that," Ms. Stevenson said,

putting her cup down.

"You know that, I think. But-well, I guess one of the things I

remembered last night, with Kah's help"-she looked at Ms. Widmer-"is

just how hard it is to be seventeen and in love, especially when you're

gay. I was too angry last night to think very clearly, but-well, I think

I should tell you that despite all the things I said about trust, Ms.

Widmer and I might very well have done the same thing when we were

seventeen."

"Especially," said Ms. Widmer, "if we'd had a house at our disposal,

which we didn't."

Annie's eyes met mine, and then she looked at Ms.  Stevenson and Ms.

Widmer and said, "You--you mean--you've known each other that long?"

"Yes," said Ms. Stevenson, "but that's another story. I'm afraid that

right now we have to deal with what's going to happen next." She patted

her pockets as if looking for something. Ms. Widmer pointed to a pack of

cigarettes lying on the coffee table; Ms. Stevenson reached for them and

lit one. "As I see it," she said, "we have two sets of problems. One is

the accusation that's going to be made against you two, which really

just means you, Liza, since Annie's not at Foster. That's why you'd

better decide pretty quickly what to say to your parents. And we also

have the accusation that's going to be made against us--against Kah and

me."

We went on for another hour or so, talking about it and trying to

anticipate what was going to happen and trying also to figure out how

best to handle it. I guess it helped; it made us feel a little better,

anyway. But it didn't do any actual good. After we left Cobble Hill,

Annie and I went to the Promenade and walked until it was time for Annie

to go home.

"I think you should tell your parents, Liza," she said.

"I know," I said uncomfortably. "But how? I mean, what am I going to say?

Sally Jarrell and Ms. Baxter caught me and Annie making love at Ms.

Widmer's and Ms. Stevenson's house when we were supposed to be taking

care of the cats?"

"If you jam your hands any deeper into your pockets,"

said Annie quietly, stepping in front of me and pulling them out, "you

won't have any pockets. Look," she said, facing me, "I don't have any

right to say anything, because there's no real reason so far for me to

tell my parents, and I don't think I'm going to, in spite of what I said

before. But ..."

"Why not?" I interrupted. "Just why not?"

"Because I think it would hurt them," Annie said. "I've thought about it

now and I think it would hurt them."

"It'll hurt them to know you love me," I said bitterly, turning my own

pain onto her.

"No," Annie said, "it might hurt them to know I'm gay.

They like you, Liza, you know that; Nana loves you. And they understand

about loving friends. But they wouldn't understand about being gay; it's

just not part of their world."

"So you're going to spend your whole life hiding after all, right? Even

after saying all that back at the house when we found the books?" I knew

I was being rotten, but I coulddn't stop myself.

"I don't know about

my whole life," said Annie angrily. "I just know about right now. Right

now I'm not going to tell them. I don't see why you can't understand

that, because you don't seem to be going to tell your parents either."

"But you want me to," I said, trying to keep from shouting--there were

other people on the Promenade as usual; an old man glanced at us

curiously as he shuffled by. And then I said, the words surprising me

and then almost as quickly not surprising me, "Look, maybe I don't want

to tell them till I'm really sure. That I'm gay, I mean."

For a

moment Annie stared at me. "Maybe that's my reason too," she said.

"Maybe I'm not sure either."

We stood there, not moving. "Liza," said

Annie, "the only reason I said I thought you should tell your parents is

because all hell's going to break loose at Foster, and someone's going

to tell them anyway, so it might as well be you. But it's really none of

my business. Especially," she added, "since all of a sudden neither of

us is sure." She turned and walked away, fast, toward Clark Street, as

if she were heading for the subway. All I could think of then was that

Annie was walking away from me, angry, and that I couldn't bear that. It

hit me that I could probably bear anything in the world except her

leaving, and I ran after her and put my hand on her shoulder to stop

her.

"I'm sorry," I said. "Annie--please. I'm sorry. You're my lover, for

God's sake; of course it's your business. Everything about me is your

business. Annie, I--I love you; it's crazy, but that's the one thing I am

sure of. Maybe--well, maybe the other, being gay, having that--that label,

just takes getting used to, but, Annie, I do love you." Annie gave me a

kind of watery smile and we hugged each other right there on the

Promenade. "I'm not used to having a lover yet," I whispered into her

hair. "I'm not used to someone else being part of me like this."

"I know," said Annie. "Neither am I." She smiled and pushed me away a

little, touching my nose with the end of her finger. "That's the second

time in about two seconds you've called me your lover. And the third

time in two days. I like it."

"Me, too," I said.

"That must prove something," Annie said.

And then we walked some

more, wanting to hold hands but not daring to, in spite of the fact

that we'd just hugged each other in full view of what seemed like half of

Brooklyn. We never did decide about my parents, and I realized when I got

home that I couldn't tell them with Chad around anyway, or didn't want

to, and he was around all evening. By the time we were all going to

bed and I could have told them, I'd convinced myself that I might as well

wait till the next day, to see what Mrs. Poindexter was actually going to

do.

I didn't have very long to wait. As soon as I walked in the front

door, Ms. Baxter beckoned to me from her desk in the office. I tried to

face her as if I had nothing to be ashamed of or embarrassed about--but

I needn't have bothered, for She didn't even look at me.

"Mrs. Poindexter wants to see you," she said grimly into the papers on

her desk.

"Thank

you," I said.

She didn't say

"You're welcome." I certainly wasn't surprised that Mrs. Poindexter

wanted to see me, although I hadn't expected she'd get around to it

quite so quickly. I had also expected anger from her, not what I found

when I walked into her ugly brown office. She was wearing black again,

but this time without the lace. And she was slumped down in her

chair--she usually carried herself so rigidly, sitting or standing, that

Chad and I often joked about how she must have swallowed a yardstick as

soon as she'd grown three feet tall. But that day her shoulders were

hunched and her head was buried  in her hands, and she didn't look up

when I came in.

I stood there for a

minute, not knowing what to do. The only thing that moved in the whole

room was the minute hand of the clock on the wall, and that moved so

slowly it might just as well have been still. Finally I said, "Mrs.

Poindexter? You wanted to see--"

Her shoulders gave a little quiver, as if

she were sighing from someplace deep inside herself, and at last she

looked up. I was so shocked I sat down without waiting for her to invite

me to. Her eyes were red around the edges, as if she'd been crying or

not sleeping, and every wrinkle in her wrinkled face was deeper than

before, as if someone had gone over each one with a pencil.

"Eliza," she

said, very softly, "Eliza, how could you? Your parents--the school! Oh,"

she moaned, "how could you?"

"Mrs. Poindexter," I stammered stupidly, "I--I didn't mean ..."

1

She sighed

again, audibly this time, shook her head, and reached for the Kleenex

box on her desk so she could blow her nose. "I don't know where to

begin," she said. "I simply do not know where to begin. This school has

nurtured you since you were a tiny child--a tiny child-how you can have

gone so wrong, how you can be so--so ungrateful--it's beyond me, Eliza,

simply beyond me!"

"Ungrateful?" I said, bewildered. "Mrs. Poindexter--I--I'm not ungrateful.

Foster's done a lot for me and I--

I've always loved it. I'm not ungrateful. I don't understand what that's

got to do with--with anything." Mrs. Poindexter dropped her head into her

hands again and her shoulders shook. "Mrs. Poindexter, are you all

right?"

"No," she said, her head snapping up, "no, of course I'm not all right!

How could I be, when Foster is not all right? You--those teachers--just

when ..." She put her hands flat on her desk as if to steady herself,

and brought her voice down to its normal register again.

"Eliza," she said, "you are seventeen, aren't you?" I nodded. "Quite old

enough to know right from wrong--indeed, until now, you've shown a

reasonable sense of morality, that stupid incident last fall

notwithstanding. This may surprise you, but"--here she smiled ruefully--"I

have even always felt a begrudging admiration for your stand on the

reporting rule. Naturally,... in my position, I have not been able to

support you in that--and of course I have never been able to agree with

your stand, because experience has taught me that most young people are

not to be trusted. I have admired your idealism, however. But now

you--you ..." Oh, God, I thought, why can't she just yell at me?

"Eliza," she said, looking out the window, "I met Henry Poindexter, my

dear late husband, when I was seventeen. If it had not been for my

strong religious upbringing and his, we would have--been weak enough to

make a serious mistake within a few months of our meeting. Do you

understand what I am talking about?"

I nodded again, surprised,

trying not to smile nervously at the idea of there ever having been

anything approaching passion in Mrs. Poindexter--even at the idea of her

having been seventeen. Then I realized she couldn't see me, so I said,

"Yes."

"So I understand the pull that--sex--can have on young and

inexperienced persons. I do not understand the--the pull of"--she finally

turned and looked full at me--"abnormal sex, but I am of course aware of

adolescent crushes and of adolescent experimentation as a prelude to

normalcy. In your case, had I only known about your unwise and intense

out-of-school friendship in time ..." I felt my whole body tightening.

"Mrs. Poindexter," I said, "it's not ..."

She cut me off. "Eliza," she

said almost gently, "I am going to have to suspend you, pending an

expulsion hearing, of course. You know I have the authority to act

without student council under extraordinary circumstances, which when

you are calmer you will agree these are. I think you will understand

that if it weren't for the fundraising campaign we might have been able

to handle this more delicately--but if one whisper--one whisper--of this

scandal goes outside these walls ..." Her voice broke and she closed

her eyes for a moment; then she pulled herself up and went on. "A public

scandal," she said, "would not only mean the end of Foster's campaign,

but the end of Foster as well." She looked at me severely, but I didn't

know what to say. "And of course," she went on, "you must be punished

for using someone else's home as a--for using someone

else's home in that way, no matter how much--encouragement you may have

received from the owners ..."

"But," I said, horrified, "but Ms. Stevenson and Ms. Widmer didn't ..."

She ignored me. She closed her eyes again

and spoke quickly, as if she were reciting--as if she'd written ou the

words and memorized them the night before. "You understand," she said

mechanically, without even anger showing any more, "that it is

impossible for you to continue as president of student council, and that

it would be unwise and unhealthy for both you and the other students for

you to come back to school until this matter has been resolved. Sally

and Walt have requested that you be removed from all participation in

the student fund drive ..." Words stuck in my throat; anger, tears. She

held up her hand; her eyes were open now. "Therefore, I am asking you to

go immediately to your locker and pack up your books and other

belongings; you will give the text of your speech to Sally, who will

revise it if necessary and deliver it Friday at the rally, which you

will under no circumstances attend. There will be a trustees' hearing

about your expulsion and about what notations will appear on your

record--for, in fairness to the students and teachers at MIT,

your--proclivities, if firmly established, which I cannot believe they

are in one so young, should be known. In fairness to yourself, too, I

daresay, to ensure that you will be encouraged to get professional help.

You will be notified of the trustees' hearing; you may attend and speak

on your own behalf, and because this is so serious a matter, you may

bring an attorney as well as, of course, your parents. The Board of

Trustees will at that time make a decision specifically about notifying

MIT. Eliza," she said, "this is very much for your own good as well as

for Foster's. I do not expect you to see that now, or to see that it is

difficult for me to act so firmly. But I have no choice, and someday you

may even thank me. I sincerely hope so, not because I want thanks, but

because I want to think that you will be--be healed, regain your moral

sense, whatever is necessary to set you right again." She reached for

her telephone; oh, God, I thought, panicking, I should have told Mom and

Dad last night! "I am now calling your parents, though it pains me to do

so. I know it is my duty, and I pray that they can help you. And that

you will see it is my intention to be absolutely fair." She began

dialing, and said, "You may go," again not looking at me. Mrs. Baxter

glanced up as I came out of Mrs. Poindexter's office and passed by the

central office. When she looked down again, I noticed through my

numbness that her lips were moving, as if in prayer.

Annie, what does

being fair mean? I think they were trying to help me at school; I think

even Mrs. Poindexter thought she was helping me, especially by talking

about immorality. But what really is immorality? And what does helping

someone really mean? Helping them to be like everyone else, or helping

them to be themselves? And doesn't immorality mostly have to do with

hurting people--if Sally had pierced people's ears against

their will, that would have been immoral, it seems to me, but doing it

the way she did was just plain foolish. Using Ms. Stevenson's and Ms.

Widmer's house without permission--that hurt them and was immoral as

well as sneaky--but--

Liza stood; she crumpled what she'd written so far

to Annie--but then smoothed it out again and hid it under the blotter

on her desk. But, she thought, looking out again at the wet snow, what

we used the house for--was that immoral, too? I've been saying yes, so

far, because of the hurt it caused ...

Before I went home that morning,

I went down to the basement to clean out my locker. Luckily not too many

kids were free first period. Still, there were a couple hanging around

down there--including Walt. I tried to avoid him, but he gave me a kind

of obscene grin, as if, even though he didn't want me in the campaign,

he now counted me as one of the guys; I could almost imagine him asking

me how Annie was in bed. Then, when I thought a couple of other kids

were looking at me funny too, I told myself I was just being paranoid,

that Walt had probably grinned out of embarrassment only. But then when

I got to my locker and opened it a note fell out that had obviously been

slipped in through the crack. "LIZA LESIE," it said.

I didn't get home

till halfway through the morning because I'd been walking on the

Promenade to put off facing Mom. As soon as I got in the door, I could

see she had been crying. But she was really great to me, there's no

question. She tried quickly to put her face back together again, and she

put her arms around me right at the door, without saying anything, and

held me for a long time. Then she pulled me inside, sat us both down on

the sofa, and said, "Honey, honey, it'll be okay. Someday it'll be okay,

believe me." I put my head down in her lap and for a while she just

smoothed my hair. But then she put her hand under my chin and gently

lifted me up. "Liza," she said, "I know what it's like to have no close

friends and then suddenly to have one--it happened to me, too, when I was

a little younger than you. Her name was June, and she was so beautiful

I had to remind myself not to stare at her sometimes.

We loved each other very much, the way you and Annie do--maybe not quite

so intensely or quite so--so exclusively, but very much. There was one

night ..." Mom looked away, blushing a little, then said shyly, "There

was one night when June and I slept in the same bed. At her house, it

was. And we--we kissed each other. And then for a while we pretended one

of us was a boy--until it got so--so silly and we got so giggly we

stopped. Honey, lots of girls do that kind of thing. Boys, too. Maybe

boys more than girls. It doesn't mean anything unless--well, I don't

suppose I have to draw any pictures, you're nearly grown up. But--what I

think I'm trying to say is that feelings--sexual feelings--can be all

mixed

up at your age. That's normal. And it's normal to experiment ..."

I couldn't help it; I knew I had to leave or blurt out angry words I'd be

sorry for later. She was making it impossible, impossible for me to tell

the truth. I wasn't sure I wanted to anyway, but how could I even think

of it now? I wrenched myself away from her and ran into the bathroom,

where I let the cold water flow till it was nearly ice, and splashed it

on my face over and over again. I tried to think; I tried so hard to

think--but there was only one word in my mind and that word was

"Annie."

When I went back into the living room, Mom was standing at the window

looking out at the new leaves on the gingko tree outside the window.

"Look," she said, pointing to a small gray bird darting among the

branches. "I think she's building a nest." She turned to face me, and

put her hands on my shoulders. "Liza," she said, looking into my eyes,

"I want you to tell me the truth, not because I want to pry, but because

I have to know. This could get very unpleasant--you know that. We can't

fight it with lies, honey. Now--have you and Annie--done any more than the

usual--experimenting is, I know, a bad word, but I think you know what

I mean. Has there been any more than that between you--more than what I

told you was between me and June?"

Her eyes were somber; there was

fear in them, such fear and such pain, and such love as well, that--I'm

not proud of it, I make no excuses--I lied to her. "No, Mom," I said,

trying to look back at her calmly. "No, there hasn't."

The relief on

Mom's face was almost physical. I hadn't been aware that she'd looked

older when I'd first come in, but now she looked herself again. She even

seemed a little cheerful, at least in comparison with before, and she

patted my shoulder, saying, "Well, then. Now let's try to talk about

what really did happen, and about why Ms. Baxter and Sally

misinterpreted whatever it was that they saw ..."

It was a good thing in

a way that Dad came in soon after that, because I couldn't concentrate

on Mom's questions. All I could do was say over and over in my mind:

You lied to her. You lied to your own mother for the first time in your

lite. You lied ...

When Dad came in--Mom had called him at the office

I found out later, and he'd come home in a cab, not even waiting for

the subway--when he came in, his face was gray. Mom got up from the

sofa immediately--I couldn't move--and said, "It's all right, George.

Liza isn't sure why Ms. Baxter and Sally got so mixed up, but it was all

a terrible mistake. I imagine that both Ms. Baxter and Mrs. Poindexter

overreacted, especially Mrs. Poindexter--you know how old she's getting,

and the campaign is so ..."

But I could see right away that Dad wasn't

paying any attention to that; he wasn't even hearing it. Mom sat back

down on the sofa next to me and Dad looked at me, right at me, with his

honest brown eyes and said, "Liza?"--and, oh, God, I said, "Dad--can I

get you a drink?"

"No thanks," he said, and he went into the kitchen and made

drinks for himself  and Mom. "Look," Dad said carefully sitting down in a big

chair, "this is hard to say. I don't even know how to approach

this, but I--first of all, I want you to know that I'll go along with

whatever you decide to do; Liza, I'll support you, whatever's true.

You're my daughter--I kept saying that to myself over and over in the cab

on the way home: She's my daughter, my ..."

"George ..." Mom began, but he ignored her.

"You're my daughter," he

said again. "I love you. That's the main thing, I--Liza, always." He

smiled weakly. "Ear piercing and all." His smile faded. "But I have to

tell you, Liza--and I've said even less to your mother about this than

I've said to you, except when you've been late--that as much as I like

your friend Annie and admire her singing voice--fond of her as I am, I

haven't been blind to how intense you are about her, how intense you

both are ..." My stomach felt as if icicles were forming in it.

"George," Mom said again--she had taken only one small sip of her drink:

she was holding it as if she'd forgotten it and any moment it would

slip out of her hand, unnoticed. "George, adolescent friendships are

like that--intense--beautiful." She put her arm around me. "Don't spoil

it, don't. This is awful for Liza, for all of us; it must be awful for

poor Annie, too. And think of Ms. Stevenson and Ms. Widmer."

"Yes," said my father a little grimly, "think of Ms. Stevenson and Ms.

Widmer." Only mother looked surprised; the icicles in my stomach

extended slowly to the rest of my body. "I've always wondered about

those two," Dad said.

Then he slammed his drink down. "Oh, look," he said, "what difference

does it make if a couple of teachers at Foster are lesbians? Those two

are damn good teachers and good people, too, as far as I know. Ms.

Widmer especially-- look at the poems Chad's written this year,

look at how good Liza suddenly got in English. The hell with anything

else. I don't care about their private lives, about anyone's, at least I

..." He picked up his drink again and took a long swallow. "Liza, damn

it, I always thought I was--well, okay about things like homosexuality.

But now when I find out that my own daughter might be ..."

"She's not, she told me she and Annie are friends only," Mnm insisted. I

wanted to tell Dad then: I wanted to tell him so much I was already

forming the words. And if I hadn't already lied to Mom, if we'd been

alone then, I think I would have.

"Liza," my father said, "I told you

I'd support you and I will. And right now I can see we're all too upset

to discuss this very much more, so in a minute or two I'm going to take

you and your mother and me out to lunch. But, honey, I know it's not

fashionable to say this, but--well, maybe it's just that I love your

mother so much and you and Chad so much that I have to say to you I've

never thought gay people can be very happy--no children, for one thing,

no real family life. Honey, you are probably going to be a damn good

architect--but I want you to be happy in other ways, too, as your mother

is--to have a husband and children. I know you can do both ..."

I am happy, I tried to tell him with my eyes. I'm happy with Annie; she and

my work are all I'll ever need; she's happy, too--we both were till this

happened ...

We had a long, large lunch, trying to be cheerful and

talking about everything except what had happened. Then

my mother took me shopping, saying we might as well use the time to

start buying me clothes for MIT. But really I think she took me so Dad

would be the only one there when Chad came home from school. On the way

back to the apartment, Mom and I stopped at the fish store and she

bought swordfish, which I love, and she cooked all my favorite things

that night, as if it were my birthday. But it was a tense meal anyhow,

with Chad speaking only when somebody else talked to him--he wouldn't

meet my eyes, even when he and I were talking, which wasn't often. After

dinner I called Sally. I didn't know quite what I was going to

say--something like I'm sorry it got to you the way it did. But she hung

up on me. Later that night, when Annie called, I was so worked up that

all I could do on the phone with her was cry. So she called back later

and talked to Mom, who said yes, I'd be okay, and we'd all get through

this and things like that. I imagine it wasn't very reassuring.

The next morning when I woke up, the sun was shining in underneath my

window shade, and for a second, just for a second, everything was all

right.

I'd been dreaming--a wonderful dream about living with Annie--and when I

woke up, I think I really expected to see her beside me. But of course

she wasn't there. And then everything came crashing in again--Sally's

shocked face, Chad's, Mom's, Dad's--and it was as if the air were

heavy, pressing down on me and making it hard to breathe. I tried to

imagine what it would be like if people always reacted to Annie and me

that way--being hurt by us, or pitying us; worrying about us, or feeling

threatened--even laughing at us. It didn't make any sense and it was

unfair, but it was also awful. I could hear Mom moving around the

apartment, and I didn't want to see her, so I just lay in bed for a

while, watching the sun flicker under the shade and trying not to think

any more. But then I remembered I still had to give Sally my speech, so

I got up and dressed, wanting to get it over with as soon as I could.

Before I even got to Sally--I decided to wait for her outside school--I

passed two juniors in front of the main building, and one of them was

saying something like, "I'd rather have Ms. Widmer any day than a

dried-up old substitute." The other one said, "Yeah. But that one they

got to teach art--she's not so bad. I mean, at least she's young." I

didn't hear much more; either I turned it off or they stopped talking.

Of course, I told myself, since I'm suspended, Ms. Widmer and Ms.

Stevenson will have been suspended, too. If I'm having a hearing, so

will they, probably. Then there was Sally. It's funny, I remember it in

outline form, sort of, with Sally and me like shadow figures, facing

each other on the steps. I said "Hi," or something equally

noncommittal, but Sally just stared at me, so I said, stiffly, "Here's

the speech. I'm sorry I forgot it yesterday. I'll help you rewrite it if

you want." It was as if she hadn't heard me. She was still staring at

me, shaking her head and ignoring the speech, which I was still holding

out to her.

"How could you?" she said very softly. "How could you--with

a girl? I just can't believe ... i mean, think if someone else had found

out,someone outside. Walt said it could kill the campaign. People should

control themselves if they--if they feel that way. It's--it's so

disgusting."

I'd been wanting again to tell her that I was sorry she'd

been so upset, but now I was too angry. "It doesn't have anything to do

with you, Sally," I heard myself saying. "You don't have to be

disgusted."

But she was still shaking her head. "Oh, yes, it does have

to do with me," she said. "Everything a person does has an effect on

others. Everything. Look at the ear piercing." I tried to tell her that

the two things were different, that piercing ears wasn't the same as

loving someone, and that she was making all the wrong connections. But

as I pushed my speech into her hands she said, "Loving! Lusting, you

mean. Read your Bible, Liza. Ms. Baxter showed me it's even mentioned

there. Read Leviticus, read Romans x: 26." I don't know what I said

then. Maybe I didn't say anything. I'm not sure I was able to think any

more. I do remember, though, that I went home and read Leviticus and

Romans, and cried again.

16

One of the worst things that happened in

that first week was that Mrs. Poindexter questioned Chad. After school

on Wednesday, Chad didn't speak to me; he seemed to be avoiding me, and

I had no idea why. He didn't say much at dinner either, but later, when

Mom and Dad were watching TV, he came into my room, shut the door, and

without sitting down or really looking at me said that Mrs. Poindexter

had called him into her office that morning. He said she'd asked him in

not very thinly veiled terms about me and Annie and other girls--whether

I had more girlfriends than boyfriends, if he'd ever seen me touching a

girl, especially Annie--things like that. And, still without meeting my

eyes, he told me he'd said "No" to all the questions about girls and

"I don't know" to the ones about boys; in other words, he managed to do

his best to save my skin without actually lying. Neither of us said much

after that, but he did finally look at me, scared and hurt and

embarrassed and full of questions, and I remember thinking: This is my

little brother in front of me, the kid who's always trusted me, and I

knew I couldn't lie to him the way I had to Mom and Dad. He said, "Liza,

I'll go on saying the same things to Poindexter,

but I saw you and Annie holding hands once, and you sure spent a

lot of time with her at Ms. Stevenson's and Ms. Widmer's house. Is it

true?"

So I said, "Yes," and then I tried to explain. After I finished,

he was quiet a long time again, and then he asked, "Do you think you

have to be like that?"

Then it was my turn to be quiet, but after a

minute I said, "I think I am like that." Chad nodded sadly, but not in

any kind of disparaging way, and then he hugged me and left. Later that

night, I heard him crying in his room. And then there was Annie--the hurt

I'd seen on her face. She never talked about it. I remember she cut

school and came down to Brooklyn the afternoon of the day I saw Sally on

the steps, not even calling first, because she was afraid I'd tell her

not to come. Mom had gone to the store, and when I answered the door and

saw Annie standing there, all I could do was cling to her, especially as

soon as I saw her eyes and realized that the hurt was still there. I

didn't want to think about what it had done to her to have Ms. Baxter

barrel up the stairs and find her the way she had, to have Sally and Ms.

Baxter stand there looking at her as if they thought she was a whore.

"Liza, Liza," she said, stroking my hair, "are you okay?"

"I think so," I said. "Annie, are you?"

"No one knows for sure that I'm gay except you and Ms. Stevenson and Ms.

Widmer," she said softly, touching my face. "I don't even count Sally

and Ms. Baxter. Nobody's doing anything to me.

Maybe I should tell my parents--I just wish I could share this with you."

"I'm glad you can't," I said. "And I'm glad you haven't told your

parents."

"Liza--don't let it make any difference. It won't, will it?

With us, I mean?"

"Of course it won't," I told her. But I was wrong. Six months of not

writing--that's a difference. And so I lied to Annie. On top of

everything else. I lied to Annie, too.

Friday afternoon, just about the

time when the rally was supposed to be held at Foster, Mom practically

dragged me out of the house to the Brooklyn Museum. I couldn't tell you

a thing we saw. It wasn't so much that I cared about the rally any more;

I didn't, at least not very much. But I did care about my speech. Even

though I'd have been nervous giving it, I'd worked on it with Annie, and

so it was partly hers. "The speech was okay, Liza," Chad said when Mom

and I got home at about six-thirty. "Sally wasn't as good as you'd have

been, but it was okay. Two newspaper people were there, and one of them

said he thought it was a good speech. Should raise a lot of money, he

told Mrs. Poindexter. I don't think Sally changed it much, either." After

I'd thanked him, I ran into my room and slammed the door.

Saturday I got

a letter from Mrs. Poindexter telling me the trustees' hearing would be

the following Tuesday evening, April 27.

Sometimes I think the trustees' hearing was worse than when Ms. Baxter

barged in; sometimes I'm not sure. The Parlor looked different that

Tuesday night with the trustees in it--maybe because it was night. The

hearing had to be then because most of the trustees had jobs during the

day. The only people there I already knew were Mrs. Poindexter, Ms.

Baxter, and of course Ms. Stevenson and Ms. Widmer. They had a lawyer

with them, a tallish woman in a gray dress with a bird pin on the

collar. I don't know why I noticed that pin, but I kept staring at it

almost the whole time we--my parents and I--were waiting to go in. My

parents didn't bring a lawyer. I think they were embarrassed to. Mom

said she didn't think we needed one, because after all I hadn't done

anything, had I? Dad just looked away when she said that. After the

hearing, he said he'd get a lawyer if the trustees actually expelled me

or decided to put anything on my record. I wanted to go over and talk to

Ms. Stevenson and Ms. Widmer while we were all waiting to go in, but Dad

wouldn't let me. He apologized, but he said it wouldn't be a good idea.

Both he and Mom smiled at Ms. Stevenson and Ms. Widmer, though, and then

we all hung around stiffly in the hall, waiting. Ms. Stevenson and Ms.

Widmer and their lawyer were sitting on the wooden settle. Mrs.

Poindexter and Ms. Baxter were already inside. The whole thing felt the

way being caught in quicksand must feel, when you know you're not going

to be able to get out, especially if you struggle. I also felt as if I

were watching my own dream. I was there at the hearing, but I also

wasn't there; I said things, I heard what other people said, but as if

from a great distance. The only thing that seemed truly real to me was

the one thought that wouldn't let go in my mind: It's Annie and me

they're all sitting around here like cardboard people judging; it's Annie

and me. And what we did that they think is wrong, when you pare it all

down, was fall in love.

"Steady," my father  said, walking into the Parlor

between my mother and me when we were called. Ms. Stevenson and Ms.

Widmer started to follow us, but the woman who'd called my parents and

me waved them back to their seats. I must have looked pretty meek,

walking in there with my parents; I know I was more scared than I'd ever

been in my life. Mom had made me wear a dress, and had tried to get my

hair to stay in place by making me use conditioner, which I'd never done

before, so I didn't even smell like myself, at least my hair didn't. Ms.

Stevenson and Ms. Widmer were wearing dresses, too, but at least they

did most of the time--skirts, anyway. But it did occur to me that it was

as if all three of us were trying to say, "See--we're women.

We wear dresses." Oh, God, how ridiculous! As I walked in, I touched

Annie's ring for luck, and tried to remember the words to "Invictus". The

first person I noticed was Ms. Baxter. She was sitting there looking

very solemn and proper and righteous, as if she'd just been canonized.

She was near the end of one side of the same long table that everyone

had sat around at the student council hearing. The trustees sat along

both sides of the table, also looking very solemn but not quite so holy,

and there was an empty chair for me opposite Ms. Baxter, and chairs for

Mom and Dad behind mine. I remembered

Sally whispering last fall in the same room, "It's like court on TV,"

and this time it was even more like that. "The Inquisition," Annie

called it later. Mrs. Poindexter, with a yellow note pad, was sitting

under Letitia Foster's portrait, at the head of the table. Ms. Baxter

was sitting next to her but on the side, at right angles to her. At the

other end of the table, opposite Mrs. Poindexter, sat a fat,

silver-haired man with tight-fitting glasses that sort of sank into his

face. His name, he told me, was Mr. Turner, and he was the head of the

Board of Trustees. I know there was a Miss Foster, who was a distant

relative of Letitia's. Miss Foster was very old and didn't say anything;

I'm not sure she could even hear. There was a woman with reddish hair

and a pale face--the youngest of them, I guess, even though she looked

middle-aged. She was the only one who smiled at me when I walked in.

Next to her was a man in a green corduroy sports jacket and a

turtleneck. There were one or two others, but they faded into a blur.

Then it began. Mr. Turner asked Ms. Baxter to tell in her own words

what she'd seen, and told me to listen carefully. She said something

like, "Yes, of course, but--oh, dear--you do understand how difficult it is

to talk about such things," and the red-haired woman said, sort of

dryly, "As I remember, you were the one who lodged the original

complaint with Mrs. Poindexter," which made me like her right away.

Then, while Mrs. Poindexter put on her glasses and looked down at her

notes, Ms. Baxter--Ms. Baxter with the lace handkerchiefs, Ms. Baxter who

always went around saying one should believe the best of everyone,

Ms. Baxter who said it takes all kinds and the Lord made us all--Ms.

Baxter gave this incredibly lurid account of what she'd seen. It was

awful. It made us sound like monsters, not like two people in love. That

was the worst thing, another thing I'm never going to be able to forget

even though I want to. It was as if everyone were assuming that love had

nothing to do with any of this, that it was just "an indulgence of

carnal appetities"--I think Ms. Baxter actually used those words. Ms.

Baxter also said I was "half-naked" when I came to the door, and that

Annie had "scurried guiltily" out of the bedroom, "wearing nothing but a

red-and-black shirt"--her lumber jacket, which, of course, was as big on

her as a coat.

"What else did you see?" Mr. Turner asked; Mrs.

Poindexter smiled at Ms. Baxter over the tops of her glasses.

"Well," said Ms. Baxter, "of course I felt I had to conduct a search,

because of my long-standing suspicions about the two older women. It

saddened me to do it--but of course I had no choice. I had no idea but what

there might be other--young persons of--of similar persuasion somewhere--so I

went upstairs. I must say the place was a shambles." The "shambles," I

realized, was because of the umbrellas and saucepans. And part of me

wanted to laugh at that absurd line--"persons of similar persuasion"; it

sounded like the equally absurd "persons of the Jewish persuasion": "I

am of the lesbian persuasion." But it wasn't funny. Even later, when I

tried to tell Annie about it, it wasn't.

"Ms. Baxter, please confine your remarks to what you saw involving the

two young women only," Mr. Turner said, which I thought was pretty fair.

Mrs. Poindexter leaned over and whispered to Ms. Baxter, pointing to

something on her note pad. Ms. Baxter stumbled a bit as she said, "Well,

they--Liza, when she answered the door--seemed very flustered. She was

clutching her shirt closed across her--her bosom, and it was clear she

had nothing on underneath, and she was blushing. Then later she kept

looking at the other girl--what was her name?" Mrs. Poindexter took her

glasses off and looked right at me, and suddenly there wasn't a drop of

saliva in my mouth. I'd already made a promise to myself not to mention

Annie's name, on the grounds that the Board of Trustees had nothing to

do with her, and Mom and Dad had both agreed with me. Dad leaned

forward, but the red-haired woman said quickly, "The other girl doesn't

concern us, since she's not a Foster student."

"Well," said Ms. Baxter, "she kept looking at her, Liza did, and poor

little Sally Jarrell said something like, 'Oh, my God,' for which I

certainly do not blame her--I mean, what a terrible shock it must have

been, especially since she and Liza are friends and since Sally is

already deeply and maturely involved with a young man ..."

"Ms. Baxter," said Mr. Turner tiredly, "please confine yourself to what

actually happened, not what you thought about it, or thought someone

else thought about it." Ms. Baxter looked hurt.

"Eliza ran to the stairs," she said, whining a little now, "and forcibly

tried to keep me from going farther, which of course made me certain

something else was going on." I almost leapt out of my chair, but Dad

put his hand on my shoulder. "You'll get your turn, Liza," he whispered.

"Stay loose." Ms. Baxter went on. "But since of course I felt it was my

duty to--to expose those women once and for all for what they are--of

course at that point I only suspected--I went on and--and, well, the rest

does have more to do with the women than with the girls, though how one

can call people like that women, I'm sure I don't know." Ms. Baxter sat

back, not smiling, but piously, as if she felt sure no one could

possibly disagree with her. Mr. Turner looked disgusted, though, and the

red-haired woman looked as if Ms. Baxter was something she'd like to

squash under her heel. Mrs. Poindexter was smiling nastily.

"I would like to add," she said, "that I am grateful to Ms. Baxter for

having the courage to bring this entire appalling matter to my attention. I

of course did not hesitate ..."

The man in the corduroy jacket leaned

forward, his pencil poised over a yellow pad. "Ms. Baxter," he said,

ignoring Mrs. Poindexter, "am I right in deducing that you were far more

concerned all along about the women than about the gids? About

confirming your"--he consulted his pad--"your 'long-standing suspicions'

about the two teachers?" Mr. Turner looked a little uncomfortable, but

he didn't say anything.

"I told you," said Ms. Baxter, "that I have been

disturbed for years by my feeling that all is not as it should

be between those women, that there is a--a sad, unnatural relationship

between them. If two young girls, one of them a Foster girl, were--well,

being immoral ..." Here I almost jumped up again. "... in their house,

and if I actually saw one of them running half-naked out of the bedroom,

I could only assume that there were perhaps more young people, perhaps

Foster students, also using the house lewdly, with, I had to believe,

Ms. Stevenson's and Ms. Widmer's sanction. I felt it my duty to clarify

that point." Mrs. Poindexter nodded emphatically. The red-haired woman

muttered something sardonically that sounded like

"A very orgy," but I'm not absolutely sure that's what she said. "And

when I did go upstairs," said Ms. Baxter, "I found the--er--the bed

unquestionably mussed, and I did at the same time just happen to see the

books I mentioned in the--er--complaint--horrible obscene books ..."

"Ms. Baxter," said the red-haired woman, "did you actually see the two

girls touch each other in a sexual way?"

"Well," said Ms. Baxter, "they stood there holding hands while I was ..."

"I said in a sexual way. In an overtly, umnistakably sexual way. Holding

hands, especially under stress, doesn't seem to me to be particularly

significant."

"Well," said Ms. Baxter, glancing uncomfortably at Mrs. Poindexter,

"well, in--er--that kind of way, overtly, perhaps not, but after all, it

was plain as day what they had been up to. As I said, the bed was

rumpled, and there were ..."

"I see," said the red-haired woman. "Thank you."

"Any more questions for Ms. Baxter?" asked Mr. Turner, looking

around at the members of the board.

"I would just like to remind the

board," said Mrs. Poindexter huffily--she had not once looked at me or

my parents--"that Ms. Baxter has been in the employ of this school for

ten years, and that her record is impeccable."

"Ms. Stevenson and Ms. Widmer have both been at the school for fifteen

years, am I right?" asked the red-haired woman.

"Ms. Stevenson and Ms. Widmer," said Mrs. Poindexter, "especially Ms.

Stevenson, have become increasingly permissive as the years have passed.

In fact, Ms. Stevenson ..."

"Please," said Mr. Turner, "we are not discussing the teachers now."

Then he turned to me, and I guess the twitch at the corners of his mouth

was his attempt at a reassuring smile. "Eliza," he said--and I felt my

stomach almost drop out.

"Unconquerable soul," I tried to say to myself; "bloody but unbowed,"

and I touched Annie's ring again and took a deep breath to make myself

calmer--but none of it really helped. "Liza, rather. Thank you for

coming. I know this is going to be difficult for you, and quite possibly

embarrassing. I have to tell you, however, that we would prefer that you

speak instead of your parents--of course they may assist you--and if at

any time the three of you feel you cannot proceed without counsel, we

will adjourn until you can obtain same." I was a little confused, mostly

because of being so nervous, and I guess Dad must have sensed it because

he moved his chair next to mine and said, "May I explain to

my daughter, sir, that what you mean is that if she wants a lawyer, or

we do, the hearing can be stopped until we get one?"

Mr. Turner did

smile then, and said, "Certainly, Mr. Winthrop, and I thank you for

doing so with such economy. I shall try to use--er--plainer language."

Of course then I felt like a dummy, which didn't help at all. "Liza,"

said the red-haired woman, "mostly we'd just like your version of what

happened when Ms. Baxter knocked at the door. Can you tell us?" I didn't

know what to say at first, so I licked my lips and cleared my throat and

did all the things people do when they're stalling for time. I didn't

want to lie any more, but I didn't want to tell them everything either.

But finally I realized she hadn't asked me about what had happened

before Ms. Baxter arrived, so I relaxed a little. I told them that it

had been more or less the way Ms. Baxter had said, except that she'd

started to go upstairs before she'd seen Annie and that I didn't think I

had "forcibly prevented" her from doing that, although I had tried to

stop her. But the more I talked the more I realized it was obvious that

I was leaving a lot out--and I also felt more and more that whatever I

said wasn't going to make much difference anyway. It was what we were

that Mrs. Poindexter and Ms. Baxter were against, as much as what we'd

done. As soon as I realized that, I thought it was all over.

"Liza," Mr. Turner said delicately, "Ms. Baxter mentioned that you seemed

--er--not quite dressed. Is that so?"

"Well," I began; I could feel my face getting red. "Yes, sort of. But ..."

"What were you wearing, hon?" the red-haired woman asked.

"A shirt and jeans," I said.

"As Ms. Baxter pointed out," said Mrs. Poindexter, "that was obviously all

she was wearing."

"Mrs. Poindexter," said Mr. Turner angrily, "this young woman let Ms.

Baxter speak without interruption. I think the least all of us can do is

extend her the same courtesy." Mrs. Poindexter grunted. But

unfortunately she'd made her point, and I could see the pencils

scribbling.

"And your friend?" asked the red-haired woman. "What was she wearing?"

"A--a lumber jacket," I stammered.

"Is that all?" asked the man in

corduroy. He sounded surprised. I felt my throat tighten and I looked

desperately around at my mother, who I think tried to smile at me. But,

oh, God, that was worse; it was horrible, looking at her and seeing the

pain on her face--seeing also that she was trying to be brave for my

sake. I couldn't speak, so I nodded. I could feel my father squirm in

his chair next to me, and I thought then that he must at that moment

have realized I'd lied to him even if Mom hadn't realized it, or

wouldn't let herself. Mrs. Poindexter got up, walked to the other end of

the table, and said something to Mr. Turner. He shook his head and she

said something else. Then the whole group of them, except Ms. Baxter,

who stayed put, started whispering. My mother glared at Ms. Baxter, and

my father reached out and took my hand. "Steady on," he whispered, even

though I knew what he must be thinking and feeling. "Just remember that whatever happens it's not going to be the end

of the world." But then he and my mother looked at each other and I

could see that they pretty much thought it was.

"Liza," said Mr. Turner softly, "I'm afraid I'm going to have to ask you

why you and your friend were--er--partly undressed."

At this point my usually quiet mother jumped

to her feet and said, "Oh, for Lord's sake! My daughter has already told

her father and me that there was nothing untoward going on! Liza is an

honest girl, a painfully honest girl. She has never lied to us in her

life. Don't you know how teenaged girls are? They're always washing each

other's hair and trying on each other's clothes--things like that. There

could be a million reasons why they weren't quite dressed, a million

reasons ..."

"Teenaged girls," shouted Mrs. Poindexter, moving around to

our side of the table and walking toward my mother, "do not usually try

on lumber jackets. And I've never felt that your Liza had any particular

interest in her hair. As a matter of fact, I have often felt that your

daughter Eliza ..."

"Yes?" shouted my mother. She looked about ready to swing at Mrs.

Poindexter. Dad reached out and grabbed her arm, but she ignored him.

"Ladies, ladies!" said Mr. Turner, standing up.

"That will do! I realize how emotionally charged this is--I warned you,

Mrs. Poindexter, what might happen if we handled this matter in this

way. In any case, we absolutely cannot tolerate this kind of behavior

from anyone."

Everyone sat down again, fuming, Mrs. Poindexter

included, and I was still left with the question.

"Liza," said Mrs.

Poindexter a little sulkily, "answer the question. Why were you and that

other girl so incompletely dressed?"

I looked at Dad and then at Mr.

Turner. I don't know where it came from, but I said, "I guess this is

where I say that I don't want to answer without a lawyer."

"May I point out," said Mrs. Poindexter coldly, "that that statement in

itself can be interpreted as an admission of guilt?" Mr. Turner cleared

his throat angrily, but before he could say anything, the red-ha/red

woman threw her pencil down.

"I think this is all perfectly absurd," she

said. "Not to mention very, very cruel, and downright twisted! What this

young woman does on her own time with her own friends is her business

and her parents' business, not ours. I must say I might be concerned if

I were her parents, but as a trustee of this school, I have more serious

things to worry about." She looked at Mrs. Poindexter and her voice

dropped a little. "Frankly, Mrs. Poindexter, this--this near-vendetta

reminds me of another incident a few years back, the one involving the

boy and girl in the senior class. You will all recall it, I'm sure.

Perhaps there was some small point in the school's involvement in that,

since, because of the girl's condition, the students would naturally

become aware of the situation--but I see no chance of that here, or of

this incident's getting to the public as you seem to fear it might, and

damaging the fund-raising campaign. In fact, I see much more danger of

its being publicized as

a result of this ridiculously anachronistic hearing than because of the

incident itself. The overriding point," she said, looking around at the

board members and then at Ms. Baxter and Mrs. Poindexter, "fund-raising

campaign or no fund-raising campaign, is whether Liza's conduct affected

the other students adversely, or whether something wrong was done on

school time or on school grounds. Obviously, the latter doesn't apply,

and as to the former--it is certainly unfortunate that Sally Jarrell may

have been exposed to something that disturbed her, but she is no more a

child than Liza is, and it's clear to me that Liza did not willingly

make Sally a party to her behavior. Most people nowadays are fairly

enlightened about homosexuality and there certainly was no purposeful

wrong here, no attempt ...0

"There are the teachers," said Mrs. Poindexter softly. "There is the

question of influence--the decided influence that teachers have over

students ..."

"That is a separate issue," said the red-haired woman angrily, "and

obviously one of much greater relevance."

Mr. Turner said, "I think we should ascertain if Liza wishes to say

anything further to us, and then, bearing in mind that she has requested

counsel and that her presence here is voluntary, move to the matter of

the two teachers. We can call Liza at a future date, I am sure, if need

be, assuming she is willing to be questioned further." Mrs. Poindexter's

lips tightened, and she twisted her glasses chain angrily.

"I agree,"

said the red-haired woman, "and I apologize for my outburst, Mr. Turner,

but this has all seemed to me so--so terribly unnecessary that I couldn't

help speaking out. I simply don't see that what the two girls did or

didn't do is of any importance whatsoever. What matters is the influence

the teachers may or may not have had on them, and on other Foster

students." I think I must have been staring at her, because I remember

she gave me a sort of embarrassed and apologetic smile. It is important!

I wanted to shout; it was as if she'd suddenly betrayed me--the one

person on the board I'd really trusted and who I thought had understood.

I knew she was trying to be fair to everyone, not just to me, but, oh,

God, I wanted to stand up and shout: No one had any influence on us! Ms.

Stevenson and Ms. Widmer had nothing to do with it. What we did, we did

on our own; we love each other! Can't anyone understand that? Please

--can't someone? We love each other--just us--by ourselves--But although

most of those words were in my mind by the time Mr. Turner looked at me

again and said, "Liza, is there anything else you would like to say?" all I

could do was shake my head and whisper, "No, sir." And much, much later,

I thought of what Annie had said about mountains, and felt as if I still

had a whole range of them left to climb.

17

I remember very little about the next few days. I know I saw Annie

only twice, and both times we were stiff and silent with each other, as

if all the fears, all the barriers, were back between us. The long thin

white envelope came on Saturday when Chad and I were home watching a

Mets game. Chad went down for the mail during a commercial. I was

sitting there, idly wondering if they were ever going to rewrite the

stupid beer ad I was suffering through for the millionth time, when I

heard his key scraping in the lock and then his voice saying, "Liza, I

think it's come." He handed me the envelope--from Foster--and I swear he

was more scared than I was. He hadn't said much about what it had been

like at school for the past couple of weeks while I hadn't been there,

but I got the impression it hadn't been any picnic for him. Sally, he'd

mentioned casually, wouldn't speak to him. Even though she was a senior

and he was only a sophomore, they'd always been friendly enough to say

hi in the halls and things like that. Sweet wonderful Chad! One

afternoon he came home late with a bloody nose and blood in his sheepdog

hair. He ran straight to Dad; he wouldn't speak to me. Neither he nor

Dad ever told me what happened, but I'm pretty sure I know, and it

still makes me sick, thinking about it.

"Aren't you going to open it?

You want me to go away? I'll go back to the game," he said, and turned

toward the TV set. It's funny, but I didn't feel much of anything,

staring at that envelope before I opened it. Maybe it was because by

then I really didn't want to go back to Foster anyway, even if they said

I could and so in a way I was dreading not being expelled as much as

being expelled. The only thing I was conscious of worrying about was

MIT, and whether the trustees would notify them if they expelled me and

what reason they'd give. There was a roar from the TV set--the Mets had

just gotten a run. Chad didn't roar, though, and you can usually hear

his shouts halfway down the hall outside our apartment. I stuck my

finger under the flap of the envelope and it opened so easily I hoped it

hadn't come unglued on the way and that the letter hadn't fallen out in

front of everyone in the post office.

Dear Ms. Winthrop,

The Board of Trustees of Foster Academy is happy to inform you ...

"Chad," I said. "It's okay."

Chad threw his arms around me and shouted

"Hooray!" Then he stepped back, and I must have looked pale or something

because he sort of eased me down into Dad's chair and said, "Hey, Liza,

you want some water or an aspirin or something?"

I shook my head, but he got me some water anyway, and after I'd drunk

some of it, he said, "Aren't you going to read the rest of the letter?"

"You read it," I said.

"Sure?" I nodded. So Chad read out loud:

"Dear

Ms. Winthrop,

"The Board of Trustees of Foster Academy is happy to

inform you that, after due deliberation relative to the disciplinary

hearing held on April 27 of this year, we have found no cause for action

of any kind in your case, disciplinary or otherwise.

"Mrs. Poindexter has agreed that you will continue in your position of

Student Council President. No account of the hearing will appear on your

record and none will be sent to any college to which you have applied or

at which you have been accepted.

"With all good wishes for the future, Sincerely,

John Turner, Chairman"

"There's a separate little slip, too," Chad said, holding it up, "saying

you can go back to school on Monday."

"I can't wait," I said dryly.

"Lize?"

"Hmm."

He looked very puzzled. "Liza--does it mean--you know.

Does it mean you aren't--weren't ··? But I thought--you know."

"Oh, God, Chad," was all I said, all I could say. And then I went out of the

room to call Annie, leaving my poor little brother even more bewildered

than before. After I called Annie, I tried several times to call Ms.

Stevenson and Ms. Widmer but wasn't able to reach them. I tried again on

Sunday and Annie and I even talked about walking over there, but Annie

pointed out that it might be more sensible not to let anyone, especially

Ms. Baxter, see us there at least until everything had died down a bit.

Monday was the first really hot day we'd had, almost like summer, but I

knew that wasn't why I was sweating by the time Chad and I arrived at

school. I wanted to walk in confidently, looking as if nothing had

happened, but as we went up the steps, I knew I wouldn't be able to do

it. "If you want us to go in separately, it's okay with me," I told him.

"Are you crazy?" he said. And then he actually held the door open for

me, and stared hard at a couple of sophomores who sort of snickered.

"Good luck, Sis," he whispered. "Yell if you need me. I've got a left

jab that packs quite a wallop." I suppose I embarrassed him by doing it,

but I hugged him right there in the hall. Foster felt like a place I'd

never been before when I walked through the hall that day and downstairs

to my locker. I guess it was mostly that I didn't feel I could trust

people there any more, and somehow that made even the familiar shabby

walls look potentially hostile. There were the same rooms, the same

people, the same staircases, the same dark wood and stuffy smell, the

same dining room with little vases of violets from the school garden on

each table, the same bulletin board on which Sally had put her

ear-piercing sign a hundred years ago, my same old battered locker ...

Would there be another note? There wasn't. A couple of kids came to

their lockers when I was putting stuff back into mine, and I said hi and

they said hi back, but of course it was a little stiff and embarrassed

on both sides. Valerie Crabb, who was in my physics class, tried,

though. She held out her hand to me and said, "Welcome back, Liza. You

want any help making up stuff in physics, say the word." That was really

nice. But then I went into the girls' room and that wasn't so nice. No

one said anything specific but one kid said hi loudly, like a warning:

"Hi, LIZA!"--and she and another girl who'd been combing their hair left

immediately and someone who'd just gone into a booth flushed right away

and hurried out without even washing her hands or looking at me. I told

myself it would be great to have the john to myself every time I wanted

to use it, but I didn't convince myself. Then, on the way to chemistry,

I ran into Walt. He stopped right in the middle of the hall when I was

still a few feet away and held out his hand to me. "Liza, hello," he

said, all smiles. "Hey, it's really good to see you back. I mean

that--really good." I tried to shift my books around so I could shake his

hand, since he was holding it out so persistently.

"Hi, Walt," I said, and started walking again as soon as the handshake was

over.

He

fell into step beside me. "Hey, listen, Liza," he said. "I hope you're

not going to let any of this--well, you know--affect you at all. I mean,

well, sure Sally was upset, but I want you to know I'm behind you all

the way--I can understand Sally's reaction, but--well, I'm not going to

desert a friend just because of a little--sex problem or anything. I

mean, the way I figure it, it's just like any other handicap ..."

Luckily we'd just about reached the lab by then, and luckily Walt's

first period class was Latin, not chem. I didn't really notice in

chemistry that the only people sitting near me were boys, especially

since, when we broke to do an experiment, my lab partner, who was a very

intense, brilliant girl named Zelda who was going to be a doctor and who

hardly ever smiled, began asking me questions. She started innocently

enough, saying, "Welcome back, Liza. I mean that sincerely." I thanked

her, trying not to make as big a thing of it as she was, and started

trying to figure out how many pages to skip in my lab notebook to allow

for experiments I'd missed and would have to make up. Zelda was setting

out apparatus, not looking at me, but then she said in an odd, sort of

choked voice, "If you'd like to talk about it any time, Liza, I'll be

glad to listen."

I looked up then and when I saw her face the icicles started coming back

to my stomach. "Thanks," I said carefully, "but I don't think so." Her

face seemed very serious, but her eyes didn't.

"Liza, may I ask you something?"

"Sure," I said reluctantly.

"Well--I think you know me well enough to

know this isn't out of any prurient interest or anything, right?" The

icicles in my stomach got colder; I shrugged, feeling trapped. "Well,"

Zelda began, "since I'm going to be a doctor and all ..." It was at

this point that I realized there were several other kids, mostly girls,

but a few boys, too, clustered around our table, as if they were all

suddenly coming over to borrow a test tube or ask a question--but there

were too many of them for that. Zelda went right on talking as if they

weren't there, but I could see she was very aware of them. "I just

wondered," she said smoothly, "if you could tell me, from a scientific

standpoint, of course, just what it is that two girls do in ..."

It did get better, although it took a while for some of the girls to sit

next to me again in class. That was funny, in a way. At Foster we didn't

have assigned seats, and as I said, I really didn't notice it in chemistry

that first morning, but by afternoon it had become pretty obvious. When

I realized what was going on, I purposely arrived a little late to my

classes so I'd get to choose who to sit next to and could maybe show the

girls that I wasn't going to rape them in the middle of math or

something. I don't know; I'm probably exaggerating, but it did seem a

little grim at first. I guess if I add it all up, though, I'd have to

say that for every kid who was rotten--and there were really only a

few--there were at least two, like Valerie and all the kids who just said

hi to me in an ordinary friendly way, who counteracted it. Mary Lou

Dibbins, for instance, came up to me and said, "Thank God you're

back--Angela can't even begin to stand up to Mrs. Poindexter at council

meetings." There was a girl in history class who just smiled, came over

to me, and as if nothing had happened asked if I had an extra pen. And

then there was Conn, and what he told me. It was later in the afternoon

of that first day before I got around to reading the bulletin board in

the main hall. A notice had gone up, dated noon, from Mrs. Poindexter,

canceling the next two council meetings--which meant that, despite what

Mary Lou had said, there'd probably only be one more I'd preside at,

since finals were coming up soon. Seeing that notice was like having the

last bad thing happen on one of those days when everything goes wrong.

Conn came up to me when I was standing there and he obviously figured

out what I was going through, which made it partly worse and partly

better. "Life," he observed, looking at the bulletin board instead of at

me, "is a crock of you-know-what, with all the wrong people falling into

it. Still--you hear about Poindexter?"

"No," I said through the damp haze in front of my eyes. "What about

her?"

"Leaving at the end of the year.

Some order from the Board of Trustees. It's not around school yet, but

there was this official-looking letter in the office that I just

happened to see Baxter weeping over. Something about 'demonstrations of

poor judgment and overreaction to trivial incidents.'

And 'overextension of authority

to the point of undermining democratic principles.' Also, you might like

to know that Friday afternoon, Mr. Piccolo announced that the pledges

are really starting to come in now." Conn put his hand on my arm, still

looking at the bulletin board. "Liza," he said, "listen, MIT's going to

be great, you know that, don't you?" I managed a nod, and Conn patted my

arm and said, "Don't forget it," and then he even had the tact to go

away--and I still stood there. Right at that moment it didn't matter to

me very much how good it was that Mrs. Poindexter was leaving. It did

matter that it was obvious she'd been kicked out by the Board of

Trustees, and that even though the disciplinary hearing was clearly not

the only reason, it certainly must have been one of the reasons. The

trouble was, all I could think was I did that, too--because right then I

didn't want to have an effect on anyone's life, not even Mrs.

Poindexter's. I just wanted to be as anonymous and unimportant as the

newest freshman, from then till graduation. But I decided, since this

was my first and only free period that day, to go ahead with what I'd

been on my way to do when I'd stopped at the bulletin board: go to the

art studio to see Ms. Stevenson and find out how Ms. Widmer's and her

hearing had gone--I didn't have English till last period, so I hadn't

seen Ms. Widmer yet. But there was a strange woman rummaging in Ms.

Stevenson's supply cupboards. She looked up blankly when I went in, and

said, "Yes? May I help you? I don't think there's a class here this

period--is there?" The woman laughed in a friendly way as she went to Ms.

Stevenson's drawing board and picked up a schedule. "I wonder how long

it's going to take me to learn what's when ... Is anything the matter?"

Ms. Stevenson's got another cold, I told myself as I ran out; she's just

absent. I think I ran all the way to Ms. Widmer's room. There was a

class going on, but Sally was right outside the closed door, at the

water fountain. "If you're looking for Ms. Widmer," Sally said with a

little smile, "I'm afraid you won't find her here."

"But she should be back today," I said, still stupidly bewildered. "The

way I am. I mean, I got my notice Saturday, so she must've ..."

"I'm sure she got hers Saturday, too, Liza," Sally said almost

sympathetically. "That's why she's not here." I think I said, "Oh, God,"

and started to walk away.

But Sally came after me. "Liza," she said, "listen. You may not believe

me, but--well, I'm sorry I had to do what I did. I'm sorry I was mad,

too, and--well, I'd like to help you, Liza; Walt knows of this really

good doctor, a shrink, I mean ..." I tried to brush her away and I

probably said something terse like, "I don't need your help" but she

hung on. All I could think of was getting to a phone and calling Ms.

Stevenson and Ms. Widmer. "Listen, Liza, the trustees had to do it,

don't you see? Even if there hadn't been a fund-raising campaign going

on, they'd have had to fire Ms. Stevenson and Ms. Widmet. Having

teachers like that--it's sort of like my causing ear infections, isn't

it? Only this is so very much worse. I mean, it just ruins people

for--for getting married and having kids and having a normal, healthy

sex life--and for just plain being happy and well-adjusted. The thing

is--well, think of the influence teachers have." She smiled sadly. "Oh,

Liza, think of yourself, think of how influenced you were by them! You

always liked Ms. Stevenson especially; you almost idolize her ..." I

swear it was all I could do not to shake her.

"I do not idolize her!" I shouted

"I like them both--the way most other kids in this school do. I didn't

even know they were--I mean, I didn't ..." I sputtered for a few seconds

more, thinking it might still be risky to say outright that they were

gay.

Instead I said, "Sally, I'd have been gay anyway, can't you understand

that. I was gay before I knew anything about them." Then I heard myself

saying, "I was probably always gay--you know I never liked boys that way

..."

"Gay," Sally said softly. "Oh, Liza, what a sad word! What a

terribly sad word. Ms. Baxter said that to me and she's right. Even with

drugs and liquor and other problems like that, most of the words are

more honestly negative--stoned, drunk out of one's mind ..."

I think it was at that point that I did take hold of Sally's arm--not to

shake her, but just to shut her up. I remember trying to keep my voice

from breaking. "It's not a problem," I said. "It's not negative. Don't you

know that it's love you're talking about? You're talking about how I

feel about another human being and how she feels about me, not about

some kind of disease you have to save us from." Sally shook her head.

"No, Liza. It isn't love, it's immature, like a crush, or a sort of

mental problem, or---or maybe you're just scared of boys. I was too,

sort of, before I knew Walt." She smiled, almost shyly. "I really was,

Liza, even if that sounds funny. But he's--he's so understanding

and--and, well, maybe you'll meet a guy like him someday and--and--oh,

Liza, don't you want to be ready for that when it happens? A shrink

could help you, Liza, I'm sure--why, they said at the hearing that ..."

I stared at her. "Were you at the hearing?"

"Why, yes," she said, looking surprised. "At Ms. Stevenson's and Ms.

Widmer's. I thought you knew--I came in just as you and your parents were

leaving. I was going to speak at your part, too, but then they thought

I shouldn't, since I'm in your class and we've been friends and all, and

I agreed. But Mrs. Poindextcr wanted me to talk about what kind of

influence Ms. Stevenson and Ms. Widmer had on the students, on you,

especially."

"And you said?"

"Well, I had to tell the truth, didn't I? I told them that you idolize

them, because it's true, Liza. I don't care what you say, you certainly

idolize Ms. Stevenson. And I said that maybe you thought that anything

they did was fine and that you sort of--well, want to be like them and

all ..."

"Oh, God," I said.

It's snowing, Annie, Liza wrote--but the echo of Sally's words and of

her own stalled thoughts interrupted: Running through my head--running

through my head--Running through my head ... was ... what? She wrote

again, groping: The snow here on

the campus is so white, so pure. Once when I was little--did I ever tell

you this?--I saw a magazine picture of a terrible black and twisted

shape, a little like an old-fashioned steam radiator, but with a head on

it and stubby feet with claws. Someone, maybe my mother, said jokingly,

"See, that's what you look like inside when you're bad." I never forgot

it. And that's what I've felt like inside since last spring. Running

through my head--running through my head now is ... Annie, if I'd been at

their part of the hearing, I could have told the truth. I probably could

have saved them--well, maybe saved them--if I'd been there. And even at my

own hearing I might have been able to help them;

I could have said--I wanted to say--that they'd had no influence, that I'd

have been gay anyway ...

Liza put on her jacket; she went outside and

stood on the deserted riverbank, watching the snow fall lazily into the

Charles. If I hadn't been gay, she thought as her mind cleared; if

nothing had happened in that house, in that bedroom ... "But dammit,"

she said aloud, "you are gay, Liza, and something did happen in that

house, and it happened because you love Annie in ways you wouldn't if

you weren't gay. Liza, Liza Winthrop, you are gay." Go on from that,

Liza, she told herself, walking now. Climb that last mountain ...

18

It

comes back in clouds, in wispy images. I remember walking with Annie to

Cobble Hill late in the afternoon of that first day back at school, the

day Sally told me Ms. Stevenson and Ms. Widmer had been fired. It was

raining again; I remember that, too, and there was no one at home in the

little house with the gardens front and back. I remember Annie looking

up at the doorway, saying, "I can't hate it, Liza, can you?" I didn't

understand what she meant, so I asked her, and she said, "I've been

afraid that I'd hate this house. But I can't. I love it. So much of what

happened here was beautiful." And Annie kissed me then, in the rain in

the dark doorway. The front door was open when we went back on Saturday

and there were cardboard boxes all around and suitcases and Ms.

Stevenson's "masterpiece" from the art studio was propped up in a

corner, and the cats were in carrying cases so they wouldn't run outside

in the confusion and get lost. The little house in Cobble Hill was being

stripped of all the things that made it look warm and loved and lived

in.

Ms. Widmer was out in the back garden, digging up a plant and obviously

trying to look braver than she felt. Ms. Stevenson, in a pair of old

jeans, was packing the last of their books. "Hi, you two," she said--she

even smiled--when we came in. What I did then was something I'll never

regret: I hugged her. We held each other for a very long minute and then

she pushed me away, smiling, and said, "Oh, look, it's not so bad. We're

lucky. We have this place in the country--we were going to retire there

anyway. I've been talking about doing some serious painting, and

Kah--well, she's always wanted to have a big vegetable garden and some

chickens, and to write poetry of her own instead of reading other

people's. Now we can ..."

"You're teachers!" I remember saying. "You're such good teachers, good

for kids ..."

"Well, we've had more than twenty years of that. Lots of people change

careers these days." But I looked at Annie and Annie looked at me and we

both knew that what really mattered was that probably neither of those

two brave and wonderful women would ever teach again.

Annie, today I

went outside and in the snow in the courtyard outside my dorm I built a

replica of my childhood monster and wished you were with me. My snow

monster was pure and white and guiltless, and I looked at it, Annie, and

it struck me that it can never turn black and ugly like the monster of

my childhood, because what is guiltless about it is what it is, not

necessarily what it does. Even if sometimes what it does is bad, or

cowardly, or foolish, it itself is still okay, not evil. It can be good,

and brave, and wise, as long as it goes on trying. And then, Annie, I

tore the monster down, and wished again that you were with me ...

Annie and I went out that last Saturday to get lunch for all of us, roast

beef sandwiches and Cokes. It was so much like an indoor picnic, among the

boxes and the suitcases, that we all tried to be cheerful--but that only

worked a little.

"I hope everyone likes roast beef," Annie said.

"Mmmmm." Ms. Stevenson bit into her sandwich. "Super!" She waved her

sandwich at us. "Eat up, you two--oh, do stop looking like a couple of

frightened rabbits. It'll be okay. There are a lot of unfair things in

this world, and gay people certainly come in for their share of them--but

so do lots of other people, and besides, it doesn't really matter. What

matters is the truth of loving, of two people finding each other. That's

what's important, and don't you forget it." Annie smiled at me, and I

felt her hand squeeze mine, and I think we both realized at the same

time what a comfortable feeling it was to be able to sit there with

other people like us, holding hands. But even so, I still felt crummy

inside.

"I--I know you're trying to make us feel better," I said, "but to

think of you not--not being allowed to teach ..."

Ms. Widmer stuffed a used napkin into a paper bag. "We should tell them,

Isabelle,' she said, "about when we were kids."

"When we were kids," said Ms. Stevenson, nodding, "and our parents found

out about us--well, suspected--they told us we could never see each

other again ..."

"God!" said Annie.

"Yes, well of course we did anyway," said Ms. Widmer.

"We did a lot of sneaking around," said Ms. Stevenson, "for more than a

year--it was rather horrible. And we got caught a few times--once almost

the way you two did, as Kah very rightly reminded me when I was too

angry to remind myself."

"So we know what that feels like," said Ms. Widmer softly. "How dirty it

makes you feel at a time when you want to feel wonderful and do feel

wonderful, new and pure and full of love, full of life ..."

Ms. Stevenson got up and went to the window. Then she stooped and touched

the orange cat's nose affectionately through the grating in his carrying

case. "Look," she said quietly, "I can't lie to you and say that losing

our jobs like this is easy. It isn't. But the point is that it'll be

okay; we'll be okay.

And we want to know that you will be, too." Ms. Widmer leaned forward.

"Isabelle was a WAC for a while," she said. "Between high school and

college. Someone found some of my letters to her. Talk about Inquisitions--the army's a good deal better at them than Foster, I can

assure you! But you know what? Even though Isabelle was discharged and

even though it looked for a time as if no college would take her, one

finally did, and after a while, once she'd gotten her first teaching job

and held on to it for more than a year, it hardly mattered any

more, not in a practical way, anyhow. And ..."

Ms. Widmet smiled

lovingly at Ms. Stevenson. "The important thing is," she said, "that we

got through that time, too, and we're still together." Ms. Stevenson

patted Ms. Widmer's hand, and then she came over to me and put her hands

on my shoulders. "I should also tell you"--she glanced at Ms. Widmer, who

nodded--"that Kah almost left me after my discharge. She went through

more hell than I did, Liza, because she blamed herself for writing those

letters to me--even though I was the one who'd left them around. She

kept thinking that if she hadn't written them ..."

"... if I hadn't been gay," said Ms. Widmer softly.

"... then nothing would have happened. No court-martial, no discharge ..."

"It took me a couple of years to realize," said Ms. Widmet, "that it

wasn't my fault--that it wasn't my homosexuality that had gotten Isabelle

discharged, it was what people wrongly made of it." Annie's hand

tightened in mine and she whispered, "See?"

"I think," said Ms. Widmer, "that I had to accept I was gay before I

could realize that it wasn't my fault about the discharge." She

chuckled. "That's why I like that quote so much, the one about the truth

making one free. It does, you know, whatever that truth is." Ms.

Stevenson--I know she said something then, but I can't quite remember the

words. I think I said something lame about their teaching jobs again.

And I can sort of remember the way Ms. Stevenson looked at me, as if she

were trying to get inside my mind. She put her hands on my shoulders

again, still looking at me the same way--looking right into me. And she

said--Ms. Stevenson said--"Liza, Liza, forget about our jobs; forget

that for now. This is the thing to remember: the very worst thing for

Kah and me would be to be separated from each other. Or to be so worn

down, so guilt-ridden and torn apart, that we couldn't stay together.

Anything else ..."

"Anything else is just bad," said Ms. Widmer. "But no

worse than bad. Bad things can always be overcome."

"You did nothing to us," Ms. Stevenson said gently.

"If you two remember

nothing else from all this," Ms. Widmer said, "remember that. Please.

Don't--don't punish yourselves for people's ignorant reactions to what we

all are."

"Don't let ignorance win," said Ms. Stevenson. "Let love."

Liza pushed back her chair, her eyes going from the last part of her long

fragmentary letter up to Annie's picture, remembering as the snow fell

outside her window how the snow had fallen on the Promenade nearly a

year earlier when they'd given each other the rings. She looked at her

watch; it was only six o'clock in California. Dinnertime. I'm not going

to think about it, she said to herself, getting up. I've thought enough

already. I'm just going to go ahead and do it. She found Annie's first

letter from Berkeley and copied down the phone number of her dorm; she

counted out all the change she had and borrowed four quarters from the

girl across the hall. By the time she got to the phone booth on the

first floor of her dorm, her mouth was dry and her heart was racing; she

had to say

"Annie Kenyon" twice to the woman-operator? student?--who answered

impersonally at the other end. And then there was Annie's voice, from

thousands of miles away, saying with mild curiosity, "Hello?"

Liza closed her eyes. "Annie," she said. "Annie, it's Liza." A pause.

Then: "Liza? Liza, oh, my God! Is it really you? Liza, where are you?

I was just ..."

"I--yes, it's me. I'm at MIT. I--Annie, I'm sorry I haven't written ..."

Liza heard herself laugh. "Oh, God, what a dumb thing to say!

Annie--Annie--are you coming home for Christmas?"

A laugh--a slow, rich,

full-of-delight laugh. "Of course I am. Liza--I don't believe this!

This guy I know--he's from Boston, and there's someone in New York he

wants to see. He just offered to switch plane tickets with me--I told him

about us, a bit--he offered to switch plane tickets if I wanted to, well,

try to see you. I said I didn't know, I'd have to think about it. Our

vacation starts tomorrow. I--I was trying to work up the courage to call

you. Liza--are you still there?"

"I--yes. Annie--sorry. I--I'm crying--it's so good to hear your voice

again."

"I know, I'm crying, too."

"Switch tickets--please. We can go home together--my vacation doesn't

start for a couple of days. I'll meet you at Logan Airport, just give me

the flight number. Annie?"

"Yes!"

"Annie, Ms. Widmer was right. Remember--about the truth making one free?

Annie--I'm free now. I love you. I love you so much!"

And in a neat whisper: "I love you, too, Liza. Oh, God, I love you, too!"